murraybramwell.com

February 01, 1989

Community Announcement

Wogs Out of Work
Space Cabaret Club, Adelaide Festival Centre

Wogs Out of Work is the brainchild of Nick Giannopoulos, Simon Palomares and Maria Portesi. It began in Melbourne two years ago and has now played in ·most of the state capitals and regional centres. Gordon, the road sweeper ambles amiably through the crowd to begin a wog’s-eye-view monologue. The ethnic origin is undifferentiated Mediterranean and the comedy is as broad as the Parthenon. Gordon recalls his encounter at the …

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December 01, 1988

Strindberg’s Flickering Tale

By the time this goes to print, August Strindberg’s A Dream Play, the State Theatre Company’s final production of the 1988 season will have opened in the Playhouse. The project began when John Gaden took a shine to the Australian Opera production of The Magic Flute and invited Swedish director Goran Jarvefelt and his collaborator Carl Friedrich Oberle to direct a theatre work for State. Part of the national “World to Australia” program, the production has received Bicentennial dollars, …

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November 01, 1988

Crowning Achievement

The Wars of The Roses
History Plays by William Shakespeare
English Shakespeare Company
Directed by Michael Bogdanov
Festival Theatre

“And if you crown him, let me prophesy/ The blood of English shall manure the ground/ And future ages groan for this foul act.” The words of the Bishop of Carlisle went unheeded and the rest is history – Shakespeare’s history of a decimating brawl which began in 1398, when the hollow crown of the last Plantagenet Richard II was snatched …

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October 01, 1988

The New Dreaming

The New Dreaming
Come Out 89

Murray Bramwell talks with Michael Fitzgerald.

Since it began as a row of tents in the Adelaide Parklands in 1974, Come Out has become a major youth arts festival virtually unrivalled in the world. Its reputation for quality, diversity and the sheer scale of its mobilisation is a credit to the energy and commitment of a succession of directors and administrators and an army of teachers and arts workers. Come Out has continued to …

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Stages

Seagull
Anton Chekhov
Directed by Aubrey Mellor
State Theatre Company
Playhouse.

The question of whether Chekhov’s drama is comic or tragic has become a hoary one. But it is nevertheless important. In not quite a hundred years critical opinion has run from one side of the boat to the other. In his influential Moscow Art Theatre productions, Stanislavsky- systematically curbed Chekhov’s absurdist, comic exuberance creating a definitive somewhat po-faced, house style.

More recently, commentators have argued that Chekhov is actually …

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August 13, 1988

A Mid-Winter Night’s Comedy

Murray Bramwell talks with director Geoffrey Rush and actors Paul Blackwell and Tony Taylor about The Popular Mechanicals, which opens for funny business in the Playhouse tonight.

They have become known as the Rude Mechanicals. They are the artisans led by the redoubtable Peter Quince who perform The Most Lamentable Comedy and Most Cruel Death of Pyramus and Thisbe for the royal court in A Midsummer Night’s Dream. Their play is theatrically preposterous, hilarious, endearing and contains some …

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August 01, 1988

Unaccommodated

King Lear
by William Shakespeare
State Theatre Company
Playhouse

This year the State Theatre Company’s sad tale for winter is King Lear but, unlike the John Gaden/Gale Edwards/Mary Moore production of The Winter’s Tale last year, in Lear the considerable talents of the team seem more at odds than in unison.

Mary Moore’s sooty cavernous set, with inky wash backdrop and a huge obsidian dish which splits open amidst Les Gilbert’s terra-crunching soundtrack, portends a dark purpose for a production …

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July 01, 1988

Setting out the Stages

Adelaide Designer Mary Moore talks to Murray Bramwell about her recent work.

Mary Moore has two quite different projects on the go at the moment. At the Gouger Street workshops of the-Australian Dance Theatre she discusses costume construction with the wardrobe staff. The ADT’s now show Acceleration! opens on July 14 at Thebarton Theatre. The work of four choreographers, it has music by Sean Timms. The designs have familiar Mary Moore touches. With poker-faced motifs for the Casino and zippy …

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Choppy

Rough Crossing
by Tom Stoppard
State Theatre Company.

Playhouse.

Tom Stoppard is well on the way to becoming a noun. A stoppard could be the kind of play you write while you are waiting to write a play, a mot boiler, probably retreaded from an obscure, Hapsburg whimsy by Nestroy. Or even Ferenc Molnar, whose The Play at the Castle dined on the ‘well-made’ confections of Victorien Sardou and was itself snaffled by P. G. Wodehouse to become The Play’s

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June 01, 1988

Kitchen Synch

Kitchen Synch
Absurd Person Singular
By Alan Ayckbourn.
State Theatre Company.
Playhouse.

The State Theatre Company chose Absurd Person Singular because, as it was the first time any Alan Ayckbourn had been performed professionally in Adelaide, they wanted to present a proven winner. It is a good piece and epitomises Ayckbourn’s undeniable stagecraft. But in recent years TV audiences have seen this play, Absent Friends, Season’s Greetings and numerous repeats of The Norman Conquests enough for the production to have …

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