murraybramwell.com

September 14, 2021

Fiscal Abuse

Glengarry Glen Ross
By David Mamet
Flying Penguin Productions
The Bakehouse.
September 11.
Until September 25.

Murray Bramwell


L-R. Nicholas Garsden / Christopher Pitman. Photo: Shane Reid

Talking about the Art of the Deal has certainly lost its lustre thanks to the Shyster-in-Chief, Donald Trump, but the cult of the salesman, the samurai emissary of predatory capitalism, has been on the nose ever since Willy Loman discovered his pitiful net worth in Death of a Salesman, Arthur Miller’s bitter …

Continue Reading Back to top

August 18, 2021

Theatre review: Hibernation

InDaily
Murray Bramwell

Theatre review: Hibernation

Hibernation, State Theatre’s engaging and theatrically inventive new play, is not only a wake-up call about the climate crisis, it reminds us that to fix the planet we really have to fix ourselves.

Not often does a play seem to have been conjured from the most recent news headlines, but Hibernation is one of them. Writer Finegan Kruckemeyer describes beginning his draft in 2019- “and the writing of that world strangely became the …

Continue Reading Back to top

June 09, 2021

Theatre: The Appleton Ladies’ Potato Race

State Theatre’s exuberant and entertaining new production is set in a small rural town where nothing changes, but change is overdue. Five women from Appleton chew through some timely questions about fairness, opportunity and gender equity.

Written by Murray Bramwell

“The potato race is a real thing,” writer Melanie Tait tells us in her program note for The Appleton Ladies’ Potato Race, “It happens every year in my hometown…” Her town is not called Appleton though, it is Robertson …

Continue Reading Back to top

June 04, 2021

Theatre review: Watchlist

Overflowing with wit and mercurial polemic, Watchlist at The Bakehouse is an ambitious comedy with a sharp message.

Murray Bramwell

We often think only of fossil fuels as the prime cause of climate change. In Watchlist, the unlikely hero discovers the true impact of the global livestock industry and leaves us all with food for thought.

Basil Pepper is in his early twenties and lives in a world of his own. His closest associate is his bearded dragon lizard, …

Continue Reading Back to top

May 10, 2021

Private Lives

Euphoria
by Emily Steel
A State Theatre South Australia
and Country Arts SA Production.
Space Theatre, Adelaide Festival Centre.
May 7. Until May 15.

“The town in Euphoria is not based on any one town,” playwright Emily Steel writes in the program notes for State Theatre’s terrific new production, “but has aspects of many.” When travelling all over regional South Australia researching the play and interviewing locals, Steel asked people what was the best thing about life in their town. …

Continue Reading Back to top

April 21, 2021

Theatre review : The Gospel According to Paul

In ninety engaging minutes, writer and performer, Jonathan Biggins’ Gospel brings us, not just a fascinating study of Paul Keating but an account of a transformative time in Australian political history.

Murray Bramwell

You might say, that for satirist Jonathan Biggins, Paul Keating has been his bread and butter for a long time. As part of the Sydney Theatre Company’s Wharf Revue, along with Phillip Scott, Drew Forsythe and a select group of associates, Biggins has made an art form …

Continue Reading Back to top

April 11, 2021

Theatre review : My Three Angels

Independent Theatre returns with an energetic revival of a comic farce with a heart of kindness – as three wily convicts become Christmas angels for a family facing financial ruin.

Murray Bramwell

Adapted in 1953 by Sam and Bella Spewack, from Albert Husson’s play Les Cuisine des Anges, My Three Angels is set in the French Guiana prison colony in 1910. It is a rambunctious tale of three convicts on work release who offer to repair the roof of …

Continue Reading Back to top

March 07, 2021

Agonising trajectory of live-streamed drama

Adelaide Festival

Medea
After Euripides
Written and directed by Simon Stone
Internationaal Theater Amsterdam.
Her Majesty’s Theatre, Adelaide.
Sir Robert Helpmann Theatre, Mount Gambier.
March 4. Duration : 1 hr 20 mins.

Eugene Onegin
Selected chapters from the novel in verse
by Alexander Pushkin.
Vakhtangov State Academic Theatre of Russia.
Her Majesty’s Theatre, Adelaide
March 5. Duration 3 hrs 20 mins, including interval.

Since inception the Adelaide Festival has been celebrated for its international program. But like so much else, …

Continue Reading Back to top

February 26, 2021

Festival review : The Boy Who Talked to Dogs

Adelaide Festival 2021

Slingsby takes Martin McKenna’s memoir The Boy Who Talked to Dogs back to County Limerick where it began. Featuring an Irish pub band, shadow dog puppets and Bryan Burroughs, brilliant as the talking boy.

“Sometimes you have to learn to be the hero of your own story,” writer Amy Conroy observed – and this is what the celebrated dog whisperer, Martin McKenna achieved. Or mostly so. His book about his wretched childhood on the Garryowen estate in …

Continue Reading Back to top

February 23, 2021

Adelaide Festival 2021 – Robyn Nevin is outstanding

A German Life
by Christopher Hampton
Co-produced by Adelaide Festival
and The Gordon Frost Organisation.
Dunstan Playhouse. Adelaide Festival Centre.

February 23. Tickets $ 30 – $109.
Bookings: adelaidefestival.com.au.
Duration: 1 hour 30 minutes. No interval.
Until March 14.

“I have forgotten such a lot,” concedes Brunhilde Pomsel, aged 102, “And then …things surge up into my mind. Things I can remember in the minutest detail.”

This happens when you get old, but in the case of Pomsel, the sweeping …

Continue Reading Back to top
Older Posts »