murraybramwell.com

Bibliography

Publications 2025

Publications 2024

Publications 2023

Publications 2022

Publications 2021

Publications 2020

Publications 2019

Publications 2018

Publications 2017

Publications 2016

Publications 2015

Publications 2014

Publications 2013

Publications 2012

Publications 2011

Publications 2010

Publications 2009

Publications 2008

Publications 2007

Publications 2006

Publications 2005

Publications 2004

Publications 2003

Publications 2002

  • “End of Seasoning”, (Salt), The Adelaide Review, No.231, December 2002, p.26-7
  • “End of Seasoning”, (Salt), The Adelaide Review, No.231, December 2002, p.26-7
  • “State Occasions”, (STC season), The Adelaide Review, No.230, November 2002, p.21-2
  • “Star of the big picture show”, (Scenes From an Execution), The Australian, 7 October 2002, p.7
  • “Adelaide”, (Charming Picture Books Spring to Life), The Australian, 4 October 2002, p.15
  • “Enquiring Minds”, (Vitalstatistix and Sydney Theatre Company), The Adelaide Review, No.229, October 2002, p.22-3
  • “Home Truths”, (Melbourne Festival preview), The Adelaide Review, No.228, September 2002, p.?
  • “High Jinx”, The Adelaide Review, No.227, August 2002, p.23-4
  • “Theatre Adelaide”, The Australian, 19 July 2002
  • “Theatre Adelaide”, (Australian Texts Theatre Review), The Australian, 8 July 2002, p.13
  • “Cabaret Season”, (Adelaide Cabaret Festival 2002 Review), The Adelaide Review, No.226, July 2002
  • “Another Country”, (Despoiled Shore), The Adelaide Review, No.226, July 2002, p.22
  • “Rocky Horror and a Pack of Droll Models”, (Adelaide Cabaret Festival), The Australian, 10 June 2002, p.15
  • “Great and Small”, (The Great Man), The Adelaide Review, No.225, June 2002, p.19
  • “Cold Comfort Farm”, (The Beauty Queen of Leenane), Adelaide Review, June 2002
  • “A Little Night Music”, (Faithless and Dirty Three), The Adelaide Review, No.224, May 2002, p.21
  • “Fringe Wrap”, (Overview of Festival Fringe), The Adelaide Review, No.223, April 2002, p.13-14
  • “The Festival That Was”, (Adelaide Festival), The Adelaide Review, No.223, April 2002, p.13
  • “Adelaide Fringe Theatre”, (No Taboo Unturned), The Australian, March 18, 2002, p.15
  • “Adelaide Festival – Film”, (Cinematic focus richly rewarded), The Australian, 8 March 2002, p.17
  • “Adelaide Festival 2002 Theatre”, (Subverted melodrama), The Australian, 8 March 2002, p.17
  • “Adelaide Festival 2002 Theatre”, (Devilish toll of nuclear testing), The Australian, 4 March 2002, p.15
  • “Fringe Events”, The Adelaide Review, No.222, March 2002, p.22-23
  • “Three arts projects”, (Fringe), The Adelaide Review, No.222, March 2002, p.22
  • “Adelaide Theatre”, (Comedy Review), The Australian, 16 February 2002
  • “Fringe Notes”, (Adelaide Fringe Festival), The Adelaide Review, February 2002
  • “APA”, Unknown, February 2002
  • “Festival Update”, (Preview), The Adelaide Review, No.221, February 2002, p.25
  • “Summer Seven”, (Preview), The Adelaide Review, No.220, January 2002, p.23-4

Publications 2001

  • “Adelaide Festival Crisis”, (Article), The Adelaide Review, No.219, December 2001, p.3-5
  • “Buried Lives”, (A Lie of the Mind), The Adelaide Review, No.219, December 2001, p.32-3
  • “Adelaide Theatre”, The Australian, 30 November 2001, p.18
  • “Single Bill”, (Billy Bragg and Dave Graney), The Adelaide Review, No.218, November 2001, p.31-2
  • “The Dying Gaul”, (Review of Craig Lucas’s play by State Theatre Company), The Australian, 25 October 2001
  • “The Dying Gaul”, The Australian, 25 October 2001
  • “Causes and Karma”, (Life After George), The Adelaide Review, No.217, October 2001, p.29
  • “Contested Ground”, (Holy Day), The Adelaide Review, No.216, September 2001, p.29-30
  • “Jennifer in Security”, (The Australian), The Australian, 27 August 2001, p.15
  • “Adelaide Theatre”, (Holy Day by Andrew Bovell), The Australian, 24 August 2001, p.10
  • “Triptych”, (Art), The Adelaide Review, No.215, August 2001, p.27-8
  • “Adelaide Theatre”, (Review of Wit by Margaret Edson), The Australian, 23 July 2001, p.15
  • “Back to Beguinnings”, (Roger McGuinn), The Adelaide Review, No.214, July 2001, p.29-30
  • “Liquidating Assets”, (Killer Joe), The Adelaide Review, No.214, July 2001, p.26
  • “Tivoli Nights”, (Australian Ballet), The Adelaide Review, No.214, July 2001, p.26-7
  • “Cabaret in May”, (Cabaret Festival), The Adelaide Review, No.213, June 2001, p.40
  • “Return Journey”, (Emmylou Harris), The Adelaide Review, No.212, May 2001, p.36
  • “A house among the stars”, The Australian, 4 May 2001, p.10
  • “Come Out Theatre”, (Come Out Festival), The Adelaide Review, No.317, May 25, 2007, p.19
  • “Big World”, (Womadelaide), The Adelaide Review, No.210, March 2001, p.34-5
  • “Combat Zone”, (Third World Blues), The Adelaide Review, No.210, March 2001, p.36
  • “Womadelaide Returns”, (Womadelaide previewed), The Adelaide review, No.209, February 2001, p.33-34

