murraybramwell.com

February 26, 2020

Adelaide Festival – The energetic tango of youth, one step at a time

Filed under: 2020,Archive,Festival,State Theatre Company,Theatre

Dance Nation
by Clare Barron
State Theatre Company South Australia and Belvoir
In association with Adelaide Festival.
Scott Theatre, University of Adelaide.
February 25. Tickets $ 39 – $ 79. Bookings adelaidefestival.com.au.
Until March 7.
Belvoir season from March 14.

Shortlisted for a Pulitzer Prize in 2019, Dance Nation is a funny, ferocious and closely-observed study of a group of pre-teen girls (and one boy) in a dance troupe competing in a series of play-offs to reach national prominence.

Writer …

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February 25, 2020

Daily Review – The Necks

Filed under: 2020,Archive,Fringe,Music

The Necks
RCC Level 5
Union House, University of Adelaide

February 21.

In the house of the Adelaide Fringe there are many mansions. Venues spring up all over the CBD each with distinctive programs and loyal audiences. In the East End, The Garden of Unearthly Delights at Rundle Park and Gluttony at the adjacent Rymill Park attract huge crowds for the four weeks of Fringe activity. The Holden Street Theatres at Hindmarsh have a first-rate program, curated by director Martha …

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February 17, 2020

From torture to maximum torque – Adelaide Fringe 2020

Filed under: 2020,Archive,Fringe

The Nights
by Henry Naylor
Gilded Balloon and Redbeard Theatre
In Association with Holden Street Theatres.
The Arch, Holden Street.
February 15. Bookings www.holdenstreettheatres.com
Tickets: $ 18- $ 28. Until March 15. Duration 60 minutes.

Tartuffe
by Moliere. Adapted by Liz Lochhead.
Ed Littlewood Productions in association with Holden
Street Theatre, Royal Lyceum Theatre Edinburgh and
the Stephen Dunn Theatre Fund.
The Arch, Holden Street.
February 15. Bookings www.holdenstreettheatres.com
Tickets: $ 18- $ 28. Until March 15. Duration 60 minutes.…

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January 02, 2020

Murray Bramwell’s Cultural Moment of 2019

Filed under: 2019,2020,Archive,Festival,Theatre

Among many cultural moments this year, two stand out. Both in the theatre. Both test the possibilities and limits of performance and representation. In the Adelaide Festival, director Milo Lau’s Belgian-German collaboration La Reprise (The Repetition) deconstructs a gay-hate murder which took place in 2012, in Liege, Belguim.

Dissecting the business and strategies of theatre, it explores both human transgression and the tricks of acting – the better for us to understand an unfathomable cruelty. Rau proposes a theatre with …

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