murraybramwell.com

September 01, 1995

Regarding Henri

1995

Matisse Exhibition

National Gallery of Victoria

Melbourne

Reviewed by Murray Bramwell

It is around half past nine and there are people pouring out of Flinders Street station, some heading across the Swanston Street intersection, others, like me, heading into town for a salubrious bite to eat. There we all are- ordering our number one breakfasts, McBottomless coffee and bacon McMuffin.  Several armies are about to march on their stomachs. The Magpies fans, in their black and white Nikes and …

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June 01, 1995

Looking for Runes

Filed under: Commentary

1994

A view of the writings of James K. Baxter

Murray Bramwell
Flinders University

The day before I left Adelaide I received a fax from Vince O’Sullivan listing the conference program. To my surprise I discovered that the vagaries of international subscriber dialling had created a new topic for me. The title I dictated down the phone was Looking for Runes – what got transcribed was: Looking for Rooms. This caused a flurry of reconsideration. Was this verbal flip an …

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May 18, 1995

The Glory of Gershwin

Filed under: Archive,Music

1995

Larry Adler with Issy Van Randwyck

Musical Director- Kelvin Thomson

George Golla (Guitar) Craig Scott (bass)

David Jones (drums)

Festival Theatre, Adelaide.

Murray Bramwell

George Gershwin is quintessentially the American artist of the twentieth century. His music distilled the mood  of his time,

first  mainstreaming the bluenotes and syncopations of jazz into Tin Pan Alley then transmuting them into such Modernist classics as Rhapsody in Blue and his opera, Porgy and Bess. Gershwin’s music, like the Marx Brothers, Scott …

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May 01, 1995

Mo’ Better Blues

Filed under: Archive,Music

John Hammond
The Office

Reviewed by Murray Bramwell

On the cover of his album, Nobody But You, John Hammond poses in a dark suit and tie with a National steel-bodied guitar across his knee. The photo, sepia tinted, has been retouched to look like the sort of studio portraits record companies used in the thirties to publicise the likes of Blind Boy Fuller, Blind Lemon Jefferson, Willie McTell and Robert Johnson. There is an irony in Hammond’s smile but he’s …

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Allo, Allo, Allo

Allo, Allo, Allo
An Inspector Calls
by J.B. Priestley

Royal National Theatre of Great Britain
Her Majesty’s

Reviewed by Murray Bramwell

For some time now there have been intimations that an Inspector would be calling. Those who first saw the Royal National Theatre’s 1992 London revival of the J.B Priestley country house detective mystery reported back to the colonies that this fusty old chestnut had been given a startling new shine. The expressionist treatment, the assured direction from Stephen Daldry …

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April 01, 1995

Men’s Business

Desert
by Gavin Strawhan

Red Shed Company
Cardwell St.

Reviewed by Murray Bramwell

Mention the Men’s Movement and in no time flat someone will make a joke about hugging a tree. All those bollocky jokers running with wolves, listening to the mythopoeic beat of a different drum. But, the apologists insist, women have their rituals, their secrets, their Fun- so why not men ? Never mind Lodge, the RSL, the footy club and the communion rails of the front bar …

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A Life of Bryan

Filed under: Archive,Music

Bryan Ferry
Paramount Theatre
Entertainment Centre

Reviewed by Murray Bramwell

When they first appeared Roxy Music represented an outbreak of style. Even their name was confidently generic. Amidst the singing cowboys of California and the remnants of psychedelia had come a definite change of paradigm. Roxy Music, with their quiffs, their leopard skins, their gilded platforms and their beguiling, shuffling rhythms promised to deliver us from all those grievous angels and ladies of the canyon, the singer songwriters and pedal …

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March 01, 1995

Womentous

Filed under: Archive,Womadelaide

Womadelaide  1995
Botanic Park

Reviewed by Murray Bramwell

Friday night.  Six o’clock. Entering Botanic Park from Frome Road. There is a  steady procession of people -in groups,  comfortably solo,  wheeling bicycles, ferrying their kids, carrying  various clobber for the first phase of a three day picnic.  The queues run smoothly, tickets are checked , everyone is easy. Pick up your free program and you’re in.

Now in Adelaide for a third time, Womadelaide  has an established script.  We know what …

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Murder by Design

Medea
by Euripides

State Theatre
Amphitheatre
Elder Park

Reviewed by Murray Bramwell

Of all the extraordinary works of theatre from Fifth Century Athens there is none as striking as Euripides’ Medea. Along with The Bacchae it unleashes energies and poses social questions that only a robust, sophisticated and philosophic community could sustain. Medea is a play of contradictions. Lucidly told, it is nevertheless cryptic, a text which speaks to our own time yet carries archaic meanings and beliefs. It offers …

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February 16, 1995

Adelaide – Medea

Medea
by Euripides

State Theatre
Medea…… Doris Younane
Jason…..Luciano Martucci
Nurse……Nina Paleologos
Creon…..Michael Griffin
Aegeus….Nicola Tudini
Messenger/Tutor…Nicola Primaro
Medea’s children…John Defrancesco, Yiani Harpas, Paul Tepsic,
Rohan Shirodkar
Chorus leader….Yiannis Fragos
Chorus………Catriona Barr, Annmarie Beni, Lynne Smythe
Prepared piano/percussion….Gabriella Smart
Director/Designer…..Constantine Koukias
Designer……Ann Wulf
Lighting Designer….Krystof Kozlowski
Projection Artist….Hugh McSpedden
Sound Designer…..Donald Hopkins
Assistant Directors….Gina Tsikouras, Benedict Andrews
Dramaturg…..Nick Hughes
The Amphitheatre, Elder Park
Adelaide . Opening night 11 February, 1995

There is no other playwright from Fifth Century Athens as …

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