murraybramwell.com

July 01, 1990

High Fidelity

Filed under: Archive,Music

1990

Marianne Faithfull
with Barry Reynolds
Old Lion, June 1990

Reviewed by Murray Bramwell

I bought my first Marianne Faithfull LP. in 1964. I’d gone to the shop to buy the Stones’ Aftermath and somehow got distracted by As Tears Go By. It was a pretty feeble album really – breathless, nylon-string folk songs with recitations of Full Fathom Five and Jabberwocky to fill up the second side – but I had made a choice for Art (and the fetching …

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Eclectic Panto

1990

A Midsummer Night’s Dream
William Shakespeare
Footsbarn
Playhouse

Reviewed by Murray Bramwell

Footsbarn are a remarkable theatre company. With minimal subsidy they have toured for nearly twenty years presenting more than 47 productions. While their range is wide, Shakespeare is their staple. Adelaide saw Macbeth in the 1986 Festival, a production which they rehearsed at McLaren Vale and took on the the road to sixteen different countries.

From its origins in Cornwall (in the barn of founding actor, Oliver …

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Quickly Noted

1990

Quickies

State Theatre Company

Space, June 1990

Reviewed by Murray Bramwell

The first thing to say about Quickies is that they are a welcome addition to the State Theatre Company’s card. Combining the formula for the 1986 Shorts season- recent works performed by the State and Magpie ensembles, directed by a variety of guests – with State’s long-standing practice of offering public readings of plays by SA dramatists, the result is a double season of works by local writers …

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Salad Days

Filed under: Archive,Books

1990

May Week Was in June
Clive James

Reviewed by Murray Bramwell

There is something prodigal about Clive James’s writing. An expense of spirit, you might say, in a waste of shame. Prolific almost to a fault, he has not only produced twenty books, including two overcooked novels and half a dozen volumes of comic verse less Augustan than Dysgustan, he has also become a television monolith producing the kind of glib, pleased-with-itself instant editorialising that, as critic for The …

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