1991
The State Theatre production of Beckett’s Happy Days opens in the Playhouse next week. Murray Bramwell talks with director Simon Phillips and actor Ruth Cracknell about the play and its buried meanings.
It is more than forty years since Samuel Beckett wrote Waiting for Godot, a play which was so famous that it became synonymous with 20th century theatre. Beckett himself, immortalised by photographers like Jane Bown, became a craggy icon whose very reclusiveness attracted persistent public attention. His …
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