1992
Paul Kelly
Old Lion, May 1992
Reviewed by Murray Bramwell
I arrived late for Paul Kelly’s solo spot at the Old Lion. At ten thirty I was still watching Malvina Major’s splendid account of the expiration, via madness and grief, of Lucia, late of the Lammermoors. Moving from the studied contrivances of bel canto to the easy colloquialism of Paul Kelly calls for some rapid cultural gear changes but by no means a drop in expectation. Kelly’s music and …
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