Murray Bramwell
2004 would be the Recovery Festival for Adelaide. That has been the received wisdom ever since the 2002 event ended in inglorious shambles. The experience with iconoclastic American director Peter Sellars had been financially and organisationally traumatic.
What especially rankled was Sellars’ refusal to go on what he himself called a “cultural safari” – to bag big ticket items from overseas. Forever at the centre of Euro-American culture himself, Peter Sellars had no notion that festivals such as …
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