murraybramwell.com

July 22, 1989

Heading for Hong Kong

1989

Murray Bramwell talks with Chris and David Erskine, better known as the Fools Company, about their forthcoming participation in the International Arts Carnival in Hong Kong.

Fools Company have been making friends with young audiences at schools, shopping malls, kids’parties and  community celebrations, as well as conventional theatre venues, for rthe past seven years. They have become well-known both in South Australia and interstate and at the end of this month they will be presenting their show, Galloping Grabbas, …

Continue Reading Back to top

June 17, 1989

State Opera Changes its Tune

1989

Murray Bramwell talks with Bill Gillespie, General  Manager of the State Opera of South Australia, about his plans for getting the company back to strength.

While it may be appealing for the leading characters to have true hearts and empty pockets, the same is not true for Opera companies. Little more than a year ago the State Opera of South Australia was in the cactus. The deficit was  more than $500,000, the  subscriber base could only be called precarious …

Continue Reading Back to top

June 01, 1989

Weather Report

The Tempest
William Shakespeare
State Theatre Company
Playhouse

During his stint as Artistic Director for the State Theatre Company, John Gaden has been closely associated with four Shakespearean productions – Much Ado About Nothing and The Winter’s Tale which he co-directed with Gale Edwards, as the lead in King Lear directed by Edwards, and now, The Tempest in which he directs but does not perform.

With little more than six months left with State, Gaden might have been tempted to …

Continue Reading Back to top

Fiscal Violence

Speed-The-Plow
by David Mamet
State Theatre Company
Space

David Mamet wrote his first plays when he was teaching acting. Tired of trying to find new exercises for students, he began making up his own. An essential part of building a character as Stanislavski will tell you, is ‘ determining what he or she wants from others in the play ‘ and David Mamet constructs intricate, subtle and disturbing theatre around these questions.

Mamet has written more than twenty plays as …

Continue Reading Back to top

Whose Beach is it Anyway?

Whose Beach is it Anyway?
by Greg McCart
Kite Theatre Company, Queensland
Directed by Sue Rider
Design: Paul Edwards, Composer: Barry Ferrier
Cast: Tim Mullooly, Susi French, Lil Kelman, Elaine Cusick

For their contribution to Come Out 89, the Kite Theatre Company flew in from Brisbane to present a show for littlies entitled Whose Beach is it Anyway? Karah, a young suburban kid, comes across a hidden beach inhabited only by seagulls, a turtle, a crab and a brown booby …

Continue Reading Back to top

Interpreting the New Dreaming

Interpreting the New Dreaming
Come Out 89 Reviewed by Murray Bramwell

Now that the eighth biennial Come Out Festival has come and gone there is time to reflect on what is a quite remarkable youth arts festival. For 16 years Adelaide has hosted a gathering of performers, participants and audiences which has become such a familiar part of the cultural landscape that it is almost taken for granted.

For that reason any commentary on Come Out should begin by praising …

Continue Reading Back to top

Couple of Kids

Couple of Kids
by Julianne O’Brien
Magpie Theatre Company.
May 1989.

Directed by Angela Chaplin

  • Design: Kathryn Sproul
  • Lighting: Peter Taylor
  • Composer: Andree Greenwell
  • Choreographer: Helen Herbertson
  • Cast: Eileen Darley, Nic Hurcombe, Claudia La Rose,

Richard Margetson, Caroline Mignone, Stephen Mitchell,
Brett Wood, Peter Wood.

Magpie’s Angela Chaplin has taken on an ambitious task with her production of Julianne O’Brien’s Couple of Kids. Staged in a former church at Site 55, Port Road Hindmarsh, with an imaginative design by …

Continue Reading Back to top

May 24, 1989

Winning Hearts and Minds

1989

Director Rose Clemente and members of the cast talk with Murray Bramwell about The Heartbreak Kid currently playing at Theatre 62.

It was after presenting Witchplay  for the Fringe season at the Lion Theatre last year that Adelaide actors Rose Clemente and Christina Totos decided to plan further ventures. Witchplay, a solo piece, had been performed by Rose and directed by Christina. Now, for The Heartbreak Kid, the roles are reversed. Along with local performers, Ian Dixon, Maurie Annese …

Continue Reading Back to top

May 01, 1989

Staging the Dreams

The 1989 Come Out festival has ended and yet again this remarkable event has focused activities in all areas of youth arts. The more than fifty events involving .hundreds of performers and audiences of many thousands are only part of a chain reaction of activities generated in schools and communities in the metropolitan area and throughout the state.

In fifteen years Come Out has expanded and consolidated such that it is almost taken for granted locally. It is worth saying …

Continue Reading Back to top

Catch a Falling Spy

James Bond
Cliffhanger
The Space, Adelaide Festival Centre.

Britain’s Cliffhanger Theatre Company’s ]ames Bond may not be everybody’s idea of a universal export but will tickle those who like their comedy somewhere between the Goodies and the Spanish Inquisition. Although, unlike the more pugnacious forms of manic English humour, James Bond is low-key, whimsical and gets curiouser and curiouser.

The four Cliffhangers give Ian Fleming’s imperturbable Bond a right old filleting. Pete McCarthy has the familiar tux and grooming but …

Continue Reading Back to top
« Newer PostsOlder Posts »