Publications 2000

  • “Revelation”, (Bare), Adelaide Review, No.207, December 2000, p.39
  • “Power Play”, (Julius Caesar), Adelaide Review, No.86, March 1991, p.34
  • “Factitious Fictions”, (Collected Stories), Adelaide Review, No.206, November 2000, p.41
  • “Running on Empty”, (Sweet Road), Adelaide Review, No.205, October 2000, p.35
  • “Picture Book Quality”, (Pom Pom), Adelaide Review, No.204, September 2000, p.35
  • “Equus”, (Theatre Review), The Adelaide Review, No.204, September 2000, p.34
  • “Recent and Revisited”, (CD reviews), Adelaide Review, No.203, August 2000, p.26-27
  • “Recent and Revisited”, (CD reviews), Adelaide Review, No.203, August 2000, p.26-27
  • “Secrets and Truths”, (How I Learned to Drive and Secret Bridesmaids’ Business), Adelaide Review, No.203, August 2000, p.26
  • “Secrets and Truths”, (How I Learned to Drive and Secret Bridesmaids’ Business), Adelaide Review, No.203, August 2000, p.26
  • “Away from Home”, (Stolen), Adelaide Review, No.200, May 2000, p.30
  • “ZZ Does It”, (Adelaide Entertainment Centre Review), The Adelaide Review, 1 May 2000
  • “Ghost Strain”, (Blithe Spirit by Noel Coward), The Adelaide Review, May 2000
  • “Big hArt Works”, (Theft of Sita Review), The Australian, 17 March 2000, p.12
  • “Theatre – Adelaide Festival”, The Australian Arts Review, 5 March 2000
  • “Gothic Revival”, (The Cure Review), The Adelaide Review, 1 January 2000

Publications 1999

  • “Double Bill”, (Paul Kelly and Uncle Bill), Adelaide Review, No.195, December 1999, p.36
  • “Cakes and Ale, Wind and Rain”, (Twelfth Night), Adelaide Review, No.194, November 1999, p.37
  • “Private Lives”, (Closer), Adelaide Review, No.192, September 1999, p.30-1
  • “Grande, or de Trop ?”, (Saltimbanco Cirque du Soleil Ellis Park Review), The Adelaide Review, August 1999
  • “Grounded”, (Music Review), The Adelaide Review, 1 August 1999
  • “Pulp Theatre”, (Criminal Genius/Mojo), Adelaide Review, No.190, July 1999, p.32
  • “Heartbreak Hotels”, (The Judas Kiss), Adelaide Review, No.190, July 1999, p.32-3
  • “Dark Truths”, (Carrying Light), Adelaide Review, No.189, June 1999, p.36
  • “New Sounds and Old”, (CD Review), Adelaide Review, No.189, June 1999, p.39-40
  • “New Sounds and Old”, (CD Review), Adelaide Review, No.189, June 1999, p.39-40
  • “The Eyes of Patrick White”, (Barry Humphries), Adelaide Review, No.188, May 1999, p.34
  • “City of Dreadful Night”, (Roberto Zucco), Adelaide Review, No.188, May 1999
  • “Heads bang on heavy night out”, (Adelaide Deep Purple Review), The Australian, 21 April 1999, p.14
  • “English … and Irish”, (Waterson:Carthy/Altan), Adelaide Review, No.187, April 1999, p.36
  • “Comedy and Come Out”, (Preview), Adelaide Review, No.186, March 1999, p.39
  • “World View”, (Womadelaide), Adelaide Review, No.186, March 1999, p.37-8
  • “Summer Reign”, (Paul Kelly with Bic Runga), Adelaide Review, No.185, February 1999, p.30
  • “Showtime”, (The Dave Graney Show), Adelaide Review, No.184, January 1999, p.31
  • “Faithless Heaven”, (Music Review), The Adelaide Review, 1 January 1999

Publications 1998

  • “Coming to Grips with Heavyweight Barker”, (The Europeans), The Australian, 13 November 1998, p.16
  • “Wild Thymes in Warwickshire”, (The Herbal Bed), Adelaide Review, No.182, November 1998, p.37
  • “Smoking Guns”, (The Sex Pistols), Adelaide Review, No.158, November 1998, p.38
  • “Crimes and Misdemeanours”, (Love and Human Remains / Speaking in Tongues), Adelaide Review, No.181, October 1998, p.30-31
  • “ADELAIDE Theatre”, (Making it New), Real Time, October 1998
  • “Crimes and Misdemeanours”, (Love and Human Remains / Speaking in Tongues), Adelaide Review, No.181, October 1998, p.30-31
  • “Mental Notes”, (Mental as Anything), Adelaide Review, No.181, October 1998, p.33
  • “ADELAIDE Theatre”, The Australian, September 1998
  • “Time Lord”, (Bob Dylan), Adelaide Review, No.180, September 1998, p. 40-1
  • “Positives and Negatives”, (Morde), Adelaide Review, No.180, September 1998, p.42
  • “Funtime”, (Neil Finn), Adelaide Review, No.179, August 1998, p.29-30
  • “Vox Angelica, Vox Humana”, Adelaide Review, No.179, August 1998, p.36
  • “Scotched”, (Macbeth), Adelaide Review, No.179, August 1998, p.33
  • “On top of the world”, (Review of Europe), Adelaide Review, No.54, August 1988, p.30
  • “Journeys”, (Up the Road), Adelaide Review, No.178, July 1998, p.30-31
  • “Family Ties”, (East of Eden), Adelaide Review, No.178, July 1998, p.30
  • “Soap Opera”, (Master Class), Adelaide Review, No.177, June 1998, p.36
  • “Arlo Carte”, (Arlo Guthrie), Adelaide Review, No.176, May 1998, p.28
  • “Death Duties”, (The Undertaking), Adelaide Review, No.177, June 1998, p.39
  • “The Dragon’s Trilogy”, (Adelaide Festival Review), Lowdown, April/May 1988, p.78
  • “Kenny Rogers and Reba McEntire”, The Australian, 17 April 1998, p.16
  • “Design Fault”, (The Architect’s Walk), Adelaide Review, No.174, March 1998, p.37
  • “Social Engineering”, (The Department), Adelaide Review, No.175, April 1998, p.29
  • “Festival Notes”, (Adelaide Festival), The Adelaide Review, No.175, April 1998, p.27-28
  • “Fringe Reflections”, (Adelaide Fringe), Adelaide Review, No.175, April 1998, p.28
  • “Reverberations”, (The Seven Streams of the River Ota (98 Version) Review), The Adelaide Review, No.174, March 1998, p.38
  • “Lost Blues”, (Will Oldham), Adelaide Review, No.173, February 1998, p.38-9
  • “Real Time”, (Adelaide Theatre Review), Real Time, February 1998
  • “Nein”, (Review of Nine), Adelaide Review, No.47, February 1988, p.30
  • “Mutual Admiration”, (Teenage Fanclub), Adelaide Review, No.172, January 1998, p.30
  • “House Moves”, (Features of Blown Youth), Adelaide Review, No.172, January 1998, p.30-31

