Gorgon
by Elena Carapetis
State Theatre Company
Space Theatre, Adelaide Festival Centre
May 3. Tickets : $20 – $38.
Bookings: BASS 131 246, bass.net.au
Duration : 60 minutes
Until May 7. SA Regional tour May 9–27.
“Feel …what is that… I feel…pissed off ?” asks Lee, a teenager at the end of his tether, “Yeah. Like my whole body has become a fist. I’m made of fists, all of me, ready to smash something.” In this year’s State Ed schools …
Continue Reading Back to topAdelaide Festival
The Country
by Martin Crimp
Stone/Castro in association with Insite Arts International,
State Opera of SA and Adelaide Festival.
State Opera Studio, 216 Marion Rd, Netley
March 7. Tickets: $ 25 – $ 36
Bookings : adelaidefestival.com.au
BASS 131246. Until March 13. Duration 90 minutes, no interval.
Golem
1927, co-production with Salzburg Festival,
Theatre de la Ville Paris and Young Vic.
Dunstan Theatre, Adelaide Festival Centre.
March 8. Tickets: $30 – $59
Bookings : adelaidefestival.com.au
BASS 131246. Until …
Adelaide Festival
The James Plays
by Rona Munro
National Theatre of Scotland,
National Theatre of Great Britain,
Edinburgh International Festival.
February 27. Duration 7 hours 40 minutes including intervals.
“We cannot know the character and thoughts of these dead kings and queens and long-gone Scots,” Rona Munro remarks of the succession of royals and underlings who populate her dazzling epic trilogy, The James Plays, “(But) we can speculate a whole series of possibilities from the few hard facts we …
Continue Reading Back to topPenny Arcade
(Ukiyo, The Royal Croquet Club, 9.30 until March 14. Four and a Half Stars)
Penny Arcade, aka Susana Ventura, has an impeccable New York CV. She performed in Warhol/Morrisey films, she hung out as a teenager at Max’s Kansas City. She was there at Stonewall and in the terrible AIDS epidemic in the 80s and 90s. Last time she visited Adelaide as part of the 1994 Adelaide Festival, she performed wearing only an American flag. She also brought …
Continue Reading Back to topAdelaide Fringe
Echoes
by Henry Naylor
The Arch, Holden Street Theatre Company
In association with Gilded Balloon, Edinburgh
February 10. Until March 13.
The Last Time I Saw Richard
by Cat Commander
five.point.one
The Bakehouse.
February 16. Until Feb 23.
Red Ink
by Duncan Graham
Tuxedo Cat, Perske Pavillion
February 16. Until Feb 23.
It is not yet “mad March” in Adelaide and already the Fringe, the gargantuan, carnivalesque doppelganger to the Festival has roared into action. For artists and …
Continue Reading Back to topThe Popular Mechanicals
by Keith Robinson, William Shakespeare and Tony Taylor.
From the original direction by Geoffrey Rush.
State Theatre Company of South Australia
Space Theatre, Adelaide Festival Centre.
November 10. Tickets: $ 27 – $ 69.
Bookings : BASS 131246 or www.bass.net.au
Until November 28.
Duration: 90 minutes.
Puck called them “hempen homespuns”, Shakespeare called them Rude Mechanicals : these are the six artisans who perform a daffy royal command performance for the wedding of Theseus and Hippolyta in …
Continue Reading Back to topMortido
by Angela Betzien
State Theatre Company of South Australia
and Belvoir, Sydney.
Dunstan Playhouse, Adelaide Festival Centre.
October 20. Tickets: $ 27 – $ 69.
Bookings : BASS 131246 or www.bass.net.au
Until October 31 .
Duration: 2 hours 20 minutes.
The Belvoir season opens in Sydney November 11.
“Freud reckoned love and hate, sex and death are twin impulses”, explains the philosophic Detective Grubbe, in Angela Betzien’s brand-new crime psychodrama. “Existence is an endless circle of life and death, …
Continue Reading Back to topThe Aspirations of Daise Morrow,
Based on a short story by Patrick White.
Brink Productions with the Zephyr Quartet
Space Theatre, Adelaide Festival Centre.
October 13. Tickets: $ 25 – $ 48.
Bookings : BASS 131246 or www.bass.net.au
Until October 24.
Duration: 80 minutes
Patrick White called his short story Down at the Dump but in their visually captivating , splendidly lucid stage adaptation, Brink Productions have re-named it The Aspirations of Daise Morrow. Aspirations, we know, are things we …
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Introduction to the Currency edition of Maggie Stone by Caleb Lewis
The Rising Debt of Gratitude: Actions and Transactions in Maggie Stone
It was Polonius, in Hamlet who said : “Neither a borrower or a lender be/ For loan oft loses both itself and friend.” He is right, of course, but like much of the old man’s advice to the young prince, it is a platitude; something easier said than done. It is not how we live in the world, because the world won’t let us.
In his insightful, engaging, sometimes …
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