murraybramwell.com

June 01, 1997

Future Tense

Magpie2 opens at Queen’s Theatre in Adelaide with the double header Future Tense, directed by Benedict Andrews.

Murray Bramwell

Magpie has returned. It now has a series number -like a software package, or an engine. Magpie2. Reconfigured by former State Theatre Company Executive Producer, Chris Westwood, the company has set aside its theatre in schools charter to provide theatre works with the eighteen to twenty-six year old constituency in mind. It is a big move and there are no guarantees. …

Continue Reading Back to top

Adelaide

The Secret Death of Salvador Dali
by Stephen Sewell

The Court of Miracles
Directed by Peter Dunn
Lion Theatre
Adelaide

“The difference between a madman and me”, Salvador Dali once said, “is that I am not mad.” More, you might say, crazy like a fox. The pre-eminent artist celebrity before Andy Warhol, Dali forms the link between the anti-bourgeois Dada comedy of Alfred Jarry and the zany popularity of the Marx Brothers. With his melting watches, lobster telephones and a …

Continue Reading Back to top

Dance

Fast Editing
Simone Clifford
The Space
Adelaide Festival Centre

Murray Bramwell

Adelaide based Simone Clifford’s current program of work, Fast Editing , is part of the Festival Centre Trust’s Made to Move season. Formerly a dancer with ADT during Jonathan Taylor’s artistic directorship in the early Eighties, Clifford went on to work in Jiri Kylian’s Nederlands Dans Theater for five years.

Fast Editing consists of two works- a new piece entitled Reluctant Relics , created in October and November of …

Continue Reading Back to top

May 28, 1997

Adelaide – Future Tense

Future Tense
Magpie 2
Queen’s Theatre
Adelaide

The Magpie has landed. Magpie 2, that is. For a long time the theatre-in-education wing of the State Theatre Company, it is has now pitched its energies towards the eighteen to twenty-six age group, not exactly a theatre-friendly demographic. Not exactly a demographic at all. So, newly appointed artistic director Benedict Andrews has nailed his doubloon to the mast with a program to his own liking – a double feature of contemporary European …

Continue Reading Back to top

April 01, 1997

Sleepy

A Midsummer Night’s Dream
William Shakespeare

Royal Shakespeare Company
Festival Theatre

Reviewed by Murray Bramwell.

It may take forty minutes for Puck to put a girdle round the earth but it takes the RSC a little longer. It is ten years since we saw Anthony Sher’s Richard III and a lot longer back to Peter Brook’s legendary Dream. Now, boosted by a British Council celebrating its jubilee, the RSC returns like an infrequent comet, bringing with it a considerable reputation …

Continue Reading Back to top

March 01, 1997

Divided Purpose

Cyrano
Adapted by Anthony Burgess

Theatre at Large
Space

Reviewed by Murray Bramwell

The story of Cyrano has been a stage favourite since Edmond Rostand’s syrupy romance hit the Paris boards almost exactly a century ago. Since then it has become a regularly revived cinema property- who could forget Gerard Depardieu as the schnozz ?- and an English rep staple as well. Ralph Richardson’s biographer describes how Rafe and Olivier vied for the part. The choice was between Cyrano and …

Continue Reading Back to top

February 01, 1997

Travelling Light

Corrugation Road
Jimmy Chi, Kuckles and Pigram Brothers

Black Swan Company
Playhouse

Reviewed by Murray Bramwell

For Black Swan it is another Bran Nue Dae. After the boisterous success of Jimmy Chi’s discursive account of growing up in Broome, the company is now freewheeling down Corrugation Road. As the title suggests, it is a rougher ride this time as Chi -with a lot of help from musical friends, Kuckles and the Pigram Brothers- recounts his painful encounter with schizophrenia, agoraphobia, …

Continue Reading Back to top

December 01, 1996

Cold Comfort

The Fire on the Snow
by Douglas Stewart

State Theatre
Playhouse

Reviewed by Murray Bramwell

I admit to having some apprehension about this production. The advance publicity suggested eccentricity in the design and the idea of cross-casting struck me as arbitrary. And, having been raised on the boys’ own annuals of the fifties, I wasn’t sure there was much about the legend of Robert Falcon Scott that held any further interest for me either. However, as it happens, I had …

Continue Reading Back to top

Chekhov, Too

(Uncle) Vanya
by Howard Barker

Brink Productions
Red Shed

Reviewed by Murray Bramwell

Howard Barker’s version of Chekhov’s Uncle Vanya is not so much deconstruction as detonation. He has taken one of the great plays of the modern era and turned it into intertextual terrorism. Not since Tom Stoppard’s Rosencrantz and Guildernstern are Dead ( or Barker’s own Women Beware Women) has a play so successfully roosted under the roof of another. But unlike Stoppard’s hit, Barker’s Vanya is no …

Continue Reading Back to top

November 01, 1996

Entanglements

1996

Knots

Double Bind Company

Tandanya

DARKpaths

Stephen Sewell

Junction Theatre

Reviewed by Murray Bramwell

As the psychiatrist R.D.Laing moved from clinical practice to social commentary, from the Divided Self to the Politics of Experience, he began to write in different forms. One of his most accessible, engaging and incisive works is Knots, a slim volume of psycho-conundra elaborating the many ways relationships can get tangled. Laing called them double binds and that is the name taken by director/composer …

Continue Reading Back to top
« Newer PostsOlder Posts »