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March 11, 1994

A Kyogen Falstaff: The Braggart Samurai

Theatre
A Kyogen Falstaff: The Braggart Samurai

Adaptation: Yasunari Takahashi
Director: Mansaku Nomura
Suke-emon Horato (Falstaff): Mansaku Nomura
Tara Kaja (Bardolph): Takeshi Nomura
Jiro Kaja (Pistol): Haruo Tsukizaki
Yakbei (Ford): Mannosuke Nomura
Omatsu (Mistress Ford): Yukio Ishida
Otake (Mistress Page): Shichisaku Ogawa
Koken (Stage Assistant): Ryosaku Nomura
Fue (flute): Takayuki Isso
Taiko (drum): Hitoshi Sakuraoi.

The Playhouse

Sir John Falstaff is Shakespeare’s big comic success. Hot with appetite, ripe with laughter, he is ego made flesh- and a force of …

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March 01, 1994

White Masque

A Cheery Soul
by Patrick White

Queensland Theatre Company
Her Majesty’s

Reviewed by Murray Bramwell

On the slowly spinning revolve Bill Haycock’s design could be a retro-chic lunch place. Patrick White’s meticulously described kitchen scene, in cream and red chrome and formica, once embodied the Australian Ugliness, the bland vulgarity of that early Sixties suburban Sydney he lumped together as Sarsaparilla. Now it is aestheticised, wry down-market decor, unable to harm or threaten- as it did White and the young …

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Like Cherries for Peaches

Tomoe Shizune and Hakutobo
Union Hall

Reviewed by Murray Bramwell

It is generally agreed that the first butoh performance was Forbidden Colours, based on the works of Mishima and presented by Tatsumi Hijikata at a Japanese dance festival in 1959. From there this eclectic dance drama form has been interpreted by a variety of companies and soloists. Some, such as Kazua Ohno, Sankai Juku and Byakko Sha have been visiting Australian festivals since the mid 1980s.

Hakutobo -which means the …

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February 04, 1994

Tankard Brimming with Invention

Two Feet
Meryl Tankard Australian Dance Theatre
Created, Directed and Performed by Meryl Tankard
Visual Design by Regis Lansac
Costume Design by Dianne Bridson
Lighting Design by Toby Harding
Assistant Director Peggy Watson
The Playhouse, Adelaide Festival Centre
10 February

Reviewed by Murray Bramwell

It is not putting it too strongly to say that Meryl Tankard has been exhilarating audiences in Adelaide in the past year. Since taking over as Artistic Director of the now eponymous Australian Dance Theatre, Tankard, …

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January 01, 1994

Visiting Vincent

Filed under: Archive,Interstate,Theatre

Van Gogh:
His Sources, Genius and Influence
National Gallery of Victoria

Reviewed by Murray Bramwell

It is not only in Aprill with his shoures soote. Even on the twelfth day of Christmas are folk likely to climb on night buses and goon on pilgrimages. But sacred journeys have always been a bit of a punt. Will the weather hold and the travel be safe ? Will the pitch be in good order after the Madonna concert ? Will the blisful …

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Visiting Vincent

1994

Van Gogh:

His Sources, Genius and Influence

National Gallery of Victoria

Reviewed by Murray Bramwell

It is not only in Aprill with his shoures soote. Even on the twelfth day of Christmas are folk likely to climb on night buses and goon on pilgrimages. But sacred journeys have always been a bit of a punt. Will the weather hold and the travel be safe ? Will the pitch be in good order after the Madonna concert ? Will the …

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December 29, 1993

New Voices for Fiji

Murray Bramwell interviews Sudesh Mishra about his play Ferringhi performed recently in Suva.

In late December the newly revived University of South Pacific Drama Society presented Ferringhi, a play by Sudesh Mishra. Coming originally from Persian and found in the Urdu and Hindi languages as well as Malay, Ferringhi means foreigner or outsider.

“It is usually a perjorative, which is why I use it,” notes Mishra, “but my character Ferringhi is an outsider-insider. He has local experience as well as …

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December 01, 1993

A Head Full of New Ideas

Chris Westwood, newly appointed Executive Producer of South Australia’s State Theatre talks with Murray Bramwell

When, at the end of September, Chris Westwood announced her program for 1994 much else was also heralded for the State Theatre Company. Now to be known simply as State Theatre, the company was, with the departure of current Artistic Director Simon Phillips, seeing the beginning of a new format. Gone is the familiar figure of the AD -names like Colin George, Jim Sharman, Keith …

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Udder Milk Leak

Under Milk Wood
by Dylan Thomas
State Theatre Company
Playhouse

Reviewed by Murray Bramwell

Under Milk Wood, Dylan Thomas’s wordtrembling, glottal throttling, Welsh blathering, earbending play for radio, is State’s choice for season’s end and Simon Phillips’ goodbye-to-all-that.

First performed a year after Thomas died of the sauce in 1953 the play tells of a night and a day in the life of a small Welsh coastal town. Dylan Thomas called it Llaregyb, a ferocious joke since a backward glance …

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Unredeemed

Fallen Angels
by Noel Coward
Hayley Mills and Juliet Mills

Festival Theatre

Reviewed by Murray Bramwell

When it was suggested to him that his new play Fallen Angels was indecent Noel Coward replied- “The realisation that I am hopelessly depraved, vicious and decadent has for two days ruined my beaker of opium.” I have to say that the recent revival of this trifle from 1925 has ruined mine also.

Possibly someone browsing through the play fastened on the idea that …

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