Publications 1997

  • “String of Pearls”, (Deborah Conway), Adelaide Review, No.171, December 1997, p.32-3
  • “Fiscal Violence”, (Shopping and Fucking), Adelaide Review, No.171, December 1997, p.34-5
  • “State Theatre 1998 Season”, The Adelaide Review, No.171, December 1997, p.33-4
  • “State’s 1998 Season”, The Adelaide Review, December 1997
  • “Music”, (Long John Baldry at Governor Hindmarsh Hotel, Adelaide), The Australian, 7 November 1997, p.19
  • “Mo’ Better Blues”, (Keb Mo/Johnnie Johnson), Adelaide Review, No.170, November 1997, p.36
  • “Forced Landings”, (The Tempest), Adelaide Review, No.170, November 1997, p.32
  • “The Blues Fall Like Rain”, (Keb’ Mo’ (Blues soloist) Review), Weekend FIN Review, 11 October 1997
  • “Barossa Seulle”, (Adelaide Theatre/Dance), Weekend FIN Review, 4 October 1997
  • “Dead Reckonings”, (After the Ball), Adelaide Review, No.169, October 1997, p.35
  • “Sea Change”, (The Mourning After), Adelaide Review, No.168, September 1997, p.28
  • “Birdy”, (Gulls), Adelaide Review, No.168, September 1997, p.28
  • “Simple Gifts”, (CD Reviews), Adelaide Review, No.183, December 1998, p.34-35
  • “Words and Music”, (Paul Kelly), Adelaide Review, No.167, August 1997, p.32-3
  • “The Usual Suspects”, (Rules of Thumb), Adelaide Review, No.167, August 1997, p.33
  • “Transparency”, (The North), Adelaide Review, No.167, August 1997, p.33-4
  • “Double Disillusion”, (Don’s Party), Adelaide Review, No.166, July 1997, p.30
  • “Rapture and Rhythm”, (Adelaide Companies Theatre Review), Real Time, July 1997
  • “Angels and Devil Drivers”, (Mutton Birds and Dave Graney), Adelaide Review, No.166, July 1997, p.32-33
  • “Blood Simple”, (Wolf Lullaby), Adelaide Review, No.166, July 1997, p.30-31
  • “The Secret Death of Salvador Dali”, The Australian, 13 June 1997, p.14
  • “Future Tense”, (review), The Australian, 30 May 1997, p.14
  • “Newfangled”, (Guinness Celebration of Irish Music), Adelaide Review, No.165, June 1997, p.26
  • “Dance”, (Fast Editing), RealTime, No.19, June-July 1997, p.28
  • “Adelaide – Future Tense”, (CentreStage), The Australian, 28 May 1997
  • “Looking About”, (Take Over ’97), Adelaide Review, No.164, May 1997, p.31
  • “Hot Days and Nights”, (Big Day Out Review), The Adelaide Review, No.163, April 1997, p.32
  • “Sleepy”, (RSC A Midsummer Night’s Dream), Adelaide Review, No.163, April 1997, p.32-3
  • “Tivoli Recitals”, (Music Review), The Adelaide Review, April 1997
  • “Parklife”, (Womadelaide), Adelaide Review, No.163, April 1997, p.31-2
  • “Divided Purpose”, (Cyrano), Adelaide Review, No.162, March 1997, p.24
  • “Truebadour”, (Andy Irvine), Adelaide Review, No.161, February 1997, p.32
  • “First Person Singular”, (Laurie Anderson), Adelaide Review, No.161, February 1997, p.30
  • “Preview – The Sounds of Womadelaide”, (Womadelaide Preview), The Adelaide Review, February 1997
  • “Travelling Light”, (Corrugation Road), Adelaide Review, No.161, February 1997

