Claustrophobia
devised by the Maly Company

Maly Theatre of St Petersburg
Festival Theatre

Reviewed by Murray Bramwell

In both Gaudeamus and Claustrophobia, the Maly Theatre present us with a profusion of mixed messages. The company, youthful, vibrant and full of theatrical charm performs material which is often bitter, predatory, and seething with cynicism. The vignettes of life in the Construction Battalion in Gaudeamus show a vicious, divisive group of young people brutalised by circumstance. And the closing tableau with the …

My Mathematics
Rose English

Festival Tent
Memorial Drive

Reviewed by Murray Bramwell

The name’s Charlie and, obviously, I’m a horse. I’ve just been in Adelaide for the Festival. I wasn’t too sure about it all myself. It was my agent’s idea really. Good for your CV he said. You need to diversify, get into the arts more. But that’s what he said when he found that other play for me- Equus.

Well, anyway I’m back doing theatre and frankly it …

Theatre
A Kyogen Falstaff: The Braggart Samurai

Adaptation: Yasunari Takahashi
Director: Mansaku Nomura
Suke-emon Horato (Falstaff): Mansaku Nomura
Tara Kaja (Bardolph): Takeshi Nomura
Jiro Kaja (Pistol): Haruo Tsukizaki
Yakbei (Ford): Mannosuke Nomura
Omatsu (Mistress Ford): Yukio Ishida
Otake (Mistress Page): Shichisaku Ogawa
Koken (Stage Assistant): Ryosaku Nomura
Fue (flute): Takayuki Isso
Taiko (drum): Hitoshi Sakuraoi.

The Playhouse

Sir John Falstaff is Shakespeare’s big comic success. Hot with appetite, ripe with laughter, he is ego made flesh- and a force of …

Tomoe Shizune and Hakutobo
Union Hall

Reviewed by Murray Bramwell

It is generally agreed that the first butoh performance was Forbidden Colours, based on the works of Mishima and presented by Tatsumi Hijikata at a Japanese dance festival in 1959. From there this eclectic dance drama form has been interpreted by a variety of companies and soloists. Some, such as Kazua Ohno, Sankai Juku and Byakko Sha have been visiting Australian festivals since the mid 1980s.

Hakutobo -which means the …

Come Out, the national biennial youth fest is about to sprout again. For the fortnight of 2-15 May the festival will overtake Adelaide with a variety of activities in all art forms. As always, the statistics are impressive- 1,690 performer, three hundred performances by fifty-six companies. But Come Out extends far beyond this as school and community programs plug in to activities that take place throughout South Australia. In its scope and vision Come Out is remarkable, unique in Australia …

Uncle Vanya
by Anton Chekhov
State Theatre of Lithuania
Scott Theatre

Reviewed by Murray Bramwell

Accustomed as we are to mixed styles and hybrid forms, their presence in the plays of Anton Chekhov can still surprise, even alarm us. Few playwrights have had their work subjected to such a variety of interpretations. There have been faithfully naturalistic readings of Chekhov, melancholy, languid ones, giddy comic ones, proto-revolutionary versions, even determinedly erotic ones. Chekhov himself was forever signalling that his intentions …

Enveloppes et Deballage
Cottage Theatre

Velot Theatre consists of director Tania Castaing and actor Charlot Lemoine and between them they construct tales of whimsy and imagination. In Enveloppes et Deballages- wrappings and unwrappings- they create what they call a `theatre of objects.’

Lemoine is a dreamy postman with a bicycle loaded with parcels. Amidst a hubbub of bird twitterings, cat yowls and what have you, he discovers smoke coming from a huge cardboard container. When he opens it he reveals …