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February 16, 2002

Adelaide Theatre

Filed under: Archive,Comedy

15 February, 2002.
Murray Bramwell

Partly It’s About Love…Partly It’s About Massacre
by Fiona Sprott. Savage Wit and Vitalstatistix.
The Bakehouse, Adelaide. Until 16 March.
Tickets $18, $12 . Bookings FringeTIX (08) 8201 4567

Jezebel is back, not so much with a vengeance – although first-degree butter knife wounds are involved here – but with a story to tell about her heart, her hormones and the deep ambivalence of commitment. Jezebel is the creation of writer Fiona Sprott and actor …

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February 01, 2002

Festival Update

Filed under: Archive,Festival

2002 Adelaide Festival
Previewed by Murray Bramwell

The call came late on Friday afternoon for the briefing at noon on Sunday 6 January. The much-awaited revamp of the Adelaide Festival program had finally taken place, less than two months from the Opening Ceremony. It is a sunny day outside but our tiny media contingent of not more than a dozen people is led, in somewhat clandestine fashion, through the dressing room catacombs to the stage of the Playhouse which has …

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APA

Filed under: Archive,Fringe

2002
APA presents

3 Dark Tales
A Theatre O production

Melbourne – Merlyn Theatre
February 11 to 20, 2002
Box Office 03 9685 5111

Adelaide Fringe Festival
Adelaide – Scott Theatre
February 22 to March 9, 2002

Bass 131 246 www.bass.sa.net.au
or FringeTIX www.adelaidefringe.com.au

The Company
Director Joseph Alford
Designer Isla Shaw
Choreographer Eva Vilamitjana
Lighting design Sarah Coxon

Stories by Joseph Alford, Jon Rand, Carolina Valdes
Lucien MacDougall and Sarah Coxon

“O,o interj. An exclamation expressing surprise, admiration, pain, …

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Fringe Notes

Filed under: Archive,Fringe

Adelaide Fringe 2002
Previewed by Murray Bramwell

The Adelaide Fringe is a remarkable event, for its size, its energy and, especially for the opportunity it offers artists to reach their audiences. That has not been happening with much vigour in Adelaide of late. There has been less activity in the performing arts in the past two years and the link with audiences has often been a tenuous one. For any number of good and terrible reasons, people seem to have …

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