murraybramwell.com

October 01, 1986

Reviews – October 1986

While Pravda was still offering unsoothing sooth in the Festival Centre Playhouse, The State Theatre Company launched its next venture, Hannie Rayson’s Room to Move, into the Space. It’s been donkey’s years since State have used this more informal, intimate acting area, and there was maybe a touch of
truancy as the players escaped the stern proscenium of the main venue.

Rayson’s play certainly gives room to move. It is an interesting piece with bags to commend it, but …

Continue Reading Back to top

August 01, 1986

Iron Failings

Essington Lewis: I am Work
by John O’Donoghue
State Theatre Company
The Playhouse

John O’Donoghue’s acclaimed Essington Lewis: I Am Work has been included in the State Theatre Company’s current season after the late scratching of Jonah Jones from the 1986 card.

Essington Lewis was first performed by the Hunter Valley Players in 1981, and enjoyed a highly successful season in Sydney last year. But the present production has not just been parachuted in from the East. West Australian actor …

Continue Reading Back to top

March 21, 1986

First day at school

Magpie Theatre Company’s production of David Holman’s new play The Small Poppies has opened at Theatre 62 in Adelaide.

Directed by Geoffrey Rush with music composed by Moya Henderson and recorded for performance by the Australian String Quartet, The Small Poppies is about three little tackers on their first day at school.

Typically of David Holman’s work -and this is his 70th play – The Small Poppies makes its intentions very clear. It is for five-year-olds and all who want …

Continue Reading Back to top

March 07, 1986

Audacity carries the day

Adelaide’s State Theatre Company has premiered Stephen Sewell’s Dreams in an Empty City, directed by Neil Armfield, as its Festival offering in the Playhouse.

Ever since State’s and Armfield’s production of Sewell’s earlier play, The Blind Giant is Dancing, astonished admiring audiences in 1983 there has been great anticipation of this new work.

Stephen Sewell’s dramatic writing is extraordinary both in its scope, which is almost hubristically epic, and in the appalling risks he takes …

Continue Reading Back to top

December 06, 1985

Sparing an audience unease

Adelaide’s Stage Company has made a strong finish to its 1985 season with John Noble’s production of David Williamson’s Sons of Cain which has opened in the Festival Centre Space.

As readers of these columns already know, Sons of Cain is a drame a clef you don’t need to be a locksmith to pick. It deals with a certain national weekly with a feisty editor and tenacious journalists committed to investigative reporting and shows why there are a thousand stories …

Continue Reading Back to top

August 28, 1985

Journey to the future

Too Young for Ghosts, by Janis Balodis, is being performed by Adelaide’s Stage Company in the Festival Centre Space.

This play uses displacement both as theme and technique. It describes seven Latvian emigres following their arrival in Australia in 1945 and interweaves the narrative with a speculative account of Ludwig Leichhardt’s ill-fated expedition from the Gulf of Carpenteria southwest to Perth in 1847.

The play is audacious and assured in its use of flashback and narrative shifts which, though complex, …

Continue Reading Back to top

August 08, 1985

Of Fire and Satire

The South Australian State Theatre Company’s latest commission, Muse of Fire, by Nigel Krauth, is currently playing in the Playhouse in Adelaide.

Krauth takes the prologue from Henry V as his text – “O for a muse of fire, that would ascend/ the brightest heaven of invention” – and has written a witty, satiric melodrama based on the exploits of George Trafford, an indefatigable theatre manager whose troupe performs at the Empire Theatre in Sydney in 1910.…

Continue Reading Back to top

July 19, 1985

It wasn’t only a weak end

The Weekenders, by Ray Harding is the Adelaide Stage Company’s latest production in The Space.
Harding has had TV successes including the recent tele-movie, I Cant Get Started. Unfortunately he writes less effectively for the more precise requirements of the stage.

The play concerns three couples each of whom believes they have the exclusive use of a shack on the river for the weekend. Complications arise when it transpires that a divorced couple and their new lovers, …

Continue Reading Back to top

June 07, 1985

The lore of the big top

The Harlequin Shuffle, a new play by Tony Strachan, is the latest Stage Company production in the Space Theatre in Adelaide. This two-hander is an affectionate study of the passing tradition of the family circus in Australia.

Larry Tandy is the last of the family in Tandy’s Circus, a down-at-heel tent show touring country towns. A former high-wire clown, he has fallen from grace to flagons of hock and a hoopla stall.

Steve, a young street-theatre performer and aspiring …

Continue Reading Back to top

May 31, 1985

Kids Come Out – firing from the hip

This year’s Come Out Festival in Adelaide has devoted special attention to visual arts and literature. Under the umbrella Dreams of Youth – Apocalypse or Utopia, 60 young artists interpret their world. They range from Rhianon Vernon-Roberts’ Arms Talk, which portrays the lack of communication between East and West to Andrew Dearman’s message-free wire sculpture Boy On A Swing.

The writing section is opened up for scrutiny in Allwrite, a celebration of young people as writers and readers.

Music and …

Continue Reading Back to top
« Newer PostsOlder Posts »