Publications 1996

  • “Cold Comfort”, (Difficult Journey), The Australian, 8 July 2005, p.17
  • “Making Gravy”, (Music Review), The Adelaide Review, December 1996
  • “Chekhov, Too”, (Barker’s Vanya), Adelaide Review, No.159, December 1996, p.34
  • “Broken German”, (Marianne Faithfull), Adelaide Review, No.158, November 1996, p.39
  • “Entanglements”, (Knots and DARKpaths), Adelaide Review, No.158, November 1996, p.38
  • “Alexander’s Ragtime Band”, (Balanescu Quartet), Adelaide Review, No.145, November 1995, p.29-30
  • “Clannad”, (Music Review), The Australian, 3 October 1996
  • “Past Lives”, (Good Works), Adelaide Review, No.157, October 1996, p.36
  • “Guys and Dolls”, (Summer of the Seventeenth Doll), Adelaide Review, No.157, October 1996, p.34-5
  • “Highlight”, (Skylight), Adelaide Review, No.157, October 1996, p.35
  • “Down at the End of Lonely Street”, (Terminus), Adelaide Review, No.157, October 1996, p.34
  • “Writing and Re-righting”, (Dead White Males), Adelaide Review, No.156, September 1996, p.30
  • “Boots and All”, (Tap Dogs), Adelaide Review, No.156, September 1996, p.31
  • “Pressing Issues”, (The Torrents), Adelaide Review, No.156, September 1996, p.30-1
  • “Abdication”, (The Queen and I), Adelaide Review, No.155, August 1996, p.31-2
  • “Infarction”, (The Shifting Heart), Adelaide Review, No.155, August 1996, p.31
  • “Unplugged”, (Fairport Convention), Adelaide Review, No.152, May 1996, p.22
  • “Marshall Arts”, (Link Wray), Adelaide Review, No.152, May 1996, p.22-3
  • “Adelaide Music”, (Simply Red Entertainment Centre Review), The Australian, 16 April 1996, p.15
  • “Two Persons Singular”, The Australian, April 1996
  • “Simply Red”, (Music Review), The Australian, 1 April 1996
  • “Adelaide Fringe Theatre and Other Soloists”, The Australian, 3 March 1996
  • “Artful Dodges”, (Malcolm McLaren), Adelaide Review, No.150, March 1996, p.27
  • “Break-out”, (Maly Theatre of St Petersburg), Adelaide Review, No.150, March 1996, p.28
  • “”, (Joan Armatrading at Festival Theatre), The Australian, 2 February 1996, p.8
  • “All the World’s a Three Day Stage”, (Womadelaide Festival Overview), The Australian, February 1996
  • “Figuring the Landscape”, (International Theatre Interview), The Australian, 24 January 1996

Publications 1995

  • “Making Gravy”, (Music Review), The Adelaide Review, 1 January 1996
  • “Ray Davies”, (Arts on Friday), The Australian, 12 December 1995, p.12
  • “And There’s More”, (Adelaide Festival), Adelaide Review, No.146, December 1995, p.20
  • “Drang und Storm”, (Hamlet and The Tempest), Adelaide Review, No.146, December 1995, p.34
  • “Tomorrow the World”, The Adelaide Review, December 1995
  • “Finding the Pulse”, (Blackeyed Susans), Adelaide Review, No.145, November 1995, p.30
  • “Binary Vision”, (Interstate Theatre Review), Adelaide Review, October 1995
  • “Sightings”, (Local theatre), Adelaide Review, No.144, October 1995, p.34
  • “Suspended Re-animation”, (The Floating World), Adelaide Review, No.144, October 1995, p.33-4
  • “Joe Cocker”, (Adelaide Festival Theatre Review), The Australian, 13 September 1995, p.14
  • “Regarding Henri”, (Matisse Exhibition), Adelaide Review, No.143, September 1995, p.28-9
  • “Very Like a Whale”, (Moby Dick), Adelaide Review, No.143, September 1995, p.28-9
  • “A View of the Writings of James K.Baxter”, The Poet’s Voice, No.2, June 1995, p.106-113
  • “The Glory of Gershwin”, (Adelaide Music Review), The Australian, 18 May 1995, p.13
  • “Allo, Allo, Allo”, (An Inspector Calls), The Adelaide Review, No.138, May 1995, p.32
  • “Mo’ Better Blues”, (Keb Mo/Johnnie Johnson), Adelaide Review, No.170, November 1997, p.36
  • “A Life of Bryan”, (Bryan Ferry), Adelaide Review, No.137, April 1995, p.32-3
  • “Men’s Business”, (Desert), Adelaide Review, No.137, April 1995, p.31
  • “Murder by Design”, (Medea), Adelaide Review, No.136, March 1995, p.29-30
  • “Womentous”, (Womadelaide), Adelaide Review, No.136, March 1995, p.30-32
  • “Adelaide – Medea”, (Medea by Euripides), Financial Review, 16 February 1995
  • “Reckonings”, (Sanctuary by David Williamson Review), The Adelaide Review, February 1995
  • “Wise Blood”, (Nick Cave and the Bad Seeds), Adelaide Review, No.135, January 1995, p.31-2

