murraybramwell.com

February 21, 2022

Back to the Park: WOMADelaide 2022 Returns to Full Strength

Director Ian Scobie and Associate Director, Annette Tripodi talk to Murray Bramwell about reclaiming and re-setting Adelaide’s favourite music event – despite the challenges of COVID-19.

WOMADelaide is turning thirty and what a year to have a milestone birthday. From its inception in 1992, when it formed part of Rob Brookman’s Adelaide Festival, this vibrant, richly diverse music event has captured this city and brought visitors and rusted-on fans from all over the country.

Based in the CBD in Botanic …

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February 18, 2022

Fringe review: One Hour Photo

Four and a Half Stars
Murray Bramwell

One Hour Photo is a snapshot of one man’s life – captured from thirty hours of interview and a lifetime of turbulent after-images.

Adding to the usual array of theatre spaces at the popular Holden Street Theatre hub is Ruby’s at No.32. In past Fringes we have seen micro theatre performances in this charming but compact venue but this time it is decked out as a little cinema. Ten comfortable chairs with side …

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February 17, 2022

Fringe review: Meet Me at Dawn

Fringe Festival
Murray Bramwell

Two women are cast on to a desolate beach. As they begin to get their bearings the world will never be the same. Nor, perhaps, will yours either.

Five Stars.

The play opens with a thunderous ocean swell, courtesy of sound designer Sascha Budimski, and a darkened stage, courtesy of Mark Oakley’s lighting. Gradually the visibility lifts and we see a young woman drenched to the skin, hair bedraggled, trying to gather herself after being hurled …

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Fringe review: Afghanistan is Not Funny

Adelaide Fringe
Murray Bramwell
Fringe review: Afghanistan is Not Funny
Five Stars

A high-profile comedian visits a war zone in Kabul and it not only transforms him, but the things he wants to write about. This often comic memoir looks for answers to serious questions.

Henry Naylor is the master of the dramatic miniature. His plays, rarely more than sixty minutes in duration, are a crowded hour of fact, polemic, suspense, and compressed emotion that take us where other playwrights …

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December 20, 2021

The Best of 2021

Filed under: 2021,2022,Archive

This has been another weird and difficult year. But differently weird and difficult from 2020 our first year of COVID-19. That year was normal-ish for the first three months. After that, things were postponed and re-scheduled. Or more often – thwarted, abandoned, cancelled and locked-down.

As I wrote this time last year – “It has been a global catastrophe – medically, socially, economically and creatively. In Australia the problems for the creative arts have been enhanced by federal government spite …

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December 10, 2021

UnSeen

UnSeen
by Kelly Vincent & Alirio Zavarce
and the True Ability Ensemble.
Space Theatre, Adelaide Festival Centre
December 1.

Seeing and Believing

“There are a lot of things that are really hard about being disabled,” writer and advocate Kelly Vincent said in a recent interview in CityMag. “But most of them are not because [of the disability]. It’s because of the barriers that society puts up for disabled people – from barriers to socialising and attending events and parties, to …

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November 19, 2021

How Not to Make it in America

How Not to Make it in America
by Emily Steel
Theatre Republic.
Space Theatre, Adelaide Festival Centre.
November 18. Until November 20.
Murray Bramwell

“Hi I’m Matt. I’m here to audition for the role of Juliet”. These are the opening lines of Emily Steel’s excellent new play How Not to Make it in America . Those who followed the Act Now/ State Theatre’s Decameron 2.0 Project online last year would have already met Matt, and his performer James Smith, but …

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November 18, 2021

Theatre Review: Dry

In Catherine Fitzgerald’s grim comedy of climate crisis, two sisters cling desperately to the remnants of their unsustainable rural heritage.

Murray Bramwell

We have been warned for more than fifty years about climate change. The rapid deterioration of our biosphere is a concept terrifying to consider. Reports of polar melting, sea levels rising, and increasingly chaotic weather patterns have the enormity and unreality of science fiction. So how do we countenance this in ways that might sink in ?

Dry

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November 16, 2021

Comedy of manners for quarrelsome age

Eureka Day
by Jonathan Spector
State Theatre South Australia.
Dunstan Playhouse, Adelaide Festival Centre.
November 16. Tickets $39 – $79.
Bookings: ticketek.com.au
Duration : 130 minutes (including interval)
Until November 27.

Californian playwright, Jonathan Spector could not have known, when his sparklingly witty comedy of ethics opened in Berkeley in April 2018, that Eureka Day would be so alarmingly prescient of the corrosive social divisions in a global pandemic.

Set in the Eureka Day Community school, the play opens on …

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October 21, 2021

Theatre review: White Pearl

White Pearl not only takes a sharp and funny swipe at the Asian cosmetics industry, it reminds us that racism comes in a disturbing variety of forms – and social media is often not helping. OzAsia 2021 has opened with its first highlight.

Murray Bramwell

Clearday is the name of this smart young Singaporean cosmetic company, but there is nothing very clear about the way they do business. Their product is called White Pearl and as playwright, Achuli Felicia King’s …

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