murraybramwell.com

September 14, 2021

Fiscal Abuse

Glengarry Glen Ross
By David Mamet
Flying Penguin Productions
The Bakehouse.
September 11.
Until September 25.

Murray Bramwell


L-R. Nicholas Garsden / Christopher Pitman. Photo: Shane Reid

Talking about the Art of the Deal has certainly lost its lustre thanks to the Shyster-in-Chief, Donald Trump, but the cult of the salesman, the samurai emissary of predatory capitalism, has been on the nose ever since Willy Loman discovered his pitiful net worth in Death of a Salesman, Arthur Miller’s bitter …

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June 04, 2021

Theatre review: Watchlist

Overflowing with wit and mercurial polemic, Watchlist at The Bakehouse is an ambitious comedy with a sharp message.

Murray Bramwell

We often think only of fossil fuels as the prime cause of climate change. In Watchlist, the unlikely hero discovers the true impact of the global livestock industry and leaves us all with food for thought.

Basil Pepper is in his early twenties and lives in a world of his own. His closest associate is his bearded dragon lizard, …

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April 11, 2021

Theatre review : My Three Angels

Independent Theatre returns with an energetic revival of a comic farce with a heart of kindness – as three wily convicts become Christmas angels for a family facing financial ruin.

Murray Bramwell

Adapted in 1953 by Sam and Bella Spewack, from Albert Husson’s play Les Cuisine des Anges, My Three Angels is set in the French Guiana prison colony in 1910. It is a rambunctious tale of three convicts on work release who offer to repair the roof of …

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February 26, 2021

Festival review : The Boy Who Talked to Dogs

Adelaide Festival 2021

Slingsby takes Martin McKenna’s memoir The Boy Who Talked to Dogs back to County Limerick where it began. Featuring an Irish pub band, shadow dog puppets and Bryan Burroughs, brilliant as the talking boy.

“Sometimes you have to learn to be the hero of your own story,” writer Amy Conroy observed – and this is what the celebrated dog whisperer, Martin McKenna achieved. Or mostly so. His book about his wretched childhood on the Garryowen estate in …

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February 18, 2021

Fringe review: That Boy

Adelaide Fringe
Murray Bramwell

When, in pre-school child care, Tom pushes a little girl because he doesn’t want to be hugged, he becomes the subject of an Incident Report. “He became That Boy,” his mother recalls, “and I became That Mother.” Writer and performer, Martha Lott powerfully describes the lonely challenges of parenting a turbulent child when everyone else has given up.

**** Four Stars

Sarah has two children – Hannah, and younger brother, Tom. One is easy-going and amenable. …

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Fringe review: DIRT

Adelaide Fringe
Murray Bramwell

An Australian journalist is in Moscow to secretly investigate evidence of LGBTIQ persecution. He meets a Russian tourist guide who can help but he has his own agenda. Angus Cameron’s wryly engaging thriller takes us through a labyrinth of misrepresentation.

****1/2 Four and a Half Stars

DIRT is an intriguing play which combines serious human rights themes with an almost mischievous sense of shape-shifting plot surprise – making it all the more appealing.

An earnest young …

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February 16, 2021

Fringe review: Sea Wall

Adelaide Fringe
Murray Bramwell

A sea wall is a massive, unexpected chasm under the ocean often deceptively near the shore. In this tightly-scripted monologue, husband and father, Alex (splendidly played by Renato Musolino) explores his own dark abyss after a sudden, freakish accident.

***** Five stars

Asked at short notice in 2008 to write a play for the Bush Theatre in London, Simon Stephens came up with Sea Wall. “I wanted to write a monologue,” he said. “I wanted …

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December 12, 2020

The Bleeding Tree (Theatre Republic)

Vengeance and resolution, exorcism and benediction, this excellent new production captures the visceral drama of Angus Cerini’s remarkable play.

Four and a Half Stars . Ngunyawayiti Theatre, Tandanya National Aboriginal Cultural Institute, Adelaide.

Reviewed December 11, 2020
by Murray Bramwell, published online December 12, 2020.

Amongst the anxiety and havoc of Covid-19, the performing arts in 2020 have been systematically clobbered. So many productions abandoned and cancelled, so much effort and commitment brought to nothing.

Adelaide independent company, Theatre Republic’s …

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October 29, 2019

The Split

Daily Review

The Split
by Sarah Hamilton
House of Sand
RUMPUS, Sixth Street, Bowden, Adelaide.
October 24. Until November 3.

“Jules and Tom are on an old fishing boat. They’ve borrowed it. It’s only pretty small. The anchor is down, so the boat just drifts as far as the anchor line lets it.” These words are projected on to the back of the stark white set for The Split, an intriguing new play from Melbourne writer Sarah Hamilton.

The scene …

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September 10, 2019

Reviewing theatrical performances with Murray Bramwell

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