OzAsia Festival
Adelaide.
While I Was Waiting
by Mohammad Al Attar
Directed by Omar Abusaada
Dunstan Playhouse, Adelaide Festival Centre
October 30.
Four and a Half Stars
Murray Bramwell
At the Q&A, held after the first of only two performances of Syrian playwright, Mohammad Al Attar’s While I Was Waiting, someone asked the director, Omar Abusaada what message he wanted audiences to take away from the play. His reply was that he did not want his theatre to be …
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by Pamela Carter (developed with Jay Miller)
Theatre Republic
The Bakehouse Theatre, Adelaide.
October 26. Tickets: $25- $35. Bookings bakehousetheatre.com
Duration: 75 minutes.
Until November 10.
When young men join the army what do they hope for ? Is it really a choice or a last resort ? Is it to serve Queen and country, or to be part of a Mark Wahlberg movie ? Originated by London’s Yard Theatre and adapted for Australian audiences, Pamela Carter’s Lines introduces …
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More new frontiers for OzAsia in 2018
Murray Bramwell talks with OzAsia Artistic Director, Joseph Mitchell about his latest festival program.
Launched in 2006 by Adelaide Festival Centre director Douglas Gautier, OzAsia is now in its twelfth year and is looking more innovative and intriguing than ever. Since its inception the festival has expanded its horizons and become ever more inclusive. Already spanning Asia and South East Asia – China, Japan to Hong Kong, Singapore and Malaysia, as …
Continue Reading Back to topWelcome the Bright World
by Stephen Sewell.
House of Sand in association with
State Theatre Company South Australia.
Queen’s Theatre, Adelaide.
September 21. Tickets: $22- $42. Bookings 131 246 or online
Duration 2 hours 25 minutes (including interval)
Until October 6.
Welcome the Bright World and welcome back Stephen Sewell. His turbulent, engrossing, digressive, disputative drama has been greatly missed. It is 36 years since Nimrod first staged their Welcome, and, while others of Sewell’s works, with their glorious …
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Bitch Boxer by Charlotte Josephine.
Sea Wall by Simon Stephens.
Flying Penguin Productions.
Goodwood Institute Theatre, 166 Goodwood Road, Adelaide.
September 6. Tickets: $22- $32. Bookings 131 246 or online.
Duration 1 hour 50 minutes (including interval)
Until September 16.
Chloe Jackson is an Olympic hopeful. It is 2012 and, for the first time, women’s boxing is an official event for the London Games. Bitch Boxer, Charlotte Josephine’s monologue for UK company Snuff Box Theatre, is a …
Continue Reading Back to topThat Eye, The Sky
A stage adaptation of Tim Winton’s novel
by Justin Monjo and Richard Roxburgh.
State Theatre Company South Australia.
Dunstan Theatre, Adelaide Festival Centre.
August 28. Tickets: $32- $67. Bookings 131 246 or online
Duration: 100 minutes (no interval)
Until September 16.
Tim Winton wrote That Eye, the Sky when he was 25, describing it as the novel where his work turned a corner. In it he embraced a vigorous vernacular, and explored layers of belief, mysticism …
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by August Strindberg.
A new version by Duncan Graham
State Theatre Company South Australia.
Space Theatre, Adelaide Festival Centre.
July 24. Tickets: $32- $61. Bookings 131 246 or online
Duration 1 hour 45 minutes (no interval)
Until August 5.
Asked why he had a portrait of the Swedish playwright August Strindberg above his writing desk, Henrik Ibsen said : “He is my mortal enemy, he must hang there and observe everything I write.”
Strindberg’s febrile, hallucinatory drama is unfiltered, …
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by Fleur Kilpatrick.
State Theatre Company South Australia.
Space Theatre, Adelaide Festival Centre.
May 24. Tickets: $32- $61. Bookings 131 246 or online
Duration 60 minutes (no interval)
Until June 2.
Playwright Fleur Kilpatrick dedicates her newest work, Terrestrial, “to lonely girls, to bored boys, to quiet towns.” Part of State Theatre’s State Ed schools program, it has already toured regional schools and centres, with more to come when this Adelaide season concludes.
In State’s 2018 season brochure, Terrestrial …
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