Publications 1994

  • “Vile Bodies”, (Rock’n’Circus), Adelaide Review, No.134, December 1994, p.39
  • “Cafe Laughter”, (Picasso at the Lapin Agile), Adelaide Review, No.134, December 1994, p.38
  • “The Red Shed Company- Still in the Pink”, (Adelaide Companies Theatre Review), Lowdown, February 1995
  • “Wings of Desire”, (Angels in America), Adelaide Review, No.133, November 1994, p.35-6
  • “Drama and Screen Studies I”, (Lecture: Sweetown: Silent Legacy), Australian Texts, Theatre, 27 October 1994
  • “Warsaw Tango”, (International, State Theatre Company, Theatre), Financial Review, 20 October 1994
  • “Warsaw Tango”, The Australian, 12 October 1994
  • “Frida Kitsch”, (Viva La Vida), Adelaide Review, No.132, October 1994, p.33
  • “The War Within”, (Because You Are Mine), Adelaide Review, No.132, October 1994, p.33
  • “Fine Graney”, (Dave Graney and the Coral Snakes), Adelaide Review, No.132, October 1994, p.32
  • “Familiar Lessons”, (Morning Sacrifice), Adelaide Review, No.130, August 1994, p.31
  • “Digital Sound”, (Leo Kottke), Adelaide Review, No.129, July 1994, p.28
  • “Viewless Wings”, (The Swan), Adelaide Review, No.129, July 1994, p.27
  • “Adelaide – Fence”, CentreStage, October 1987, p.14-15
  • “Alive and Brilliant”, (Deborah Conway), Adelaide Review, No.128, June 1994, p.32
  • “Alive and Brilliant”, (Deborah Conway), Adelaide Review, No.128, June 1994, p.32
  • “Multifoliate”, (Jim Rose Circus Sideshow Review), The Adelaide Review, 30 May 1994
  • “Critical Conditions”, (Commentary on Criticism), Meanjin, 13 April 1994, p.447-454
  • “Full to the Brim”, (Guinness Celebration of Irish Music), Adelaide Review, No.126, April 1994, p.32
  • “Perfect Crime”, (Carl Hiaasen), Adelaide Review, No.126, April 1994, p.26
  • “Zero to Naught”, (My Mathematics), Adelaide Review, No.126, April 1994, p.27-28
  • “The Braggart Samurai”, (Theatre Review), The Australian, 11 March 1994
  • “Like Cherries for Peaches”, (Tomoe, Shizune and Hakutobo), Adelaide Review, No.125, March 1994, p.27
  • “White Masque”, (A Cheery Soul), Adelaide Review, No.125, March 1994, p.24
  • “Tankard Brimming with Invention”, (Adelaide Festival Theatre Review), The Financial Review, 4 February 1994
  • “Words and Unheard Melodies”, (Paul Kelly), Adelaide Review, No.123, February 1994
  • “Open G”, (Music Review), Commissioned by The Adelaide Review, 1 January 1994
  • “Multifoliate”, (Jim Rose Circus Sideshow Review), The Adelaide Review, January 1994
  • “Visiting Vincent”, (Van Gogh Exhibition), Adelaide Review, No.122, January 1994, p.27
  • “Visiting Vincent”, (Van Gogh Exhibition), Adelaide Review, No.122, January 1994, p.27

Publications 1993

  • “New Voices for Fiji”, (Interview on Ferringhi play), Publication unknown, 29 December 1993
  • “Mind Forged Manacles”, (Brought to Book; Censorship and School Libraries in Australia), Lowdown, No.6, December 1993, p.42
  • “Unredeemed”, (Fallen Angels), Adelaide Review, December 1993, p.41
  • “Udder Milk Leak”, (Under Milkwood), Adelaide Review, December 1993, p.42
  • “A Head Full of New Ideas”, (Interview with Chris Westwood), The Adelaide Review, December 1993
  • “Harmonics”, (Songs with Mara Meryl Tankard ADT Balcony Review), The Adelaide Review, November 1993
  • “The Meet Market”, (Adelaide Companies Theatre Review), The Adelaide Review, November 1992
  • “Vox Populi”, (Hello Down There), Adelaide Review, No.119, October 1993, p.23
  • “Local Works”, (The Administrator, Sweetown), Adelaide Review, No.119, October 1993, p.45
  • “Dirty Diggers”, (Sex Diary of an Infidel), Adelaide Review, No.119, October 1993, p.45
  • “Sitar Struck”, (Music Review), The Adelaide Review, 1 October 1993
  • “Touching on the Truth”, (Brilliant Lies), Adelaide Review, No.118, September 1993, p.33
  • “Lost Lives”, (And I’ll Give You All the Diamonds in My Teeth), Adelaide Review, No.118, September 1993, p.43
  • “Icon Tactics”, (Review of Barry Humphries’ performance at Her Majesty’s), The Adelaide Review, November 1993
  • “Hot Tap”, (Hot Shoe Shuffle), Adelaide Review, No.118, September 1993, p.41
  • “Paul Kelly and his songs”, (Interviews, Music Review), Unknown, 1 September 1993
  • “Outside Studies Report”, Unknown, 29 August 1993
  • “Noises Off”, (Cosi), Adelaide Review, No.117, August 1993, p.37
  • “More Fiesta”, Adelaide Review, No.117, August 1993, p.39
  • “Alimentary”, (Amazing Holmes), Adelaide Review, No.117, August 1993, p.38
  • “Fiesta-ville”, Adelaide Review, No.116, July 1993, p.33-4
  • “Night Terrors”, (All Souls), Adelaide Review, No.116, July 1993, p.32
  • “Crime and Punishment”, (Death and the Maiden), Adelaide Review, No.116, July 1993, p.32
  • “Class Action”, (School for Scandal), Adelaide Review, No.116, July 1993, p.31
  • “Marvellous”, (Jim Rose Circus Sideshow), Adelaide Review, No.115, June 1993, p.40
  • “Uncle Tom’s Cabaret”, (Ain’t Misbehavin’), Adelaide Review, No.114, May 1993, p.36
  • “Uncle Tom’s Cabaret”, (Ain’t Misbehavin’), Adelaide Review, No.114, May 1993, p.36
  • “Murph and the Magictones”, (Blues Bros.), Adelaide Review, No.114, May 1993, p.36
  • “Come Out is Icumen In”, (Come Out Festival), The Adelaide Review, April 1993
  • “Summer Pudding”, (Summer Festival), Adelaide Review, No.113, April 1993, p.38
  • “A New Name and Renewed Purpose”, (ADT), Adelaide Review, No.113, April 1993, p.35
  • “Criticising Criticism”, Lowdown, April 1993, p.17-19
  • “What the Butler Saw”, (Adelaide State Theatre Company Production Review), The Advertiser, 1 January 1993

