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October 01, 1987

A Sporting Chance

A Sporting Chance
by Katherine Thomson
Magpie Theatre Company SA
Directed by Chris Johnson
Design: Ken Wilby and Mark Thompson
Music: Ian Farr, Movement: Belinda Saltmarsh
Cast: Sharon LeRay, Michael Habib, Annabel Giles,
Michael Kitschke.

Work for Magpie’s A Sporting Chance began in April this year when Sydney playwright and actor, Katherine Thomson began researching attitudes toward sport among thirteen and fourteen year olds. She spoke to numbers of high school students-in particular from Fremont High School in Adelaide’s northern …

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September 01, 1987

Pale Intimations

Pale Intimations
Blood Relations
by David Malouf
State Theatre Company and Sydney
Theatre Company
The Playhous

When a writer of the stature of David Malouf turns to the theatre we are sure to have high expectations. But there is already enough evidence that novelists do not necessarily playwrights make. Locally, Nigel Krauth’s Muse of Fire, Barry Dickins’ Beaut/and, and, more recently Patrick White’s Shepherd on the Rocks have shown us that.

The reasons are not surprising. A novelist has complete …

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July 01, 1987

Semi-preciousness

Semi­preciousness
Emerald City
by David Williamson
Sydney Theatre Company
Playhouse

Emerald City, David Williamson’s latest play about selling out in Sydney, sold out in Sydney, and has been doing business hand over fist here as well.

It is not hard to see why. Williamson is one of our most assured writers of dialogue and has a shrewd eye, if not for the manners and prejudices of our times, at least for those of regular theatre audiences. Emerald City, …

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June 01, 1987

Ham Funeral

Shepherd on the Rocks
by Patrick White
State Theatre Company
Playhouse

Patrick White’s plays have a long association with Adelaide from the controversial first season of The Season at Sarsparilla to the more recent Lighthouse productions which revealed Netherwood and hailed Signal Driver. All that history notwithstanding, the State Theatre Company’s decision to stage Shepherd on the Rocks was an unfortunate one. The production does little credit to either White or the company, and, all things considered, they would …

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Looking Back at Come Out

Come Out 1987 was a testing time for youth theatre. After the sporadic bookings in 1985, directors Malcolm Moore and Kerry Comerford were faced with the task of not only compiling an appealing programme, but also filling theatre seats. They did well on both counts. Also, with ASSITEJ, the international jamboree of youth theatre heavies, being held in Adelaide at the same time, Come Out was on International display.

Director Michael Fitzgerald made it plain that ASSITEJ might turn into …

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May 01, 1987

I’m Not a Racist, but …

I’m Not a Racist, but …
by Richard Lawrance
Multicultural Youth Theatre, SA
Directed by Tessa Bremner
Cast: Vicki London, David Saddler, Aimee Thomas,
Nicolas Primaro, Raphael Nguyen, Peter Nguyen, Ha Tran.

On the face of it the flyers for the Multicultural Youth Theatre’s production were not promising. (Narelle is fifteen, alone and pregnant. Cong and Trinh are trying to hack it in this strange new country. Dog Track’s in debt and on the run and Petar’s caught between the …

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My Place

My Place
by Christine Anketell
Patch Theatre. South Australia
Directed by: Christine Anketell
Design: Kathryn Sproul
Music: Stuart Day
Production Manager: Richard Meyman
Cast: Joanna Cooper, Gwenda Helsham, Karen Inwood

There’s no place like home, as Dorothy once said to her red shoes. And as it is the International Year of Shelter for The Homeless, the Patch Theatre Company have used it as the occasion for their Come Out 87 contribution, My Place.

Perhaps one reason why the International …

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December 10, 1986

Adelaide Christmas – One Turkey, One Scrooge

The Unley Town Hall, Troupe’s HQ, has been dark for much of this year. After Gavan Strawhan’s The Last Drive-In On Earth, the company’s crowd-pleaser from the Adelaide Festival, they offered a stylish production of Caryl Churchill ‘s Top Girls before going into recess. Then The Floating Palais, also by Strawhan, a success from last year, was resuscitated for a tour around the traps to bring Troupe’s vigorous brand of left-thinking, participation theatre to a wider audience. The …

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October 01, 1986

Reviews – October 1986

While Pravda was still offering unsoothing sooth in the Festival Centre Playhouse, The State Theatre Company launched its next venture, Hannie Rayson’s Room to Move, into the Space. It’s been donkey’s years since State have used this more informal, intimate acting area, and there was maybe a touch of
truancy as the players escaped the stern proscenium of the main venue.

Rayson’s play certainly gives room to move. It is an interesting piece with bags to commend it, but …

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August 01, 1986

Iron Failings

Essington Lewis: I am Work
by John O’Donoghue
State Theatre Company
The Playhouse

John O’Donoghue’s acclaimed Essington Lewis: I Am Work has been included in the State Theatre Company’s current season after the late scratching of Jonah Jones from the 1986 card.

Essington Lewis was first performed by the Hunter Valley Players in 1981, and enjoyed a highly successful season in Sydney last year. But the present production has not just been parachuted in from the East. West Australian actor …

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