murraybramwell.com

March 10, 2020

Adelaide Festival – Morbid pleasures within theatrical invention

Cold Blood
by Thomas Gunzig.
Michele Anne De Mey, Jaco Van Dormael,
Kiss & Cry Collective.
Ridley Centre, Adelaide Showgrounds.
March 5. Duration: 1 hour 15 mins (no interval)

Mouthpiece
by Kieran Hurley
Traverse Theatre Company
Odeon Theatre.
March 6. Bookings: adelaidefestival.com.au
Tickets: $30 – $69. Duration 1 hour 35 minutes (no interval)
Until March 15.

The Belgian Kiss & Cry Collective, led by choreographer Michele Anne de Mey and filmmaker Jaco Van Dormael have turned Cold Blood into a …

Continue Reading Back to top

February 29, 2020

Adelaide Festival – Exactly what this Doctor ordered

The Doctor
by Robert Icke
Very freely adapted from Arthur Schnitzler’s Professor Bernhardi.
Almeida Theatre, London.
in association with Adelaide Festival.
Dunstan Playhouse. Adelaide Festival Centre.
February 28. Tickets $ 45 – $129.
Bookings: adelaidefestival.com.au.
Duration: 2 Hours 40 minutes including interval.
Until March 8.

Robert Icke has energised current UK theatre with his versions of Aeschylus’s Oresteia, Chekhov’s Uncle Vanya and George Orwell’s 1984. He describes adaptation as “like using a foreign plug. You are in a …

Continue Reading Back to top

February 26, 2020

Adelaide Festival – The energetic tango of youth, one step at a time

Dance Nation
by Clare Barron
State Theatre Company South Australia and Belvoir
In association with Adelaide Festival.
Scott Theatre, University of Adelaide.
February 25. Tickets $ 39 – $ 79. Bookings adelaidefestival.com.au.
Until March 7.
Belvoir season from March 14.

Shortlisted for a Pulitzer Prize in 2019, Dance Nation is a funny, ferocious and closely-observed study of a group of pre-teen girls (and one boy) in a dance troupe competing in a series of play-offs to reach national prominence.

Writer …

Continue Reading Back to top

January 02, 2020

Murray Bramwell’s Cultural Moment of 2019

Among many cultural moments this year, two stand out. Both in the theatre. Both test the possibilities and limits of performance and representation. In the Adelaide Festival, director Milo Lau’s Belgian-German collaboration La Reprise (The Repetition) deconstructs a gay-hate murder which took place in 2012, in Liege, Belguim.

Dissecting the business and strategies of theatre, it explores both human transgression and the tricks of acting – the better for us to understand an unfathomable cruelty. Rau proposes a theatre with …

Continue Reading Back to top

October 31, 2019

The Dark Master serves up a surreal, dreamy feast for the senses – OzAsia Festival

The Dark Master
by Kuro Tanino
Niwa Gekidan Penino
Space Theatre, Adelaide Festival Centre.
October 29. Bookings 131 246 or ozasiafestival.com.au
Tickets: $ 35 – $59. Duration : 90 minutes (no interval)
Until October 31.

A young backpacker steps into a run-down bistro in Osaka looking for a meal and his life changes. The misanthropic chef who serves him a delicious omelette persuades, cajoles and compels him to run the business for him.

Using a cordless earpiece (the audience also …

Continue Reading Back to top

October 29, 2019

The Split

Daily Review

The Split
by Sarah Hamilton
House of Sand
RUMPUS, Sixth Street, Bowden, Adelaide.
October 24. Until November 3.

“Jules and Tom are on an old fishing boat. They’ve borrowed it. It’s only pretty small. The anchor is down, so the boat just drifts as far as the anchor line lets it.” These words are projected on to the back of the stark white set for The Split, an intriguing new play from Melbourne writer Sarah Hamilton.

The scene …

Continue Reading Back to top

October 28, 2019

The Village – OzAsia, Adelaide 2019

Daily Review

OzAsia, Adelaide 2019
The Village
by Stan Lai and Wang Wei-Chung
Stan Lai and Performance Workshop
Festival Theatre.
October 25.

The 2019 OzAsia program has been notable for its significant returns. Artistic director Joseph Mitchell has said that while he is very energised by the new artists he has brought in, he is also committed, in his fifth year at the wheel, to bring back artists who have already made their mark with the OzAsia audience.

So we …

Continue Reading Back to top

Cuckoo – OzAsia 2109

Daily Review

Cuckoo
By Jaha Koo
CAMPO
Space Theatre, Adelaide Festival Centre.
October 27.
FIVE stars

Cuckoo is a meditation on South Korean society over the 22 years since the Asian Financial Crisis, told, in part, by three rice cookers. It is hard to imagine a theatre piece narrated by rice cookers. But in sixty well-chosen minutes writer, performer, composer, Jaha Koo raises life issues and explores political and economic questions that are far from light and fluffy.

Named for …

Continue Reading Back to top

October 23, 2019

EYES/LIES – OzAsia Festival, Adelaide

EYES/LIES
Ontroerend Goed
Space Theatre
October 20.

The name of the impressively original Belgian theatre company, Ontroerend Goed, the program notes tell us, roughly translates as “Feel Estate”. This sounds almost as cryptic as the original Belgian but there is no doubt that they provide audiences with unexpected and memorable experiences when they come to their performances.

From their first visit to Australia in 2008 they have offered a unique form of immersive experience. With The Smile Off Your Face

Continue Reading Back to top

October 22, 2019

Light – OzAsia Festival, Adelaide

Light
by Thomas Henning in collaboration with
TerryandTheCuz.
Nexus Arts
October 19.

“The Theft of Penang, Birth of Adelaide and the Rise of the British Empire.” This is the revisionist history of Light. Commissioned three years ago for OzAsia, it has now had its world premiere in Adelaide before heading to the George Town Festival in Penang.

The story of Colonel William Light who laid out the visionary plan for the city of Adelaide, while fascinating, is mostly obscured …

Continue Reading Back to top
Older Posts »