Publications 1992

  • “Leunimous”, (Leunig), Adelaide Review, No.109, December 1992, p.50
  • “Power and Puppets”, (Petrouchka), Adelaide Review, No.103, June 1992, p.35
  • “Left-Over Lives”, (Diving for Pearls), Adelaide Review, No.108, November 1992, p.40
  • “High Society”, (Adaptation of Cole Porter’s Music and Lyrics), The Australian, 2 November 1992
  • “Collected Recollections”, (Barry Humphries More Please), Adelaide Review, No.108, November 1992, p.33-4
  • “Left-Over Lives”, (Diving for Pearls), Adelaide Review, No.108, November 1992, p.40
  • “Putting on the Ritz”, (High Society Review), The Adelaide Review, December 1992
  • “Roses and Briars”, (Theatre Review), The Adelaide Review, November 1992
  • “Receding Temples”, (Hair review), The Adelaide Review, September 1992
  • “Receding Temples”, (Hair Review), The Adelaide Review, September 1992
  • “Celestial Solutions”, (Miracle Theatre Review), The Adelaide Review, September 1992
  • “Vanilla Soda”, (Lost in Yonkers Neil Simon), The Adelaide Review, September 1992
  • “Heart Two Heart”, (Midsummer Night’s Dream), Adelaide Review, No.105, August 1992, p.38-9
  • “Heart Two Heart”, (Midsummer Night’s Dream), Adelaide Review, No.105, August 1992, p.38-9
  • “What the Butler Saw”, (Adelaide State Theatre Company Review), The Australian, 9 August 1992
  • “Birds of the Moon”, (Adelaide Theatre Production), Financial Review, 30 July 1992
  • “Soul Survivor”, (Wilson Pickett), Adelaide Review, No.104, July 1992, p.40
  • “Shivers Regal”, (Rustaveli), Adelaide Review, No.104, July 1992, p.39
  • “Missing Persons”, (Comedy Review), The Adelaide Review, July 1992
  • “What the Orton Saw”, (State Theatre Company Review), State Theatre Program Notes, 1 July 1992
  • “One of a Kind”, (Paul Kelly), Adelaide Review, No.103, June 1992, p.34
  • “Two for Two”, The Advertiser, June 1992
  • “Two for Two”, The Advertiser, June 1992
  • “Reversals of Fortune”, (Money & Friends), Adelaide Review, No.103, June 1992, p.35-6
  • “Exhumations”, (Dead Elvis), Adelaide Review, No.99, Festival 1992, p.34
  • “Song and Danse”, (Angelique Kidjo Review), The Adelaide Review, No.102, 5 May 1992, p.40
  • “Thespian Wrestling”, (Theatre Sports), Adelaide Review, No.102, May 1992, p.41
  • “Funerals and Circuses”, (Adelaide Companies Music Theatre Review), Lowdown, No.2, April 1992, p.55
  • “Was It Rolling, Bob ?”, (Bob Dylan with Bonnie Raitt Review), The Adelaide Review, 15 March 1992
  • “Festival Smalls”, (Overview of Adelaide Festival), The Adelaide Review, March 1992
  • “Adelaide Festival – Sadness and Merry Whistling”, (Uncle Vanya by Anton Chekhov Review), The Adelaide Review, March 1992, p.32
  • “The Germanic Players”, (German language version of Kafka’s Metamorphosis review), Adelaide Advertiser, 16 February 1992
  • “Velo Theatre”, (Theatre Review), The Advertiser, 28 February 1992

Publications 1991

  • “Funny Money”, (A Royal Commission into the Australian Economy), Adelaide Review, No.95, December 1991, p.38
  • “Lieder of the Pack”, (Cabaret), Adelaide Review, No.95, December 1991, p.39
  • “Righting History”, (Sweetown), Adelaide Review, No.95, December 1991, p.38
  • “Snap”, Lowdown, No.6, December 1991, p.59
  • “Setting the Scene”, (Designs are his Scene), The Advertiser, 16 November 1991, p.11
  • “Setting the Scene”, (Interview with Designer), The Advertiser, 16 November 1991, p.11
  • “Farce Forward”, (A Flea in her Ear), Adelaide Review, No.94, November 1991, p.36
  • “Edible theatre”, (The Cooked and the Raw), Adelaide Review, No.94, November 1991, p.35
  • “Sewing Discontent”, (Offshore), Adelaide Review, No.94, November 1991, p.36
  • “Resuscitated”, (Jonah), Adelaide Review, No.93, October 1991, p.40
  • “The Rough with the Smooth”, (Joe Jackson and Elvis Costello), Adelaide Review, No.93, October 1991, p.39
  • “Tu Tu Much”, (Tu Tu Wha), Adelaide Review, No.93, October 1991, p.41
  • “Journeying to Capricornia”, (Interview with Kingston Anderson), The Advertiser, 8 September 1990, p.12
  • “A Sport’s Round-up”, (Oval Dreams), Adelaide Review, No.92, September 1991, p.33-4
  • “Phantom Ibsen”, (Ghosts), Adelaide Review, No.92, September 1991, p.37
  • “Encrustation”, (King Golgrutha), Adelaide Review, No.91, August 1991, p.35-6
  • “Welcoming the Bright (and Dark) World”, (Interview with Stephen Sewell), The Advertiser, 20 July 1991, p.7
  • “Welcoming the Bright (and Dark) World”, (Interview with Stephen Sewell), The Advertiser, 20 July 1991, p.7
  • “Kelly Country”, (Paul Kelly and Archie Roach), Adelaide Review, No.90, July 1991, p.33
  • “Comfortable Words”, (A Common Prayer), Adelaide Review, No.89, June 1991, p.23
  • “The Four Hoarse Men of the Apocalypse”, (The Highwaymen), Adelaide Review, No.89, June 1991, p.29
  • “Two”, (Two), The Adelaide Review, No.303, 20 October 2006, p.15
  • “Comfortable Words”, (A Common Prayer), Adelaide Review, No.89, June 1991, p.23
  • “Interview with John Clarke”, (Interviews with Australian Comic Artists), Wanted For Questioning: Interviews with Australian Comic Artists, 1 June 1991
  • “Interview with Michael Leunig”, (Interviews with Australian Comic Artists), Allen and Unwin, 1 June 1991
  • “Radiant”, (Happy Days), Adelaide Review, No.89, June 1991, p.27
  • “Divining a Future”, (Come Out Festival), Lowdown, No.3, June 1991, p.7-11
  • “Happy Days is Here Again”, (Interview with Ruth Cracknell), The Advertiser, 18 May 1991, p.10
  • “Happy Days is Here Again”, (Interview with Ruth Cracknell), The Advertiser, 18 May 1991, p.10
  • “Rites and Wrongs”, (Spring Awakening), Adelaide Review, No.88, May 1991, p.28-9
  • “Rites and Wrongs”, (Spring Awakening), Adelaide Review, No.88, May 1991, p.28-9
  • “Double Bill”, (The Adelaide), The Adelaide, No.87, April 1991, p.33
  • “Travelling Shakespeare”, (International Theatre Review), The Advertiser, March 1991
  • “Sandy Through the Hour Glass”, (The Life and Death of Sandy Stone), Adelaide Review, No.86, March 1991, p.34
  • “Power Play”, (Julius Caesar), Adelaide Review, No.86, March 1991, p.34
  • “Travelling Shakespeare”, (Interviews), The Advertiser, March 1991
  • “Sorry Tale”, (Boswell for the Defence), Adelaide Review, February 1991, p.20
  • “Power Play”, (Julius Caesar), Adelaide Review, No.86, March 1991, p.34
  • “Interview with Barry Humphries”, (Adelaide Interview), Wanted For Questioning: Interviews with Australian Comic Artists, February 1991
  • “Power Play”, (Julius Caesar), Adelaide Review, No.86, March 1991, p.34
  • “Jo Jo Gets Back”, (Black Sorrows), Adelaide Review, No.84, January 1991, p.26
  • “Symphony Australia”, (Adelaide Symphony Orchestra Celebrating Mozart), Symphony Australia, 1 January 1991
  • “Return to Centre”, (Adelaide Festival Centre Interview), Lowdown, January 1991
  • “Oz, the Sequel”, (Circus Oz), Adelaide Review, January 1991, p.27

