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July 01, 1993

Night Terrors

All Souls
by Daniel Keene
Red Shed Company
Cardwell Street

Reviewed by Murray Bramwell

All Souls continues the productive relationship between Daniel Keene and the Red Shed Company. Last year’s Low, a grim underclass tragedy featuring Ulli Birve and Syd Brisbane, drew admiring, often young, audiences to Cardwell Street. With All Souls, a Red Shed commission, Keene has extended his writing- sometimes over-extended it- but the result is a new work of considerable distinction.

All Souls is a dream play …

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June 01, 1993

Marvellous

The Jim Rose Circus Sideshow
Heaven

Reviewed by Murray Bramwell

A Rose is a ruse is a total freakout -as the packed and ogling house in Newmarket Heaven discovered when the Jim Rose Circus Sideshow made its only- shall we say- appearance in Adelaide. Out of Seattle, the Weimar of the New World, and late of the Lollapalooza road show in the US, Mr Rose and his associates do their very best to keep their audiences entirely captivated. We are …

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May 01, 1993

Uncle Tom’s Cabaret

Ain’t Misbehavin’
The Fats Waller Musical Show
Festival Theatre

Reviewed by Murray Bramwell

While it is one of the great twentienth century art forms and an instance of American culture at its most inventive and vigorous, the blues sometimes gets the blues itself. With a shift to an African aesthetic many Black Americans no longer warm to the music of oppression, some would say defeat. And the shift in sexual politics in the past twenty years has left the blues …

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Uncle Tom’s Cabaret

Ain’t Misbehavin’
The Fats Waller Musical Show
Festival Theatre

Reviewed by Murray Bramwell

While it is one of the great twentienth century art forms and an instance of American culture at its most inventive and vigorous, the blues sometimes gets the blues itself. With a shift to an African aesthetic many Black Americans no longer warm to the music of oppression, some would say defeat. And the shift in sexual politics in the past twenty years has left the blues …

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April 01, 1993

A New Name and Renewed Purpose

Murray Bramwell talks with Meryl Tankard and Regis Lansac about what’s afoot at ADT.

We are sitting in the Red Ochre Grill, Gouger Street billabong for the Australian Dance Theatre. Or as it now is- the Meryl Tankard Australian Dance Theatre. Along with the eponymous Meryl is her partner and creative associate Regis Lansac and ADT administrator Rainer Jozeps. In between stabs at the emu pate Tankard and Lansac talked about preparation for the company’s season and their views on …

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Summer Pudding

Summer Festival
Adelaide Festival Centre Trust

Reviewed by Murray Bramwell

The Summer Season, our solace in the off-year between festivals continues to give comfort. In fact, combined with Womadelaide, we can hardly complain about the available fare in these early months when holidays are over, daylight saving fades and the tomato plants have died off. It began with Julian Clary, who has in short time won hearts and minds as the love-child of Kenneth Williams. And continued with John Waters.…

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Come Out is Icumen In

Come Out, the national biennial youth fest is about to sprout again. For the fortnight of 2-15 May the festival will overtake Adelaide with a variety of activities in all art forms. As always, the statistics are impressive- 1,690 performer, three hundred performances by fifty-six companies. But Come Out extends far beyond this as school and community programs plug in to activities that take place throughout South Australia. In its scope and vision Come Out is remarkable, unique in Australia …

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January 01, 1993

What the Butler Saw

1993­

What the Butler Saw

by Joe Orton

State Theatre Company

Playhouse

Joe Orton’s plays are not everybody’s cup of tee hee. There is humour that confirms our sense of the world and there is humour which unsettles it and Orton is definitely the latter. His comedy, all elliptical word play and glassy epigrams, has the mannered artificiality of Wilde. But unlike Oscar, Orton is not endearing.  His is pitiless, unlikeable comedy and when he makes you laugh it often …

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December 01, 1992

Power and Puppets

Petrouchka
Australian Dance Theatre
Space

Reviewed by Murray Bramwell

Back in the Space with a three item program Leigh Warren’s ADT has been getting on with the business of being a dance company. Contract terminations and leadership changes are part of the process of continuity and change in any company but they cause upheaval and stress nonetheless. It can’t have been an easy environment for either Warren or his dancers to produce new work which makes the present season the …

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November 10, 1992

Left-Over Lives

Diving for Pearls
by Katherine Thomson
State Theatre Company
Space

Reviewed by Murray Bramwell

There is much to admire about Diving for Pearls. Katherine Thomson’s play about the destruction of restructuring gets beyond the programmatic formulae of most current theatre dealing with contemporary issues. The cost of work to the working class in Australia has long been a theme in our naturalistic theatre- not least in Lawler’s The Summer of the Seventeeth Doll. But more recently the pace of industrial …

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