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December 01, 1991

Snap

Snap
devised by Magpie Theatre SA
Director: Steven Gration
Designer: Kathryn Sproul, Choreographer: Deb Batton ,
Music: Andrea Rieniets, Stage Manager: Shelley Lush
Cast: Fille Dusseljee, Francis Greenslade, Nick Hope, Kate Roberts, Mandi
Sandilands

Snap is a group devised project from Magpie hatched in consultation with children from Sturt Street Primary School in Adelaide. The aim was to create a work involving visual arts, drama, dance and music which, among other things, examined the theme of separation. Deliberately avoiding a …

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Righting History

Sweetown
by Melissa Reeves
Red Shed Company
Red Shed, Cardwell St.
November, 1991.

The Red Shed’s latest – Sweetown, a new commission from Melissa Reeves – is their strongest show since Road. Their output has been rather patchy of late and, with their commitment to produce original work, they set a hard pace for themselves. This production marks not just a return to form, but a consolidation of their claim to being one of the leading alternative theatre …

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November 01, 1991

Sewing Discontent

Offshore
by P.P. Cranney
Junction Theatre Company
Thebarton

Offshore, the latest from Junction and the old firm of Cranney and Crowhurst, is another in the Art and Working Life series. This time, though, there is a shift of focus from the Australian workplace to the little known phenomenon of the Export Processing Zone. EPZs are found throughout Asia and the Pacific Rim. Hong Kong, Malaysia, Sri Lanka and The Philippines all have them. There have also been investigations of …

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Edible theatre

The Cooked and the Raw
By Nick Gill
Adelaide Performing Theatre
Astor Hotel

The idea of the theatre restaurant is hardly new. Patrons have often sat at dramatic soirees rattling their cutlery while thespians cavort incongruously around them. But Nick Gill and the Adelaide Performing Theatre have given the notion quite a few more half turns with their “Exquisite Ceremony of Appetite and Desire.” The Cooked and the Raw is theatrical scratch-and-sniff, a four course play with a four course …

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October 01, 1991

Tu Tu Much

Tu Tu Wha
Australian Dance Theatre
Playhouse, Adelaide Festival Centre.
September, 1991.

“Tu Tu Wha implores us to examine why there is a separation of intuition from the intellect and to ask is technology our slave or are we slaves to it? To re-acquaint ourselves with an ancient and familiar paradigm of the world as an intricate organic net or interaction.”

There you have it in the proverbial nutshell. ADT’s latest venture is nothing if not ambitious – The History …

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September 01, 1991

Phantom Ibsen

Ghosts
by Henrik Ibsen
Big Ensemble
Lion Theatre.

Of all Ibsen’s plays, Ghosts is the most scarifying. Its themes are darkly deterministic, its social criticism relentless. Ibsen’s plays spoke not just for his own country but for all of Europe, haunted by the ghosts of dead ideas, old and obsolete beliefs. As his central character, Mrs Alving says – “They are not alive in us but they remain in us none the less, and we can never rid themselves of …

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June 01, 1991

Divining a Future

The action raced from musical soundscapes to didactic melodramas. From animalistic lycra to a japanese tale of love and ogres. Whilst Tiananmen Square rubbed shoulders with a local paper mill, Murray Bramwell was getting to know the nature of the beast itself.

Now that Come Out has gone back inside for another two year period of planning and preparation, it is a good time to take stock. This has been the ninth festival and with its theme, Designing Our Future. …

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Two

1991

Florence Who?

by Roxxy Bent

Junction Theatre

Red Like the Devil

by Teresa Crea

Doppio Teatro

Reviewed by Murray Bramwell

Now in their new possie in Thebarton, Junction Theatre continue their Art and Working Life series with Florence Who? by Adelaide writer Roxxy Bent. Commissioned by the Australian Nursing Federation, the play takes a lively look at the practices and politics of a profession often distorted by stereotype. Roxxy Bent, widely-regarded for her quirky writing for Vitalstatistix, noted that …

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January 01, 1991

Return to Centre

1991

Adelaide Festival Centre

Murray Bramwell talks to Andrew Bleby about his new job in Adelaide

This year brings  some interesting changes for arts administrator Andrew Bleby. After he has finished his third stint at the centre of Melbourne’s Next Wave Festival in May he will return to his home town Adelaide to take up a three year appointment as Program Director for the Festival Centre Trust.

Andrew first worked as Education Officer with the Festival Centre between 1977 and …

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November 17, 1990

Irish Green for the Red Shed

1990

The Red Shed Company’s final production for the 1990 is a new play by Irish writer Frank McGuinness.  Murray Bramwell  talks with director Cath McKinnon and actor Eileen Darley about Cathaginians which opens next Thursday night.

Ask anyone about the Punic Wars and they will tell you that they were waged by Rome and Carthage between 264 and 146 BC. The first war was a power struggle over Sicily, the second starred Hannibal and ended in humiliating defeat while  …

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