murraybramwell.com

March 06, 2023

Theatre: Hans & Gret

Adelaide Festival

Theatre: Hans & Gret

An old fairy story is revisited with a new kind of witch, a futuristic dystopia obsessed with staying young, and Gret, not Hans, as the prime investigator.

Windmill Theatre has specialised in taking a story we think we know and, while keeping it recognisable, also turning it into something refreshingly rich and strange. They did it with The Wizard of Oz, Pinocchio and Rumpelstiltskin and they are back with an angsty take on …

Continue Reading Back to top

March 04, 2023

Theatre: Strange Case of Dr Jekyll and Mr Hyde

Adelaide Festival
Theatre: Strange Case of Dr Jekyll and Mr Hyde

Robert Louis Stevenson’s classic tale about the struggle between public virtue and unconscious impulse is brilliantly transformed for stage and screen.

Written by Murray Bramwell

One of the many happy consequences of ongoing Adelaide Festival programming is that we have the chance to see the development of new work from artists and companies who have performed previously.

So, after last year’s extraordinary work, The Picture of Dorian Gray, …

Continue Reading Back to top

October 21, 2022

Theatre Review: The Demon

The Demon explores the dark past in Australia’s colonial history, its effects on First Nations people and later on migrant minorities both Asian and Middle Eastern. This bold production is a grim journey – often compelling, but sometimes hampered by its own theatrical ambition.

Written by Murray Bramwell

The Demon is the kind of project we look forward to with the OzAsia program. Like Light, Thomas Henning’s discursive account of Adelaide’s Colonel William Light and his tribulations with the …

Continue Reading Back to top

March 15, 2022

Adelaide Festival – Theatre : The Picture of Dorian Gray

With dazzling stagecraft and an extraordinary solo performance by Eryn Jean Norvill, this screenshot of Dorian is a Wilde ride.

“The first duty of life is to assume a pose,” Oscar Wilde declared, “what the second duty is no one yet has found out.” As his biographer Richard Ellmann noted – “Wilde had been much concerned with images . He had painted self-portrait after self portrait.” He was referring to Oscar’s variety of beards, his curled hair and foppish costumes …

Continue Reading Back to top

March 08, 2022

Adelaide Festival – Photographic Memory

The Photo Box
Created and performed by Emma Beech
Vitalstatistix and Brink Productions
Space Theatre, Adelaide Festival Centre
March 3. Until March 7.

When left with nothing after bushfires and (as right now) extreme flooding, the first thing Australian families report is their relief that they saved their pets. And the very next thing is that they rescued their photo albums. Family photos are the Dead Sea Scrolls of our domestic history. They reinforce legend, prompt (and sometimes falsify) memory, …

Continue Reading Back to top

March 04, 2022

Adelaide Festival – Twists in tales of surprise, suspense

Blindness
Adapted by Simon Stephens
Based on the novel by Jose Saramago
Donmar Warehouse.
Queen’s Theatre, Adelaide.
Tickets: $20-$79. Bookings: adelaidefestival.com
February 24. Duration : 70 mins.
Until March 20.
Also: Merrigong Theatre Company, Illawarra Town Hall, Wollongong.
May 11- 15.

Girls & Boys
By Dennis Kelly
State Theatre Company South Australia
Odeon Theatre, Norwood.
Tickets : $44- $80. Bookings: statetheatrecompany.com.au
March 1. Duration: 105 minutes.
Until March 12.

A motorist, in traffic as the lights change, comes to a …

Continue Reading Back to top

October 21, 2021

Theatre review: White Pearl

White Pearl not only takes a sharp and funny swipe at the Asian cosmetics industry, it reminds us that racism comes in a disturbing variety of forms – and social media is often not helping. OzAsia 2021 has opened with its first highlight.

Murray Bramwell

Clearday is the name of this smart young Singaporean cosmetic company, but there is nothing very clear about the way they do business. Their product is called White Pearl and as playwright, Achuli Felicia King’s …

Continue Reading Back to top

March 07, 2021

Agonising trajectory of live-streamed drama

Adelaide Festival

Medea
After Euripides
Written and directed by Simon Stone
Internationaal Theater Amsterdam.
Her Majesty’s Theatre, Adelaide.
Sir Robert Helpmann Theatre, Mount Gambier.
March 4. Duration : 1 hr 20 mins.

Eugene Onegin
Selected chapters from the novel in verse
by Alexander Pushkin.
Vakhtangov State Academic Theatre of Russia.
Her Majesty’s Theatre, Adelaide
March 5. Duration 3 hrs 20 mins, including interval.

Since inception the Adelaide Festival has been celebrated for its international program. But like so much else, …

Continue Reading Back to top

February 26, 2021

Festival review : The Boy Who Talked to Dogs

Adelaide Festival 2021

Slingsby takes Martin McKenna’s memoir The Boy Who Talked to Dogs back to County Limerick where it began. Featuring an Irish pub band, shadow dog puppets and Bryan Burroughs, brilliant as the talking boy.

“Sometimes you have to learn to be the hero of your own story,” writer Amy Conroy observed – and this is what the celebrated dog whisperer, Martin McKenna achieved. Or mostly so. His book about his wretched childhood on the Garryowen estate in …

Continue Reading Back to top

February 23, 2021

Adelaide Festival 2021 – Robyn Nevin is outstanding

A German Life
by Christopher Hampton
Co-produced by Adelaide Festival
and The Gordon Frost Organisation.
Dunstan Playhouse. Adelaide Festival Centre.

February 23. Tickets $ 30 – $109.
Bookings: adelaidefestival.com.au.
Duration: 1 hour 30 minutes. No interval.
Until March 14.

“I have forgotten such a lot,” concedes Brunhilde Pomsel, aged 102, “And then …things surge up into my mind. Things I can remember in the minutest detail.”

This happens when you get old, but in the case of Pomsel, the sweeping …

Continue Reading Back to top
« Newer PostsOlder Posts »