With a first-rate cast and brilliant staging, Neil Armfield’s revival of Arthur Miller’s American classic, Death of a Salesman is as prescient and current in its implications as it was in 1949.

Written by Murray Bramwell

In a television interview for the BBC in 1987, marking the publication of his memoir Timebends, the lanky, owlish Arthur Miller raised his arm and waggled his forefinger and moved it in front of him. “My plays”, he mused aloud, “are about how …

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