murraybramwell.com

May 01, 1991

Rites and Wrongs

1991

Spring Awakening

by Frank Wedekind

State Theatre Company

Playhouse, April, 1990.

Reviewed by Murray Bramwell

It is almost one hundred years to the day since Spring Awakening was written. It’s author was twenty-six at the time and he was writing as no-one had ever done before about sexual and social development in adolescence. Benjamin Franklin (Frank) Wedekind was conceived in San Francisco, raised in Switzerland, and, in defiance of his cranky, autocratic, marxist father, was to become an altogether …

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Rites and Wrongs

1991

Spring Awakening

by Frank Wedekind

State Theatre Company

Playhouse, April, 1990.

Reviewed by Murray Bramwell

It is almost one hundred years to the day since Spring Awakening was written. It’s author was twenty-six at the time and he was writing as no-one had ever done before about sexual and social development in adolescence. Benjamin Franklin (Frank) Wedekind was conceived in San Francisco, raised in Switzerland, and, in defiance of his cranky, autocratic, marxist father, was to become an altogether …

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April 01, 1991

Double Bill

Filed under: Archive,Interstate,Theatre

1991

The Winter’s Tale
Coriolanus
by William Shakepeare

English Shakespeare Company
Her Majesty’s, March, 1991.

Reviewed by Murray Bramwell

The English Shakespeare Company’s The War of the Roses is a hard thirty-five acts to follow – even for the English Shakespeare Company. When they visited Adelaide in 1988 the ESC was concluding a two year tour with their marathon history cycle – Richard II to Richard III with all the Henrys in between. Performed in a five day stint the …

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March 01, 1991

Travelling Shakespeare

1991

The English Shakespeare Company spend most of their time travelling. Murray Bramwell talks with Michael Pennington, June Watson and Andrew Jarvis about touring, audiences and their current repertory season of Coriolanus and The Winter’s Tale.

It is something of paradox that because of their colourful, minimalist stagings, tuxedo toffs, punks and mod cons, the English Shakespeare Company are regarded as an experimental group. In fact, on the road since 1986 with The Henrys, and then the epic Wars of …

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Power Play

1991

Julius Caesar

by William Shakespeare

State Theatre Company

Playhouse, February, 1991.

Reviewed by Murray Bramwell

Of all of Shakespeare’s work, Julius Caesar seems to most invite the intervention of modern sensibilities. There is no way that the text can be left to tell itself (if such a thing were ever possible in the theatre).It presents such a spectrum of political shenanigans that any  production has to make choices straight off – whether to favour the Brutus team or take …

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February 01, 1991

Sorry Tale

1991

Boswell for the Defence
by Patrick Edgeworth
Leo McKern
Her Majesty’s Theatre, January, 1991.

Reviewed by Murray Bramwell

The story of Mary Bryant nee Broad has been back in prominence lately. Documented in Robert Hughes’ book The Fatal Shore, described by Thomas Keneally in the Playmaker and dramatised in Timberlake Wertenbaker’s Our Country’s Good, Mary Bryant’s intrepid escape from Sydney Cove to Timor and subsequent return to England is a post-colonial ripping yarn. That the famous James Boswell, biographer …

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Power Play

Power Play

Julius Caesar

by William Shakespeare

State Theatre Company

Playhouse, February, 1991.

Reviewed by Murray Bramwell

Of all of Shakespeare’s work, Julius Caesar seems to most invite the intervention of modern sensibilities. There is no way that the text can be left to tell itself (if such a thing were ever possible in the theatre).It presents such a spectrum of political shenanigans that any  production has to make choices straight off – whether to favour the Brutus team or …

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Power Play

1991

The State Theatre Company opens its 1991 season next Tuesday night with Julius Caesar. Murray Bramwell talks about the production with director, Simon Phillips and actors, Carmel McGlone and Hugo Weaving.

Although written in 1599, straight after Henry V, Julius Caesar has little of the historical and moral certainty of Henry. Instead, it is an examination of the perils and complications of power. Shakespeare’s audience, well used to cautionary tales from history, would have recognised the pertinence of the …

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January 01, 1991

Return to Centre

1991

Adelaide Festival Centre

Murray Bramwell talks to Andrew Bleby about his new job in Adelaide

This year brings  some interesting changes for arts administrator Andrew Bleby. After he has finished his third stint at the centre of Melbourne’s Next Wave Festival in May he will return to his home town Adelaide to take up a three year appointment as Program Director for the Festival Centre Trust.

Andrew first worked as Education Officer with the Festival Centre between 1977 and …

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Oz, the Sequel

1991

Circus Oz

Bonython Park, December, 1990.

Reviewed by Murray Bramwell

For twelve years Circus Oz have been running rings around everybody else’s idea of big tent entertainment. From their beginnings in New Circus and Soapbox circus they have brought together theatre and  rock and roll and created not just a hybrid but a new genus. While retaining a healthy regard for traditional circuit outfits such as Bullens, Ashtons and Circus Royale, Circus Oz also made big changes. For a …

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