Publications 1990

Publications 1989

  • “Realms of Gold”, (Review of The Complete Book of Australian Verse), Adelaide Review, No.70, December 1989, p.26
  • “Once More Unto the Rabbit Hole”, (Magpie’s Adventures in Wonderland Review), The Advertiser, 18 November 1989, p.12
  • “Wodehouse Playhouse”, (Review of Hedda Gabler), Adelaide Review, No.69, November 1989, p.28-9
  • “New Theatre Australia”, (Adelaide Companies Theatre Review), New Theatre Australia, 1 November 1989
  • “Puccini Springs to Life”, (Bonhomie Helping La Boheme), The Advertiser, 7 October 1989, p.15
  • “No Class Please, We’re British”, (Review of Shirley Valentine), Adelaide Review, No.68, October 1989, p.26-7
  • “No Class Please, We’re British”, (Review of Shirley Valentine), Adelaide Review, No.68, October 1989, p.26-7
  • “New Theatre Australia”, (Art of the States Review), New Theatre Australia, 1 September 1989
  • “Cold Comfort Farm”, (The Beauty Queen of Leenane), Adelaide Review, No.201, June 2000, p.33
  • “Home Truths on the Range”, The Australian Financial Review, 26 August 1989
  • “Streetwise”, (A Road Worth Following), The Australian Financial Review, 4 August 1989, p.10
  • “Professional Foul”, (Review of Top Silk), Adelaide Review, No.66, August 1989, p.38
  • “Heading for Hong Kong”, (Adelaide Companies Theatre Review), The Advertiser, 22 July 1989, p.14
  • “Heading for Hong Kong”, (Adelaide Companies Theatre Review), The Advertiser, 22 July 1989, p.14
  • “Pound Devalued”, (Review of A Serious Character – The Life of Ezra Pound), Adelaide Review, No.65, July 1989, p.32-3
  • “State Opera Changes its Tune”, (Adelaide Companies Theatre Review), The Advertiser, 17 June 1989, p.12
  • “Fiscal Violence”, (Shopping and Fucking), Adelaide Review, No.171, December 1997, p.34-5
  • “Risible”, (Review of The Complete Dagg), Adelaide Review, No.64, June 1989, p.28
  • “Weather Report”, (Review of The Tempest), Adelaide Review, No.64, June 1989, p.22
  • “Couple of Kids”, (Adelaide Companies Theatre Review), Lowdown, No.3, 1 June 1989, p.83
  • “Interpreting the New Dreaming”, (Come Out 89 Reviewed by Murray Bramwell), Lowdown, No.3, June 1989, p.10-14
  • “Whose Beach is it Anyway?”, Lowdown, No.3, June 1989, p.84
  • “Friendly Fo”, (Comedy Review), The Adelaide Review, 30 May 1989
  • “Prince Speaks out on Radio”, (Comedy Review), Murray Bramwell, 30 May 1989
  • “Winning Hearts and Minds”, (Adelaide Companies Theatre Review), The Advertiser, 24 May 1989
  • “Catch a Falling Spy”, (Review on James Bond), Adelaide Review, No.63, May 1989, p.24-5
  • “Staging the Dreams”, The Adelaide Review, No.63, May 1989, p.24
  • “The Lore of Everage’s”, (Review of My Gorgeous Life), The Adelaide Review, 8 April 1989
  • “Poet in a Second Grade Heaven”, CRNLE Reviews Journal, No.1, April 8 1989, p.101-5
  • “Thoughts on the Place of Criticism in the Theatre”, (Some Reflections on the Place of Criticism in the Theatre), Island, Summer 1989
  • “Red and Blue”, (Review of Billy Bragg and John Hammond), Adelaide Review, No.62, April 1989, p.25
  • “Underdone”, (Review of Sod ‘Em and Tomorrow), Adelaide Review, No.62, April 1989, p.24
  • “Breakthrough?”, (Interview with Leigh Warren), Lowdown, No.2, April 1989, p.33-36
  • “Memorable”, (Review of Ricordi), Adelaide Review, No.62, April 1989, p.23
  • “Age-old Questions”, (Review of Month of Sundays), Adelaide Review, No.61, March 1989, p.25
  • “Fully Employed”, (Review of UB 40), Adelaide Review, No.60, February 1989, p.26
  • “Curtains”, (Review of Wogs out of Work), Adelaide Review, No.77, June 1990, p.22
  • “Gay Film Fest”, (Adelaide Gay Film Week), The Adelaide Review, No.60, February 1989
  • “Not Half Funny”, (Review of Doug Anthony Allstars et al), Adelaide Review, No.60, February 1989, p.27
  • “Community Announcement”, (Review of Wogs Out of Work), Adelaide Review, No.60, February 1989, p.27
  • “Kelly Country”, (Paul Kelly and Archie Roach), Adelaide Review, No.90, July 1991, p.33
  • “Another festive season”, (Adelaide Festival Centre Trust performances), The Adelaide Review, No.59, January 1989
  • “Cabhooray”, (Cabaret Festival), The Adelaide Review, No.341, July 2008, p.31
  • “Reich and Roll”, (Review of Schnell Fenster), Adelaide Review, No.59, January 1989, p.20

