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February 26, 2021

Festival review : The Boy Who Talked to Dogs

Adelaide Festival 2021

Slingsby takes Martin McKenna’s memoir The Boy Who Talked to Dogs back to County Limerick where it began. Featuring an Irish pub band, shadow dog puppets and Bryan Burroughs, brilliant as the talking boy.

“Sometimes you have to learn to be the hero of your own story,” writer Amy Conroy observed – and this is what the celebrated dog whisperer, Martin McKenna achieved. Or mostly so. His book about his wretched childhood on the Garryowen estate in …

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February 18, 2021

Fringe review: That Boy

Adelaide Fringe
Murray Bramwell

When, in pre-school child care, Tom pushes a little girl because he doesn’t want to be hugged, he becomes the subject of an Incident Report. “He became That Boy,” his mother recalls, “and I became That Mother.” Writer and performer, Martha Lott powerfully describes the lonely challenges of parenting a turbulent child when everyone else has given up.

**** Four Stars

Sarah has two children – Hannah, and younger brother, Tom. One is easy-going and amenable. …

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Fringe review: DIRT

Adelaide Fringe
Murray Bramwell

An Australian journalist is in Moscow to secretly investigate evidence of LGBTIQ persecution. He meets a Russian tourist guide who can help but he has his own agenda. Angus Cameron’s wryly engaging thriller takes us through a labyrinth of misrepresentation.

****1/2 Four and a Half Stars

DIRT is an intriguing play which combines serious human rights themes with an almost mischievous sense of shape-shifting plot surprise – making it all the more appealing.

An earnest young …

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February 16, 2021

Fringe review: Sea Wall

Adelaide Fringe
Murray Bramwell

A sea wall is a massive, unexpected chasm under the ocean often deceptively near the shore. In this tightly-scripted monologue, husband and father, Alex (splendidly played by Renato Musolino) explores his own dark abyss after a sudden, freakish accident.

***** Five stars

Asked at short notice in 2008 to write a play for the Bush Theatre in London, Simon Stephens came up with Sea Wall. “I wanted to write a monologue,” he said. “I wanted …

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December 12, 2020

The Bleeding Tree (Theatre Republic)

Vengeance and resolution, exorcism and benediction, this excellent new production captures the visceral drama of Angus Cerini’s remarkable play.

Four and a Half Stars . Ngunyawayiti Theatre, Tandanya National Aboriginal Cultural Institute, Adelaide.

Reviewed December 11, 2020
by Murray Bramwell, published online December 12, 2020.

Amongst the anxiety and havoc of Covid-19, the performing arts in 2020 have been systematically clobbered. So many productions abandoned and cancelled, so much effort and commitment brought to nothing.

Adelaide independent company, Theatre Republic’s …

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October 29, 2019

The Split

Daily Review

The Split
by Sarah Hamilton
House of Sand
RUMPUS, Sixth Street, Bowden, Adelaide.
October 24. Until November 3.

“Jules and Tom are on an old fishing boat. They’ve borrowed it. It’s only pretty small. The anchor is down, so the boat just drifts as far as the anchor line lets it.” These words are projected on to the back of the stark white set for The Split, an intriguing new play from Melbourne writer Sarah Hamilton.

The scene …

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September 10, 2019

Reviewing theatrical performances with Murray Bramwell

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October 28, 2018

Young recruits search for meaning

Lines
by Pamela Carter (developed with Jay Miller)
Theatre Republic
The Bakehouse Theatre, Adelaide.
October 26. Tickets: $25- $35. Bookings bakehousetheatre.com
Duration: 75 minutes.
Until November 10.

When young men join the army what do they hope for ? Is it really a choice or a last resort ? Is it to serve Queen and country, or to be part of a Mark Wahlberg movie ? Originated by London’s Yard Theatre and adapted for Australian audiences, Pamela Carter’s Lines introduces …

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September 25, 2018

Struggle for truth in a police state

Welcome the Bright World
by Stephen Sewell.
House of Sand in association with
State Theatre Company South Australia.
Queen’s Theatre, Adelaide.
September 21. Tickets: $22- $42. Bookings 131 246 or online
Duration 2 hours 25 minutes (including interval)
Until October 6.

Welcome the Bright World and welcome back Stephen Sewell. His turbulent, engrossing, digressive, disputative drama has been greatly missed. It is 36 years since Nimrod first staged their Welcome, and, while others of Sewell’s works, with their glorious …

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September 10, 2018

Punchy monologues are spot on

Solo :
Bitch Boxer by Charlotte Josephine.
Sea Wall by Simon Stephens.
Flying Penguin Productions.
Goodwood Institute Theatre, 166 Goodwood Road, Adelaide.
September 6. Tickets: $22- $32. Bookings 131 246 or online.
Duration 1 hour 50 minutes (including interval)
Until September 16.

Chloe Jackson is an Olympic hopeful. It is 2012 and, for the first time, women’s boxing is an official event for the London Games. Bitch Boxer, Charlotte Josephine’s monologue for UK company Snuff Box Theatre, is a …

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