murraybramwell.com

May 01, 1991

Rites and Wrongs

1991

Spring Awakening

by Frank Wedekind

State Theatre Company

Playhouse, April, 1990.

Reviewed by Murray Bramwell

It is almost one hundred years to the day since Spring Awakening was written. It’s author was twenty-six at the time and he was writing as no-one had ever done before about sexual and social development in adolescence. Benjamin Franklin (Frank) Wedekind was conceived in San Francisco, raised in Switzerland, and, in defiance of his cranky, autocratic, marxist father, was to become an altogether …

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April 01, 1991

Double Bill

Filed under: Archive,Interstate,Theatre

1991

The Winter’s Tale
Coriolanus
by William Shakepeare

English Shakespeare Company
Her Majesty’s, March, 1991.

Reviewed by Murray Bramwell

The English Shakespeare Company’s The War of the Roses is a hard thirty-five acts to follow – even for the English Shakespeare Company. When they visited Adelaide in 1988 the ESC was concluding a two year tour with their marathon history cycle – Richard II to Richard III with all the Henrys in between. Performed in a five day stint the …

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March 01, 1991

Travelling Shakespeare

Filed under: Archive,Interviews

1991

The English Shakespeare Company spend most of their time travelling. Murray Bramwell talks with Michael Pennington, June Watson and Andrew Jarvis about touring, audiences and their current repertory season of Coriolanus and The Winter’s Tale.

It is something of paradox that because of their colourful, minimalist stagings, tuxedo toffs, punks and mod cons, the English Shakespeare Company are regarded as an experimental group. In fact, on the road since 1986 with The Henrys, and then the epic Wars of …

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Travelling Shakespeare

1991

The English Shakespeare Company spend most of their time travelling. Murray Bramwell talks with Michael Pennington, June Watson and Andrew Jarvis about touring, audiences and their current repertory season of Coriolanus and The Winter’s Tale.

It is something of paradox that because of their colourful, minimalist stagings, tuxedo toffs, punks and mod cons, the English Shakespeare Company are regarded as an experimental group. In fact, on the road since 1986 with The Henrys, and then the epic Wars of …

Continue Reading Back to top

Power Play

1991

Julius Caesar

by William Shakespeare

State Theatre Company

Playhouse, February, 1991.

Reviewed by Murray Bramwell

Of all of Shakespeare’s work, Julius Caesar seems to most invite the intervention of modern sensibilities. There is no way that the text can be left to tell itself (if such a thing were ever possible in the theatre).It presents such a spectrum of political shenanigans that any  production has to make choices straight off – whether to favour the Brutus team or take …

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Sandy Through the Hour Glass

Filed under: Archive,Cabaret

1991

The Life and Death of Sandy Stone

Barry Humphries

Her Majesty’s Theatre, February, 1991.

Reviewed by Murray Bramwell

Barry Humphries once described Sandy Stone as a decent, humdrum little old man. It remains an apt assessment. Drab, suburban, habitual, Sandy epitomised the prosaic domestication of the Anglo-Australian male. When Barry Humphries held a mirror up to nature it was the obsessive, sexless, life of Sandy Stone which appeared in the glass not the gangly, heroic fiction of Chips Rafferty. …

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February 01, 1991

Sorry Tale

1991

Boswell for the Defence
by Patrick Edgeworth
Leo McKern
Her Majesty’s Theatre, January, 1991.

Reviewed by Murray Bramwell

The story of Mary Bryant nee Broad has been back in prominence lately. Documented in Robert Hughes’ book The Fatal Shore, described by Thomas Keneally in the Playmaker and dramatised in Timberlake Wertenbaker’s Our Country’s Good, Mary Bryant’s intrepid escape from Sydney Cove to Timor and subsequent return to England is a post-colonial ripping yarn. That the famous James Boswell, biographer …

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Power Play

Power Play

Julius Caesar

by William Shakespeare

State Theatre Company

Playhouse, February, 1991.

Reviewed by Murray Bramwell

Of all of Shakespeare’s work, Julius Caesar seems to most invite the intervention of modern sensibilities. There is no way that the text can be left to tell itself (if such a thing were ever possible in the theatre).It presents such a spectrum of political shenanigans that any  production has to make choices straight off – whether to favour the Brutus team or …

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Power Play

1991

The State Theatre Company opens its 1991 season next Tuesday night with Julius Caesar. Murray Bramwell talks about the production with director, Simon Phillips and actors, Carmel McGlone and Hugo Weaving.

Although written in 1599, straight after Henry V, Julius Caesar has little of the historical and moral certainty of Henry. Instead, it is an examination of the perils and complications of power. Shakespeare’s audience, well used to cautionary tales from history, would have recognised the pertinence of the …

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Interview with Barry Humphries

Filed under: Archive,Interviews

1992

From Wanted For Questioning: Interviews with Australian Comic Artists

(Editors) Murray Bramwell and David Matthews, Allen and Unwin, 1992.

Barry Humphries

Barry Humphries is a major Australian artist. He is also a connoisseur, a scholar and surely one of the funniest people alive. His burlesque creations define the art and his writings are some of the best in Australian theatre.

It was my good luck that Humphries was in Australia with The Life and Death of Sandy Stone and …

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