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February 01, 1991

Sorry Tale

1991

Boswell for the Defence
by Patrick Edgeworth
Leo McKern
Her Majesty’s Theatre, January, 1991.

Reviewed by Murray Bramwell

The story of Mary Bryant nee Broad has been back in prominence lately. Documented in Robert Hughes’ book The Fatal Shore, described by Thomas Keneally in the Playmaker and dramatised in Timberlake Wertenbaker’s Our Country’s Good, Mary Bryant’s intrepid escape from Sydney Cove to Timor and subsequent return to England is a post-colonial ripping yarn. That the famous James Boswell, biographer …

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Power Play

Power Play

Julius Caesar

by William Shakespeare

State Theatre Company

Playhouse, February, 1991.

Reviewed by Murray Bramwell

Of all of Shakespeare’s work, Julius Caesar seems to most invite the intervention of modern sensibilities. There is no way that the text can be left to tell itself (if such a thing were ever possible in the theatre).It presents such a spectrum of political shenanigans that any  production has to make choices straight off – whether to favour the Brutus team or …

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Power Play

1991

The State Theatre Company opens its 1991 season next Tuesday night with Julius Caesar. Murray Bramwell talks about the production with director, Simon Phillips and actors, Carmel McGlone and Hugo Weaving.

Although written in 1599, straight after Henry V, Julius Caesar has little of the historical and moral certainty of Henry. Instead, it is an examination of the perils and complications of power. Shakespeare’s audience, well used to cautionary tales from history, would have recognised the pertinence of the …

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Interview with Barry Humphries

Filed under: Archive,Interviews

1992

From Wanted For Questioning: Interviews with Australian Comic Artists

(Editors) Murray Bramwell and David Matthews, Allen and Unwin, 1992.

Barry Humphries

Barry Humphries is a major Australian artist. He is also a connoisseur, a scholar and surely one of the funniest people alive. His burlesque creations define the art and his writings are some of the best in Australian theatre.

It was my good luck that Humphries was in Australia with The Life and Death of Sandy Stone and …

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