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February 18, 2022

Fringe review: One Hour Photo

Four and a Half Stars
Murray Bramwell

One Hour Photo is a snapshot of one man’s life – captured from thirty hours of interview and a lifetime of turbulent after-images.

Adding to the usual array of theatre spaces at the popular Holden Street Theatre hub is Ruby’s at No.32. In past Fringes we have seen micro theatre performances in this charming but compact venue but this time it is decked out as a little cinema. Ten comfortable chairs with side …

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February 17, 2022

Fringe review: Meet Me at Dawn

Fringe Festival
Murray Bramwell

Two women are cast on to a desolate beach. As they begin to get their bearings the world will never be the same. Nor, perhaps, will yours either.

Five Stars.

The play opens with a thunderous ocean swell, courtesy of sound designer Sascha Budimski, and a darkened stage, courtesy of Mark Oakley’s lighting. Gradually the visibility lifts and we see a young woman drenched to the skin, hair bedraggled, trying to gather herself after being hurled …

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March 07, 2021

Agonising trajectory of live-streamed drama

Adelaide Festival

Medea
After Euripides
Written and directed by Simon Stone
Internationaal Theater Amsterdam.
Her Majesty’s Theatre, Adelaide.
Sir Robert Helpmann Theatre, Mount Gambier.
March 4. Duration : 1 hr 20 mins.

Eugene Onegin
Selected chapters from the novel in verse
by Alexander Pushkin.
Vakhtangov State Academic Theatre of Russia.
Her Majesty’s Theatre, Adelaide
March 5. Duration 3 hrs 20 mins, including interval.

Since inception the Adelaide Festival has been celebrated for its international program. But like so much else, …

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March 10, 2020

Adelaide Festival – Morbid pleasures within theatrical invention

Cold Blood
by Thomas Gunzig.
Michele Anne De Mey, Jaco Van Dormael,
Kiss & Cry Collective.
Ridley Centre, Adelaide Showgrounds.
March 5. Duration: 1 hour 15 mins (no interval)

Mouthpiece
by Kieran Hurley
Traverse Theatre Company
Odeon Theatre.
March 6. Bookings: adelaidefestival.com.au
Tickets: $30 – $69. Duration 1 hour 35 minutes (no interval)
Until March 15.

The Belgian Kiss & Cry Collective, led by choreographer Michele Anne de Mey and filmmaker Jaco Van Dormael have turned Cold Blood into a …

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February 29, 2020

Adelaide Festival – Exactly what this Doctor ordered

The Doctor
by Robert Icke
Very freely adapted from Arthur Schnitzler’s Professor Bernhardi.
Almeida Theatre, London.
in association with Adelaide Festival.
Dunstan Playhouse. Adelaide Festival Centre.
February 28. Tickets $ 45 – $129.
Bookings: adelaidefestival.com.au.
Duration: 2 Hours 40 minutes including interval.
Until March 8.

Robert Icke has energised current UK theatre with his versions of Aeschylus’s Oresteia, Chekhov’s Uncle Vanya and George Orwell’s 1984. He describes adaptation as “like using a foreign plug. You are in a …

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October 31, 2019

The Dark Master serves up a surreal, dreamy feast for the senses – OzAsia Festival

The Dark Master
by Kuro Tanino
Niwa Gekidan Penino
Space Theatre, Adelaide Festival Centre.
October 29. Bookings 131 246 or ozasiafestival.com.au
Tickets: $ 35 – $59. Duration : 90 minutes (no interval)
Until October 31.

A young backpacker steps into a run-down bistro in Osaka looking for a meal and his life changes. The misanthropic chef who serves him a delicious omelette persuades, cajoles and compels him to run the business for him.

Using a cordless earpiece (the audience also …

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October 28, 2019

The Village – OzAsia, Adelaide 2019

Daily Review

OzAsia, Adelaide 2019
The Village
by Stan Lai and Wang Wei-Chung
Stan Lai and Performance Workshop
Festival Theatre.
October 25.

The 2019 OzAsia program has been notable for its significant returns. Artistic director Joseph Mitchell has said that while he is very energised by the new artists he has brought in, he is also committed, in his fifth year at the wheel, to bring back artists who have already made their mark with the OzAsia audience.

So we …

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Cuckoo – OzAsia 2109

Daily Review

Cuckoo
By Jaha Koo
CAMPO
Space Theatre, Adelaide Festival Centre.
October 27.
FIVE stars

Cuckoo is a meditation on South Korean society over the 22 years since the Asian Financial Crisis, told, in part, by three rice cookers. It is hard to imagine a theatre piece narrated by rice cookers. But in sixty well-chosen minutes writer, performer, composer, Jaha Koo raises life issues and explores political and economic questions that are far from light and fluffy.

Named for …

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October 23, 2019

EYES/LIES – OzAsia Festival, Adelaide

EYES/LIES
Ontroerend Goed
Space Theatre
October 20.

The name of the impressively original Belgian theatre company, Ontroerend Goed, the program notes tell us, roughly translates as “Feel Estate”. This sounds almost as cryptic as the original Belgian but there is no doubt that they provide audiences with unexpected and memorable experiences when they come to their performances.

From their first visit to Australia in 2008 they have offered a unique form of immersive experience. With The Smile Off Your Face

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October 22, 2019

Light – OzAsia Festival, Adelaide

Light
by Thomas Henning in collaboration with
TerryandTheCuz.
Nexus Arts
October 19.

“The Theft of Penang, Birth of Adelaide and the Rise of the British Empire.” This is the revisionist history of Light. Commissioned three years ago for OzAsia, it has now had its world premiere in Adelaide before heading to the George Town Festival in Penang.

The story of Colonel William Light who laid out the visionary plan for the city of Adelaide, while fascinating, is mostly obscured …

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