murraybramwell.com

December 01, 1996

Making Gravy

Filed under: Archive,Music

Paul Kelly
with Paul Brady
Governor Hindmarsh

Reviewed by Murray Bramwell

Paul Kelly has played here four times this year and each time he’s been full of surprises. The January gig at Heaven brought a five piece line-up plus a set from the Blackeyed Susans. Then, fresh from the Womad train, he played a full house at Festival Theatre with fabled pedal steel player and national broadcaster, Lucky Oceans. The Norwood Town Hall show featured Renee Geyer, whose fortunes have …

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Cold Comfort

The Fire on the Snow
by Douglas Stewart

State Theatre
Playhouse

Reviewed by Murray Bramwell

I admit to having some apprehension about this production. The advance publicity suggested eccentricity in the design and the idea of cross-casting struck me as arbitrary. And, having been raised on the boys’ own annuals of the fifties, I wasn’t sure there was much about the legend of Robert Falcon Scott that held any further interest for me either. However, as it happens, I had …

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Chekhov, Too

(Uncle) Vanya
by Howard Barker

Brink Productions
Red Shed

Reviewed by Murray Bramwell

Howard Barker’s version of Chekhov’s Uncle Vanya is not so much deconstruction as detonation. He has taken one of the great plays of the modern era and turned it into intertextual terrorism. Not since Tom Stoppard’s Rosencrantz and Guildernstern are Dead ( or Barker’s own Women Beware Women) has a play so successfully roosted under the roof of another. But unlike Stoppard’s hit, Barker’s Vanya is no …

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November 01, 1996

Alexander’s Ragtime Band

Filed under: Archive,Music

Balanescu Quartet
Mountadam Vineyard

Reviewed by Murray Bramwell

Since the release of their 1992 recording Possessed, the Balanescu Quartet has held a variety of music enthusiasts in their thrall. For some their spirited, rhythmic playing conjured associations with folk and Romany styles. The miked-up sound appealed to the rock and jazz fusion crowd. And their witty re-drafts of composers such as David Byrne and the German proto-techno band, Kraftwerk, made fashion victims of us all.

Attending the Barossa Music …

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Broken German

Filed under: Archive,Music

1996

Marianne Faithfull

with Paul Trueblood

Space, October, 1996

Reviewed by Murray Bramwell

Marianne Faithfull has gone arty. It is not the first time. Even as a teenage waif, under the murky guidance of Andrew Loog Oldham, she was given to recitations of Jabberwocky and Full Fathom Five. She even returns to The Tempest again in A Secret Life, last year’s disappointing collaboration with Angelo Badalamenti. And, of course, she is no stranger to European cabaret- whether on The …

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Entanglements

1996

Knots

Double Bind Company

Tandanya

DARKpaths

Stephen Sewell

Junction Theatre

Reviewed by Murray Bramwell

As the psychiatrist R.D.Laing moved from clinical practice to social commentary, from the Divided Self to the Politics of Experience, he began to write in different forms. One of his most accessible, engaging and incisive works is Knots, a slim volume of psycho-conundra elaborating the many ways relationships can get tangled. Laing called them double binds and that is the name taken by director/composer …

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October 03, 1996

Clannad

Filed under: Archive,Music

1996

Festival Centre

Adelaide, October 1, 1996.

Murray Bramwell

As their name suggests, Clannad is a family affair. The Brennans and Duggans. Or more precisely – Maire Ni Bhraonain, her brother Ciaran and twin uncles, Noel and Pol O Dugain, who form the core of a band which has variously included a songwriting brother, Pol, and a singing sister, Eithne, now known to more than thirty million record buyers as Enya.

For twenty five years and over twenty seven albums …

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October 01, 1996

Past Lives

Good Works
Nick Enright
Playbox
in association with Adelaide Festival Centre Trust
Space

Reviewed by Murray Bramwell

It has been too long since Nick Enright’s writing has featured on the Adelaide stage. Can it be On the Wallaby -back in 1981 ? So far, recent works such as A Property of the Clan and Blackrock have not been seen here, although we will soon be seeing double with State Theatre’s revival of his adaptation of The Venetian Twins coming up …

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Down at the End of Lonely Street

Terminus
Daniel Keene
Red Shed Company

Reviewed by Murray Bramwell

The Red Shed Company continues its productive collaboration with Melbourne playwright Daniel Keene with one of their best productions in some time. Terminus, Keene’s newest work commissioned by the Shed, follows other company successes- All Souls, the two-handers Low and Silent Partner and SA Premier’s Award winner, Because You Are Mine.

Keene’s plays, though varied in subject matter, have distinctive tropes. Densely poetic, socially deterministic and infused with dread they …

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Highlight

Filed under: Archive,Interstate,Theatre

Skylight
David Hare
Melbourne Theatre Company
in association with Adelaide Festival Centre Trust
Space

Reviewed by Murray Bramwell

It has been a good time for The Adelaide Festival Centre Trust and a good time for the Space. The so-called World Theatre program brought in Nick Enright’s Good Works and now David Hare’s Skylight. They are both good plays and in the modest confines of the Space they have also given us absorbing performances.

David Hare’s writing suggests many things. The …

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