murraybramwell.com

November 01, 1996

Entanglements

1996

Knots

Double Bind Company

Tandanya

DARKpaths

Stephen Sewell

Junction Theatre

Reviewed by Murray Bramwell

As the psychiatrist R.D.Laing moved from clinical practice to social commentary, from the Divided Self to the Politics of Experience, he began to write in different forms. One of his most accessible, engaging and incisive works is Knots, a slim volume of psycho-conundra elaborating the many ways relationships can get tangled. Laing called them double binds and that is the name taken by director/composer …

Continue Reading Back to top

October 01, 1996

Down at the End of Lonely Street

Terminus
Daniel Keene
Red Shed Company

Reviewed by Murray Bramwell

The Red Shed Company continues its productive collaboration with Melbourne playwright Daniel Keene with one of their best productions in some time. Terminus, Keene’s newest work commissioned by the Shed, follows other company successes- All Souls, the two-handers Low and Silent Partner and SA Premier’s Award winner, Because You Are Mine.

Keene’s plays, though varied in subject matter, have distinctive tropes. Densely poetic, socially deterministic and infused with dread they …

Continue Reading Back to top

October 01, 1995

Sightings

1995

Murray Bramwell

Over the past six weeks or so  there has been  a profusion of new work and interesting ventures – more than this reviewer could keep up with. I am sorry to report that, despite repeatedly surrendering the X Files, I failed to get to everything on offer. Among my regrets is the Oddbodies Theatre Co-op’s production of Kafka Dances, the well-regarded new play written by Timothy Daly and directed by Sean Riley.  By all accounts …

Continue Reading Back to top

April 01, 1995

Men’s Business

Desert
by Gavin Strawhan

Red Shed Company
Cardwell St.

Reviewed by Murray Bramwell

Mention the Men’s Movement and in no time flat someone will make a joke about hugging a tree. All those bollocky jokers running with wolves, listening to the mythopoeic beat of a different drum. But, the apologists insist, women have their rituals, their secrets, their Fun- so why not men ? Never mind Lodge, the RSL, the footy club and the communion rails of the front bar …

Continue Reading Back to top

December 01, 1994

The Red Shed Company- Still in the Pink

Murray Bramwell

There is much to admire about the Red Shed Company. You might start with its excellent production values. Or its increasingly confident and innovative writing. Or the distinctive clarity and precision of its acting styles. Or the range and intelligence of its themes. Wherever you want to begin the list, it is clear that in eight years of operation the company, which burst into being, waggishly announcing itself as the RSC, has earned the affection and respect of …

Continue Reading Back to top

October 01, 1994

The War Within

1994

Because You Are Mine

by Daniel Keene

Red Shed Company

Space, September, 1994.

Reviewed by Murray Bramwell

In the Festival Centre Trust’s Brave New Works season there could be few works as brave and new as Daniel Keene’s Red Shed commission Because You Are Mine. The Shed has presented other works by Keene -Low, a taut two-hander of underclass crime and punishment and the densely poetic dream play, All Souls. They were strong productions – some of the Shed’s …

Continue Reading Back to top

February 04, 1994

Tankard Brimming with Invention

Two Feet
Meryl Tankard Australian Dance Theatre
Created, Directed and Performed by Meryl Tankard
Visual Design by Regis Lansac
Costume Design by Dianne Bridson
Lighting Design by Toby Harding
Assistant Director Peggy Watson
The Playhouse, Adelaide Festival Centre
10 February

Reviewed by Murray Bramwell

It is not putting it too strongly to say that Meryl Tankard has been exhilarating audiences in Adelaide in the past year. Since taking over as Artistic Director of the now eponymous Australian Dance Theatre, Tankard, …

Continue Reading Back to top

November 01, 1993

The Meet Market

Personals
by Roxxy Bent
Vitalstatistix
Waterside

Reviewed by Murray Bramwell

Although their seasons have included a variety of writers Vitalstatistix’ work has always been characterised by founding members Ollie Black, Margaret Fischer and author of Personals, Roxxy Bent. Bent’s work is consistently self-descriptive. Even early rambles like A Stitch in Time had a daft quality – reinforced in that instance by the writer’s own performance. Waiting for Annette (collected in Around the Edge, the excellent Tantrum Press collection of South …

Continue Reading Back to top

Harmonics

Songs with Mara
Meryl Tankard ADT
Balcony

Reviewed by Murray Bramwell

Without wanting to offend demarcation protocol with the Special Dance Correspondent I feel compelled to add some paragraphs on Meryl Tankard’s latest work, Songs With Mara, because quite simply it is one of the best theatre pieces we have seen in town for some time. ADT has had an impressive season – the quizzical wit of Court of Flora, the insistent afterimages of Nuti, the energy and invention of …

Continue Reading Back to top

October 01, 1993

Local Works

The Administrator
by Charles Jury
Little Theatre
University of Adelaide

The Grip and
The Grown-Up’s Playroom
by David Paul Jobling
Space

Sweetown
by Melissa Reeves
Red Shed Company
Red Shed

Reviewed by Murray Bramwell

“The story/Is of two famous friends, Pythias and Damon,/The love between them, and the effect that had/On Dionysius, tyrant of the city/Syracuse, BC -say three ninety-one,/Or thereabouts- and the enemy of Carthage,/ A barbarous city. Broadly it may be stated,/No archaology and no scholarship/Infect this play. …

Continue Reading Back to top
« Newer PostsOlder Posts »