Assembling an intriguing selection of Australian songs and sources, including some doozies of her own, Robyn Archer and her versatile trio return to the Cabaret Festival in fine form.

Written by Murray Bramwell

Robyn Archer is a highlight in any festival. And her appearances at the Adelaide Cabaret Festival always remind us what the best, of that rubbery term ‘cabaret’, actually looks and sounds like. With her musical prowess, her exuberant erudition, and her keen wit, she is unique. As …

In Edge of Reality, bandleader Paul Grabowsky, and Oz music luminaries Joe Camilleri and Deb Conway brilliantly rescue Elvis from impersonators and cartoon legend and celebrate his considerable musical legacy.

Written by Murray Bramwell

It is 46 years since Elvis Presley died, aged 42. It will soon be fifty. At the time his ardent followers were inconsolable. He was the first god of Rock’n’Roll, transforming the very notion of popular music. He looked like a cross between a pouting …

Alan Cumming is Not Acting His Age
Adelaide Festival Theatre.

June 26. Duration : 1 hr 20 mins.

It is the final night of the Adelaide Cabaret Festival and Alan Cumming bounds on to the stage in a slim-fitting grey suit jacket and black tie, matching grey shorts and black and white Converse sneakers. “I feel twitchy and bitchy and manic”, he sings, “Calm and collected and choking with panic /But alive, but alive, but alive.”

The song is from …

This accomplished set may be mostly Marlene Dietrich – with mashings of Kylie and Madonna – but it is all Kim David Smith at his mercurial best.

Written by Murray Bramwell

Kim David Smith has been performing at the Adelaide Cabaret Festival for more than ten years. Back when he was still Kim Smith, he brought shows such as Misfit and Morphium Kabarett featuring his shape-shifting gremlin mix of nova pop, reptilian camp and – when he switched into persona …

The opening night Variety Gala is a good chance to scratch and sniff the Cabaret Festival program. Raucously hosted by Hans, Adelaide’s own wunderkind, this year’s event is more off the leash than usual.

Written by Murray Bramwell

It’s that time again, the wintry middle of June and the Festival Centre opens up its venues (plus The Famous Spiegeltent) for fifteen nights of music, comedy and dysfunctional frolic. The Variety Gala, an institution since the festival began, not only lines …