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December 01, 1990

Getting the Big Picture on the Small Screen

1990

Prophets and Loss

Produced and Directed by Gabrielle Kelly

and Nick Hart-Williams

Reviewed by Murray Bramwell

Global warming is the kind of subject likely to put a chill around the heart. It is perhaps for that reason that apart from specifically ordained days of lamentation or the usually unhelpful raiment tearing that we find on TV, the environment as a subject does not rate attention. We get the Nostradamus doomwatch stuff or specific details of spills and toxic waste …

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November 01, 1990

Sweet Revenge

1990

No Sugar

by Jack Davis

Belvoir St Theatre, Sydney and

Western Australian Theatre Company

Tandanya Theatre, October 1990.

Reviewed by Murray Bramwell

No Sugar is Jack Davis’ third play. After Kullark in 1978 and The Dreamers four years later, he was commissioned by the Australian Elizabethan Theatre Trust in 1984 to write two plays. That must be some of the best grant money ever spent. The results were Honey Spot, a splendid play for young people which  premiered …

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October 13, 1990

Taking a Warm Approach to a Hot Issue

1990

Murray Bramwell talks with playwright Michael Doneman about  his new work for the Magpie Company – Mango Season, which opens at the Odeon Theatre next week.

Michael Doneman describes himself as a recidivist Queenslander. After ten years working in theatre in Sydney he returned to his Brisbane base firstly to teach and then more recently, to establish Contact, a theatre for young people.

Over the past year Doneman, in cahoots with Darwin’s Corrugated Iron Company, the Two to Five …

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October 01, 1990

Unhappy Wanderings

1990

Capricornia

by Xavier Herbert

Adapted for the stage by Louis Nowra

State Theatre Company

Playhouse, September, 1990

Reviewed by Murray Bramwell

In his 1938 saga, Xavier Herbert used Capricornia as the name for Australia’s Top End. But it is not just a fictional geography , it is also a mythic one. In a profusion of storylines the novel tells how the half-caste Nawnim/ Norman Shillingsworth seeks identity not in two worlds but in three. On the brink of Asia, …

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September 01, 1990

Frames

1990

Murray Bramwell

Frames, the Media Resource Centre’s Festival of Film and Video, opens on September 7 and runs for the week through to September 14. Screenings wil be held at Hindley Cinema 3 and the Lion Theatre on North Terrace.

With 130 films programmed in just seven days it promises to be not so much a festival as a binge not only for film specialists but for innocent bystanders as well. Frames consists of a selection of international titles, …

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September 01, 1989

Cold Comfort Farm

1989

Lost Weekend

By John Romeril

State Theatre Company

Space, August, 1989.

Reviewed by Murray Bramwell

John Romeril has been writing for the theatre for more than twenty years. Beginning with the APG at the Pram Factory in Melbourne he was central to their importance and success with  a new Australian drama which, to coin a furphy, was temper socialist,bias offensively Carlton. During that time and since Romeril has cranked out a lot of work, of which, Mrs Thally F …

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August 26, 1989

Home Truths on the Range

1989

Lost Weekend by John Romeril

State Theatre Company

The Space, Adelaide.

August, 1989.

A new work by John Romeril is always worth a look  and his latest for South Australia’s State Theatre Company is no exception. Lost Weekend is a quirky piece though, and neither its co-directors John Gaden and Ian Watson nor some of the performers seem to have quite got its measure. Even Romeril doesn’t seem to have decided how his ingredients should finally shake down. Perhaps …

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August 01, 1989

Professional Foul

Top Silk
by David Williamson
Playhouse ·

According to David Williamson, barristers are better value than the Tooth Fairy. There’s nothing that their silky talents can’t achieve. If you are a media tycoon these scriveners can get around the anti~ Trust laws, they can also help out when you get caught with more than a recreational amount of an illegal substance. Then, when they’ve done that, they’ll be your next Premier. That is, if they can be bothered.

In recent …

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June 01, 1989

Whose Beach is it Anyway?

Whose Beach is it Anyway?
by Greg McCart
Kite Theatre Company, Queensland
Directed by Sue Rider
Design: Paul Edwards, Composer: Barry Ferrier
Cast: Tim Mullooly, Susi French, Lil Kelman, Elaine Cusick

For their contribution to Come Out 89, the Kite Theatre Company flew in from Brisbane to present a show for littlies entitled Whose Beach is it Anyway? Karah, a young suburban kid, comes across a hidden beach inhabited only by seagulls, a turtle, a crab and a brown booby …

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Interpreting the New Dreaming

Interpreting the New Dreaming
Come Out 89 Reviewed by Murray Bramwell

Now that the eighth biennial Come Out Festival has come and gone there is time to reflect on what is a quite remarkable youth arts festival. For 16 years Adelaide has hosted a gathering of performers, participants and audiences which has become such a familiar part of the cultural landscape that it is almost taken for granted.

For that reason any commentary on Come Out should begin by praising …

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