murraybramwell.com

October 01, 1989

No Class Please, We’re British

Filed under: Archive,Interstate,Theatre

1989

Shirley Valentine
by Willy Russell

State Theatre Company/
Sydney Theatre Company
The Playhouse,

Reviewed by Murray Bramwell

Playwright Willy Russell not only touched the zeitgeist with his stage hit, Educating Rita, he also hit paydirt. The screen version launched Julie Walters as a performer with presence and showed there could be life after flab for Michael Caine. Essentially, Educating Rita was Pygmalion Revisited with just a smidge of feminism to keep it a la mode. On film, at least, …

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September 01, 1989

Cold Comfort Farm

1989

Lost Weekend

By John Romeril

State Theatre Company

Space, August, 1989.

Reviewed by Murray Bramwell

John Romeril has been writing for the theatre for more than twenty years. Beginning with the APG at the Pram Factory in Melbourne he was central to their importance and success with  a new Australian drama which, to coin a furphy, was temper socialist,bias offensively Carlton. During that time and since Romeril has cranked out a lot of work, of which, Mrs Thally F …

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New Theatre Australia

1989

Art of the States

South Australia

Review – Murray Bramwell

Road

by Jim Cartwright

Red Shed Company

Wetpack Theatre

Living Arts Centre

July 27-August 9

Adelaide’s Red Shed Company is going from strength to strength. Their latest production, Road by Lancashire- based writer Jim Cartwright is further proof of the company’s versatility and commitment. For one thing it was enterprising of the company to secure a theatrical property of this calibre and to offer it, if not as an …

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August 26, 1989

Home Truths on the Range

1989

Lost Weekend by John Romeril

State Theatre Company

The Space, Adelaide.

August, 1989.

A new work by John Romeril is always worth a look  and his latest for South Australia’s State Theatre Company is no exception. Lost Weekend is a quirky piece though, and neither its co-directors John Gaden and Ian Watson nor some of the performers seem to have quite got its measure. Even Romeril doesn’t seem to have decided how his ingredients should finally shake down. Perhaps …

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August 04, 1989

Streetwise

1989

Road

by Jim Cartwright

Red Shed Company

Adelaide

With their latest production, Road, the Red Shed Company further consolidate their claim as Adelaide’s pre-eminent alternative theatre group. In little more than three years they have produced a creditable range of works – some devised by company members, others, like their current production, intelligent choices from the progressive repertoire.

First performed at the Royal Court in London in 1986, Jim Cartwright’s Road played widely in the provinces and has now …

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August 01, 1989

Professional Foul

Top Silk
by David Williamson
Playhouse ·

According to David Williamson, barristers are better value than the Tooth Fairy. There’s nothing that their silky talents can’t achieve. If you are a media tycoon these scriveners can get around the anti~ Trust laws, they can also help out when you get caught with more than a recreational amount of an illegal substance. Then, when they’ve done that, they’ll be your next Premier. That is, if they can be bothered.

In recent …

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July 22, 1989

Heading for Hong Kong

1989

Murray Bramwell talks with Chris and David Erskine, better known as the Fools Company, about their forthcoming participation in the International Arts Carnival in Hong Kong.

Fools Company have been making friends with young audiences at schools, shopping malls, kids’parties and  community celebrations, as well as conventional theatre venues, for rthe past seven years. They have become well-known both in South Australia and interstate and at the end of this month they will be presenting their show, Galloping Grabbas, …

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Heading for Hong Kong

1989

Murray Bramwell talks with Chris and David Erskine, better known as the Fools Company, about their forthcoming participation in the International Arts Carnival in Hong Kong.

Fools Company have been making friends with young audiences at schools, shopping malls, kids’parties and  community celebrations, as well as conventional theatre venues, for rthe past seven years. They have become well-known both in South Australia and interstate and at the end of this month they will be presenting their show, Galloping Grabbas, …

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June 17, 1989

State Opera Changes its Tune

1989

Murray Bramwell talks with Bill Gillespie, General  Manager of the State Opera of South Australia, about his plans for getting the company back to strength.

While it may be appealing for the leading characters to have true hearts and empty pockets, the same is not true for Opera companies. Little more than a year ago the State Opera of South Australia was in the cactus. The deficit was  more than $500,000, the  subscriber base could only be called precarious …

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June 01, 1989

Weather Report

The Tempest
William Shakespeare
State Theatre Company
Playhouse

During his stint as Artistic Director for the State Theatre Company, John Gaden has been closely associated with four Shakespearean productions – Much Ado About Nothing and The Winter’s Tale which he co-directed with Gale Edwards, as the lead in King Lear directed by Edwards, and now, The Tempest in which he directs but does not perform.

With little more than six months left with State, Gaden might have been tempted to …

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