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July 30, 1992

Birds of the Moon

Birds of the Moon
by Anna O’Connor
Patch Theatre Centre
South Australia
Director- Dave Brown, Designer- Kerry Reid, Composer- John Shortis, Choreographer- Guy Detot, Performers- Rosalind Aylmore, Nic Hurcombe.

Birds of the Moon, Dave Brown’s first production as Artistic Director of Patch Theatre Centre has been touring junior primaries with a simple tale of two migrating shearwaters. Otherwise known as muttonbirds, shearwaters breed in the islands of Bass Strait and along the southern coast of the mainland. Barely have they …

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July 01, 1992

What the Orton Saw

Surely we’re all mad people, and they
Whom we think are, are not.

-The Revenger’s Tragedy

Is the world mad ?
I’m not paid to quarrel with accepted facts.

– Joe Orton

Joe Orton’s plays are disquietingly funny not because of their nihilism but because of their relentless logic. Few satirists are as unsparing of human behaviour and of human institutions. The lineage probably begins with Kafka. In The Trial, the authorities knock at the door of Josef K, arrest …

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Shivers Regal

1992

Ramaz’ Gala Performance

Rustaveli Company

Space

Reviewed by Murray Bramwell

When the Rustaveli Company performed in Australia in 1986 they remained imprinted in the DNA of everyone who saw them. The most distinguished state company from the distinguished theatrical state of Georgia, the Rustavelis have toured extensively in Europe and North America presenting their unique readings of classic works – Shakespeare, a staple in Georgian theatre since last century, and Brecht, whose Threepenny Opera and Caucasian Chalk Circle are …

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June 01, 1992

Reversals of Fortune

Money and Friends
David Williamson
State Theatre Company presents
RQTC, Queensland’s State Theatre Company
Playhouse

Reviewed by Murray Bramwell

There is an increasingly widespread perception that David Williamson is a man more sinned against than sinning, that after more than twenty years he has not been embraced for the plays he has given us and the institution he has become. He is presented as our loftiest poppy, a Gulliver of the theatre constantly needled by Lilliputian envy and peevishness.

This …

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Two for Two

1992

Murray Bramwell talks to Director Simon Phillips and Designer Shaun Gurton about their forthcoming season of classics in tandem

The State Theatre Company’s first in-house production for the year is a double bill – or more correctly, a Bill and a John. Performed in repertory, William Shakespeare’s A Midsummer Night’s Dream and John Ford’s ‘Tis Pity She’s a Whore represent what the company are calling in their promotion two classic tales of forbidden love. Certainly when Lysander, the confused …

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May 01, 1992

Thespian Wrestling

Theatre Sports
Improd Theatre
The Big Ticket

Reviewed by Murray Bramwell

Theatre Sports, trademark registered by Keith Johnstone and the Loose Moose company, is Canada’s best-running export since maple syrup. A zappy combination of charades, It’s a Knockout and thespian wrestling, Theatre Sports began fourteen years ago and, especially in the past five years , has invaded the known world.

Their appeal is not hard to fathom. They have brought a refreshing unpredictability to the theatre. The frenzied, often ludicrous …

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April 01, 1992

Funerals and Circuses

Funerals and Circuses
by Roger Bennett
Music by Paul Kelly
Magpie Theatre, South Australia
Director: Steve Gration
Assistant Director: Kaarin Fairfax
Designer: Kathryn Sproul
Choreographer: Debra Batton
Lighting: Laraine Wheeler
Cast: Wayne Anthoney, Roger Bennett, Robert Crompton, Fille Dusseljee, Francis Greenslade, Michael Harris, Nick Hope, Paul Kelly, Kate Roberts, Mandi Sandilands, Lillian Sansbury, Simone Tur.

Rarely does a theatrical work speak to its audience as directly and potently as Funerals and Circuses. In the midst of the Adelaide Festival, …

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March 01, 1992

Adelaide Festival – Sadness and Merry Whistling

Uncle Vanya
by Anton Chekhov
State Theatre of Lithuania
Scott Theatre

Reviewed by Murray Bramwell

Accustomed as we are to mixed styles and hybrid forms, their presence in the plays of Anton Chekhov can still surprise, even alarm us. Few playwrights have had their work subjected to such a variety of interpretations. There have been faithfully naturalistic readings of Chekhov, melancholy, languid ones, giddy comic ones, proto-revolutionary versions, even determinedly erotic ones. Chekhov himself was forever signalling that his intentions …

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February 16, 1992

The Germanic Players

Die Verwandlung
by Franz Kafka

Tandanya Theatre
Until February 28.

Kafka’s Metamorphosis is a creepy fable of modern angst. Gregor Samsa wakes up to find he has turned into an insect, his boss fires him and his family grow resentful that he’s no longer bringing home the bacon. The story shows the cruelty of the outside world mirrored within the toxic confines of the family.

The Germanic Players are from the University of Melbourne and their German language production, Die …

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February 01, 1992

Velo Theatre

Enveloppes et Deballage
Cottage Theatre

Velot Theatre consists of director Tania Castaing and actor Charlot Lemoine and between them they construct tales of whimsy and imagination. In Enveloppes et Deballages- wrappings and unwrappings- they create what they call a `theatre of objects.’

Lemoine is a dreamy postman with a bicycle loaded with parcels. Amidst a hubbub of bird twitterings, cat yowls and what have you, he discovers smoke coming from a huge cardboard container. When he opens it he reveals …

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