Adelaide Festival Theatre

Coriolanus, King John, Much Ado About Nothing

This complete rendering of Shakespeare, without actors and speeches, but instead storytellers with a cast of performers from the kitchen cupboard, not only intrigues us but shows us how an audience works.

Written by Murray Bramwell

Led by Tim Etchells, for 41 years the wryly-named Forced Entertainment company from Sheffield UK have made it their business to question and re-frame the business of theatre. Where other companies strive to replicate …

In a meticulously staged production of a Samuel Beckett classic, Irish actor Stephen Rea gives a touchingly human account of a man in old age slowly revisiting and rewinding a life of disenchantment and missed opportunities.

Written by Murray Bramwell

“A country road. A tree. Evening.” In 1949, Samuel Beckett transformed the post-war theatre with a single play –Waiting for Godot. Clearing the decks of stage naturalism and psychologically detailed characters, he opted for theatrical minimalism. Less was …

The title is a paradox –Scored in Silence. There is no music, in fact, at crucial moments no sound at all. But its message is loud and clear. OzAsia opens with a visually intriguing theatrical experience that reminds us to hearken to the lessons of history.

Written by Murray Bramwell

This solo performance by Japanese performer/choreographer, Chisato Minamimura (who is herself deaf) is a description of the dropping of the A-Bomb on Hiroshima in 1945, as experienced by …