murraybramwell.com

May 12, 2022

Theatre Review: Cathedral

Set on the Limestone Coast, Caleb Lewis’ fine new play (featuring the outstanding Nathan O’Keefe) is not only a deep dive into the depths of grief and loss, it is also about returning to the replenishing light of day.

Murray Bramwell

“Picanninie Ponds is a system of sinkholes on South Australia’s limestone coast, just south of Mt Gambier,“ explains Caleb Lewis, in the program notes of State Theatre’s latest production. It is where his father, a dive instructor, took him …

Continue Reading Back to top

November 18, 2021

Theatre Review: Dry

In Catherine Fitzgerald’s grim comedy of climate crisis, two sisters cling desperately to the remnants of their unsustainable rural heritage.

Murray Bramwell

We have been warned for more than fifty years about climate change. The rapid deterioration of our biosphere is a concept terrifying to consider. Reports of polar melting, sea levels rising, and increasingly chaotic weather patterns have the enormity and unreality of science fiction. So how do we countenance this in ways that might sink in ?

Dry

Continue Reading Back to top

June 09, 2021

Theatre: The Appleton Ladies’ Potato Race

State Theatre’s exuberant and entertaining new production is set in a small rural town where nothing changes, but change is overdue. Five women from Appleton chew through some timely questions about fairness, opportunity and gender equity.

Written by Murray Bramwell

“The potato race is a real thing,” writer Melanie Tait tells us in her program note for The Appleton Ladies’ Potato Race, “It happens every year in my hometown…” Her town is not called Appleton though, it is Robertson …

Continue Reading Back to top

June 04, 2021

Theatre review: Watchlist

Overflowing with wit and mercurial polemic, Watchlist at The Bakehouse is an ambitious comedy with a sharp message.

Murray Bramwell

We often think only of fossil fuels as the prime cause of climate change. In Watchlist, the unlikely hero discovers the true impact of the global livestock industry and leaves us all with food for thought.

Basil Pepper is in his early twenties and lives in a world of his own. His closest associate is his bearded dragon lizard, …

Continue Reading Back to top

May 10, 2021

Private Lives

Euphoria
by Emily Steel
A State Theatre South Australia
and Country Arts SA Production.
Space Theatre, Adelaide Festival Centre.
May 7. Until May 15.

“The town in Euphoria is not based on any one town,” playwright Emily Steel writes in the program notes for State Theatre’s terrific new production, “but has aspects of many.” When travelling all over regional South Australia researching the play and interviewing locals, Steel asked people what was the best thing about life in their town. …

Continue Reading Back to top

April 21, 2021

Theatre review : The Gospel According to Paul

In ninety engaging minutes, writer and performer, Jonathan Biggins’ Gospel brings us, not just a fascinating study of Paul Keating but an account of a transformative time in Australian political history.

Murray Bramwell

You might say, that for satirist Jonathan Biggins, Paul Keating has been his bread and butter for a long time. As part of the Sydney Theatre Company’s Wharf Revue, along with Phillip Scott, Drew Forsythe and a select group of associates, Biggins has made an art form …

Continue Reading Back to top

December 12, 2020

The Bleeding Tree (Theatre Republic)

Vengeance and resolution, exorcism and benediction, this excellent new production captures the visceral drama of Angus Cerini’s remarkable play.

Four and a Half Stars . Ngunyawayiti Theatre, Tandanya National Aboriginal Cultural Institute, Adelaide.

Reviewed December 11, 2020
by Murray Bramwell, published online December 12, 2020.

Amongst the anxiety and havoc of Covid-19, the performing arts in 2020 have been systematically clobbered. So many productions abandoned and cancelled, so much effort and commitment brought to nothing.

Adelaide independent company, Theatre Republic’s …

Continue Reading Back to top

August 22, 2019

Excellent cast does justice to a great Aussie gothic yarn

Jasper Jones
Based on the novel by Craig Silvey
Adapted by Kate Mulvany.
State Theatre Company South Australia.
Dunstan Playhouse. Adelaide Festival Centre.
August 20. Tickets: $32- $67. Bookings 131 246 or online.
Duration 2 hours 30 minutes (including interval)
Until September 7.

When 13 year old Charlie Bucktin is woken in his bedroom sleep-out by a knock on the window, little does he knows this marks the end of his childhood. Called by his new friend Jasper Jones, an …

Continue Reading Back to top

April 11, 2019

Three women storm a male bastion to revel in ocker posturing and gender satire

The Club
by David Williamson
State Theatre Company and Kojo presents an isthisyours? and Insite Arts production.
Space Theatre, Adelaide Festival Centre.
April 9. Tickets: $32- $61. Bookings 131 246 or online
Duration 2 hours 20 minutes (including interval)
Until April 20.

First performed in 1977, The Club ranks among the best of David Williamson’s extensive dramatic repertoire. Set in an unnamed AFL football club, its brisk farce and pungent satire captures the niggle, back-biting and shameless hypocrisy of male …

Continue Reading Back to top

November 19, 2018

Revisiting the foreign country of the past

The Gods of Strangers
by Elena Carapetis
State Theatre Company South Australia
Dunstan Theatre, Adelaide Festival Centre.
November 15. Tickets: $32- $67.
Bookings . Bookings 131 246 or online
Duration: 2 hours 40 mins (including interval)
Until December 2.

“If a stranger knocks, you let them in – they could be a god in disguise.” But the publicity notes for The Gods of Strangers, a tri-lingual commissioned work, by Adelaide playwright Elena Carapetis, do not mention it might also …

Continue Reading Back to top
Older Posts »