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December 01, 1991

Snap

Snap
devised by Magpie Theatre SA
Director: Steven Gration
Designer: Kathryn Sproul, Choreographer: Deb Batton ,
Music: Andrea Rieniets, Stage Manager: Shelley Lush
Cast: Fille Dusseljee, Francis Greenslade, Nick Hope, Kate Roberts, Mandi
Sandilands

Snap is a group devised project from Magpie hatched in consultation with children from Sturt Street Primary School in Adelaide. The aim was to create a work involving visual arts, drama, dance and music which, among other things, examined the theme of separation. Deliberately avoiding a …

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Righting History

Sweetown
by Melissa Reeves
Red Shed Company
Red Shed, Cardwell St.
November, 1991.

The Red Shed’s latest – Sweetown, a new commission from Melissa Reeves – is their strongest show since Road. Their output has been rather patchy of late and, with their commitment to produce original work, they set a hard pace for themselves. This production marks not just a return to form, but a consolidation of their claim to being one of the leading alternative theatre …

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Lieder of the Pack

1991

Cabaret

State Theatre Company

in association with the Australian Dance Theatre

Playhouse

Reviewed by Murray Bramwell

The full credits for Cabaret are quite a mouthful – Book by Joe Masteroff, based on a play by John Van Druten and stories by Christopher Isherwood, Music by John Kander, Lyrics by Fred Ebb, Originally Produced and Directed on the New York Stage by Harold Prince. State’s Christmas knees-up production, in conjuction with ADT, has a cast of eight, a chorus of …

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Funny Money

Filed under: Archive,Comedy

1991

A Royal Commission into the Australian Economy

by John Clarke and Ross Stevenson

Space Cabaret

Susan Haynes/Allen and Unwin

Reviewed by Murray Bramwell

John Clarke and Ross Stevenson conducted their first Royal Commission during the Melbourne Comedy Festival back in 1988 and it quickly became the hit show of the season. So when they set up a new inquisition- this time into the Australian Economy- it was certain to attract interest. All the same, it was a bold move …

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November 16, 1991

Setting the Scene

Filed under: Archive,Interviews

1991

Shaun Gurton talks with Murray Bramwell about his designs for the Adelaide Festival and the State Theatre Company’s final show for the 1991 season- Cabaret.

It has been a busy year for Shaun Gurton. Apart from designing five of this season’s productions, the Associate Director of the State Theatre Company went on a six week exchange to China. He also designed Mer de Glace, Richard Meale’s new work for the Australian Opera. His most recent projects have been designing …

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Setting the Scene

1991

Shaun Gurton talks with Murray Bramwell about his designs for the Adelaide Festival and the State Theatre Company’s  final show for the 1991 season- Cabaret.

It has been a busy year for Shaun Gurton. Apart from designing five of this season’s productions, the Associate Director of the State Theatre Company went on a six week exchange to China. He also designed Mer de Glace, Richard Meale’s new work for the Australian Opera. His most recent projects have been designing …

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November 01, 1991

Sewing Discontent

Offshore
by P.P. Cranney
Junction Theatre Company
Thebarton

Offshore, the latest from Junction and the old firm of Cranney and Crowhurst, is another in the Art and Working Life series. This time, though, there is a shift of focus from the Australian workplace to the little known phenomenon of the Export Processing Zone. EPZs are found throughout Asia and the Pacific Rim. Hong Kong, Malaysia, Sri Lanka and The Philippines all have them. There have also been investigations of …

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Edible theatre

The Cooked and the Raw
By Nick Gill
Adelaide Performing Theatre
Astor Hotel

The idea of the theatre restaurant is hardly new. Patrons have often sat at dramatic soirees rattling their cutlery while thespians cavort incongruously around them. But Nick Gill and the Adelaide Performing Theatre have given the notion quite a few more half turns with their “Exquisite Ceremony of Appetite and Desire.” The Cooked and the Raw is theatrical scratch-and-sniff, a four course play with a four course …

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Farce Forward

1991

A Flea in her Ear

by Georges Feydeau

State Theatre Company

Playhouse

Reviewed by Murray Bramwell

In Feydeau it only needs one person to get a bee in his bonnet or a flea in her ear and it’s all va from then on. Like Labiche and Courteline, Feydeau’s farce is extra-marital, extra-mural and distinctly extra-curricular. But as with Keats’s mad pursuit and maidens loth, things are in a fairly permanent state of interruptus and the delinquent bourgeois, demented by …

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October 01, 1991

Tu Tu Much

Tu Tu Wha
Australian Dance Theatre
Playhouse, Adelaide Festival Centre.
September, 1991.

“Tu Tu Wha implores us to examine why there is a separation of intuition from the intellect and to ask is technology our slave or are we slaves to it? To re-acquaint ourselves with an ancient and familiar paradigm of the world as an intricate organic net or interaction.”

There you have it in the proverbial nutshell. ADT’s latest venture is nothing if not ambitious – The History …

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