2007
Theatre
Adelaide

Talk to Me like the Rain and Let Me Listen
By Tennessee Williams

Hot Fudge
By Caryl Churchill

Central Park West
By Woody Allen

State Theatre Company
Of South Australia
Dunstan Playhouse
Adelaide Festival Centre
July 10, 2007 Until July 28.
Tickets $17 – $55. Bookings BASS 131 246

In theatre parlance a triple threat is someone who can dance and sing as well as act. But with this winter program on the mainstage of the Dunstan …

2007

Hamlet

by William Shakespeare

State Theatre Company

and Queensland Theatre Company

April 3. Dunstan Playhouse. Until April 21

Reviewed by Murray Bramwell

The main task with Hamlet is to make him come alive. Whatever the leanings in interpretation  – that he be older or younger, bookish scholar or renaissance cleverboots, devious or bi-polar – Hamlet has to engage us in his bid to unmask a murder conspiracy, even though he says, and does, things which don’t add up. This …

2007

Hamlet
by William Shakespeare

State Theatre Company of South Australia
And Queensland Theatre Company
Dunstan Playhouse, Adelaide Festival Centre.
April 3. Tickets: $17-$ 60. Bookings : BASS 131 246
Until April 21, 2007

A new version of Hamlet is the chance to see the latest plausible hypothesis. The Dane, after all, is a most enigmatic fellow and the task of both actor and director is to present him, from the ghost scene to the endgame duel, as if all …

2007

This Uncharted Hour
By Finegan Kruckemeyer
Brink Productions and
State Theatre of South Australia
13 February. Dunstan Playhouse

Reviewed by Murray Bramwell

As its title suggests This Uncharted Hour is a venture into unnavigated territory. The central character, Luka, begins a day like any other but when a dog runs in the path of his car, things start to go awry. In his consternation, the young man goes driving near old haunts for a close encounter (in a Fellini-ish …

2007

This Uncharted Hour
By Finegan Kruckemeyer
Brink Productions and
State Theatre Company of South Australia
Space Theatre, Adelaide Festival Centre.
February 13. Tickets: $17-$ 50. Bookings : BASS 131 246
Until February 24, 2007.

It might be called the Crash method, or the Babel syndrome – to name two recent films which conjure narrative from a series of apparently unconnected events. Finegan Kruckemeyer’s ambitious chamber play, This Uncharted Hour, also uses a kind of butterfly effect to explore a …

Private Lives
By Noel Coward

State Theatre Company of South Australia
and Queensland Theatre Company
Dunstan Playhouse
Until December 13, 2006.

Reviewed by Murray Bramwell

Of Private Lives, a play he wrote in four days in 1929 while staying at the Cathay Hotel in Shanghai, Noel Coward remarked it “was well-constructed on the whole, but psychologically unstable.” He describes writing it propped up in bed with a writing block and an Eversharp pencil – and it is certainly an eversharp …

Uncle Vanya
by Anton Chekhov
Translated by Adam Cook

State Theatre Company
Dunstan Playhouse
Until November 4.

Reviewed by Murray Bramwell

Anton Chekhov has often bewildered his associates in the theatre. He used the term comedy to describe The Seagull, a play which ends in suicide, The Cherry Orchard was similarly designated but audiences saw only melancholy and pessimism for the future. Uncle Vanya, developed from an earlier version entitled The Wood Demon, he described as “Scenes from Country Life” …

2006
Murray Bramwell

Uncle Vanya
by Anton Chekhov
Translated by Adam Cook

State Theatre Company of South Australia
Dunstan Playhouse, Adelaide Festival Centre
October 17. Tickets $13.50 – 50. Bookings : BASS 131 246
Until 4 November, 2006.

Chekhov has challenged directors from the beginning. Stanislavsky found The Seagull such a puzzle he was prompted to invent an entirely new approach to actor training. Of Uncle Vanya, the second of the four great dramas which Chekhov wrote in the last …

2006

Away
by Michael Gow

Queensland Theatre Company
and Griffin Theatre Company
Dunstan Playhouse
Until September 23, 2006.

Reviewed by Murray Bramwell

There can be few Australian plays as mercurial as Away. Written in the mid-Eighties, but set in the late Sixties, it focuses on three families going “away” for their summer holidays. It is full of affectionate retro-detail of Australian beach culture, but its central themes are of loss and death and the struggle to accept the inevitable and …

Michael Gow talks about his play, Away, twenty years after its first performance.

Murray Bramwell

When the Griffin Theatre production of Away opened at the Stables in Sydney on January 7, 1986, no-one, least of all thirty-one year old playwright, Michael Gow, had any idea what a successful, and much beloved play it would become. Written swiftly between November 1985 and the following January, the play reflected Gow’s preoccupations at that time:

“It was partly turning thirty and asking ‘how …