Daily Review

OzAsia is a Festival to Remember

In recent years OzAsia has become one of the highlights of Adelaide’s festival calendar but never more so than in 2018.
The hugely popular Moon Lantern Parade, cruelly thwarted by uncertain spring weather in recent years and cancelled several times, has benefited now that the festival begins in late October instead of a month earlier. More than 40,000 attended this year’s parade which featured contributions from ethnic community groups, schools, performance companies …

Lines of Communication

Here is the Message You Asked for …Don’t Tell Anyone Else ;-)
Created by en? (What has happened ? How does it come to this ?)
Chunqiu Theatre Company, Dream Can.
Space Theatre, Adelaide Festival Centre.
November 1.
OzAsia concludes November 11.

OzAsia is in its final week in Adelaide and again highlights artistic director, Joseph Mitchell’s flair for finding the new and intriguing in Asian performance art. This time it is 33 year old Chinese director, …

OzAsia Festival
Adelaide.

While I Was Waiting
by Mohammad Al Attar
Directed by Omar Abusaada
Dunstan Playhouse, Adelaide Festival Centre
October 30.

Four and a Half Stars

Murray Bramwell

At the Q&A, held after the first of only two performances of Syrian playwright, Mohammad Al Attar’s While I Was Waiting, someone asked the director, Omar Abusaada what message he wanted audiences to take away from the play. His reply was that he did not want his theatre to be …

Daily Review
More new frontiers for OzAsia in 2018

Murray Bramwell talks with OzAsia Artistic Director, Joseph Mitchell about his latest festival program.

Launched in 2006 by Adelaide Festival Centre director Douglas Gautier, OzAsia is now in its twelfth year and is looking more innovative and intriguing than ever. Since its inception the festival has expanded its horizons and become ever more inclusive. Already spanning Asia and South East Asia – China, Japan to Hong Kong, Singapore and Malaysia, as …