Publications 1988

  • “Book Reviewers’ Choice”, (Books Review), The Adelaide Review, No.58, December 1988, p.26
  • “Harsh but Reasonable”, (Review of Mars by Peter Porter), Adelaide Review, No.58, December 1988, p.23
  • “Strindberg’s Flickering Tale”, (Preview of A Dream Play), Sydney Review, No.8, January 1989, p.21-2
  • “Crowning Achievement”, (Review of War of the Roses), Adelaide Review, No.57, November 1988, p.24-5
  • “Medium Cool”, (Review of Mick Jagger), Adelaide Review, No.57, November 1988, p.pp 26
  • “The New Dreaming”, (Interview with Michael Fitzgerald), Lowdown, No.5, October/November 1988, p.22-23
  • “Fragile Eggshell Mind”, (Review of Paul Livingston), Adelaide Review, No.56, October 1988, p.26-7
  • “Stages”, (Review of The Seagull), Adelaide Review, No.56, October 1988, p.26
  • “A Mid-Winter Night’s Comedy”, (Theatre Review), The Advertiser, 13 August 1988, p.7
  • “Reviewer Booked”, The Adelaide Review, August 1988, p.10
  • “Unaccommodated”, (Review of King Lear), Adelaide Review, No.54, August 1988, p.26
  • “Bronx Cheer”, (Review of Bonfire of the Vanities), Adelaide Review, No.53, July 1988, p.27
  • “Choppy”, (Review of Rough Crossing), Adelaide Review, No.53, July 1988, p.26
  • “Setting out the Stages”, (Interview with Mary Moore), Adelaide Review, No.53, July 1988, p.10-11
  • “Miles Ahead”, (Review of Miles Davis), Adelaide Review, No.52, June 1988, p.24
  • “Relative Success”, (Review of Clannad), Adelaide Review, No.52, June 1988, p.24-5
  • “Hating Alison Ashley”, (Review), Lowdown, No.3, June/July 1988, p.64
  • “Kitchen Synch”, (Review of Absurd Person Singular), Adelaide Review, No.52, June 1988, p.19
  • “Orchestral Manoeuvres”, (Interview with Nicholas Braithwaite and Michael Elwood), The Adelaide Review, 1 June 1988, p.10-11
  • “Tricky”, (Review of Dizzy Spells), Adelaide Review, No.51, May 1988, p.32
  • “Combing the Fringe”, Adelaide Review, No.50, April 1988, p.30
  • “Flighty”, (Review of A Flock of Flamin’ Galahs), Adelaide Review, No.49, March 1988, p.31
  • “Beauty and the Beast”, (Review), Lowdown, No.2, April/May 1988, p.80
  • “Day for Night”, (Review of The Mahabharata), Adelaide Review, No.48, March 1988, p.30-1
  • “Maximus”, (Review of Circus Oz), Adelaide Review, No.49, March 1988, p.31
  • “Shallow”, (Review of 1841), Adelaide Review, No.49, March 1988, p.30
  • “Maximus”, (Review of Circus Oz), Adelaide Review, No.49, March 1988, p.31
  • “Flighty”, (Review of A Flock of Flamin’ Galahs), Adelaide Review, No.49, March 1988, p.31
  • “Brook Review”, (Review of works by and on Peter Brook), Adelaide Review, No.47, February 1988, p.25-6
  • “This Year’s Model”, (Review of Elvis Costello), Adelaide Review, No.46, January 1988, p.22-3
  • “Dreamtime”, (Review of Michael Gow’s Away), Adelaide Review, No.46, January 1988, p.21-2
  • “Fooling with Lear”, (Review of King Lear), Australian Listener, 30 July 1988, p.45

Publications 1987

Publications 1986

Publications 1985

Publications 1980

  • “Black Pastoral”, (Review of Restoration), Adelaide Review, No.80, September 1980, p.27

Publications 1798

  • “from Tintern Abbey”, (Lines composed a few miles above Tintern Abbey), Unknown, 13 July 1798