murraybramwell.com

September 01, 1995

Regarding Henri

1995

Matisse Exhibition

National Gallery of Victoria

Melbourne

Reviewed by Murray Bramwell

It is around half past nine and there are people pouring out of Flinders Street station, some heading across the Swanston Street intersection, others, like me, heading into town for a salubrious bite to eat. There we all are- ordering our number one breakfasts, McBottomless coffee and bacon McMuffin.  Several armies are about to march on their stomachs. The Magpies fans, in their black and white Nikes and …

Continue Reading Back to top

May 01, 1995

Allo, Allo, Allo

Allo, Allo, Allo
An Inspector Calls
by J.B. Priestley

Royal National Theatre of Great Britain
Her Majesty’s

Reviewed by Murray Bramwell

For some time now there have been intimations that an Inspector would be calling. Those who first saw the Royal National Theatre’s 1992 London revival of the J.B Priestley country house detective mystery reported back to the colonies that this fusty old chestnut had been given a startling new shine. The expressionist treatment, the assured direction from Stephen Daldry …

Continue Reading Back to top

April 01, 1995

Men’s Business

Desert
by Gavin Strawhan

Red Shed Company
Cardwell St.

Reviewed by Murray Bramwell

Mention the Men’s Movement and in no time flat someone will make a joke about hugging a tree. All those bollocky jokers running with wolves, listening to the mythopoeic beat of a different drum. But, the apologists insist, women have their rituals, their secrets, their Fun- so why not men ? Never mind Lodge, the RSL, the footy club and the communion rails of the front bar …

Continue Reading Back to top

March 01, 1995

Murder by Design

Medea
by Euripides

State Theatre
Amphitheatre
Elder Park

Reviewed by Murray Bramwell

Of all the extraordinary works of theatre from Fifth Century Athens there is none as striking as Euripides’ Medea. Along with The Bacchae it unleashes energies and poses social questions that only a robust, sophisticated and philosophic community could sustain. Medea is a play of contradictions. Lucidly told, it is nevertheless cryptic, a text which speaks to our own time yet carries archaic meanings and beliefs. It offers …

Continue Reading Back to top

February 16, 1995

Adelaide – Medea

Medea
by Euripides

State Theatre
Medea…… Doris Younane
Jason…..Luciano Martucci
Nurse……Nina Paleologos
Creon…..Michael Griffin
Aegeus….Nicola Tudini
Messenger/Tutor…Nicola Primaro
Medea’s children…John Defrancesco, Yiani Harpas, Paul Tepsic,
Rohan Shirodkar
Chorus leader….Yiannis Fragos
Chorus………Catriona Barr, Annmarie Beni, Lynne Smythe
Prepared piano/percussion….Gabriella Smart
Director/Designer…..Constantine Koukias
Designer……Ann Wulf
Lighting Designer….Krystof Kozlowski
Projection Artist….Hugh McSpedden
Sound Designer…..Donald Hopkins
Assistant Directors….Gina Tsikouras, Benedict Andrews
Dramaturg…..Nick Hughes
The Amphitheatre, Elder Park
Adelaide . Opening night 11 February, 1995

There is no other playwright from Fifth Century Athens as …

Continue Reading Back to top

February 01, 1995

Reckonings

Sanctuary
by David Williamson
Playbox Theatre
Playhouse

Reviewed by Murray Bramwell

Sanctuary, David Williamson’s newest work, is a two-hander directed by Melbourne Playbox director Aubrey Mellor. It is a distinctly more serious piece than recent Williamson exercises such as Money and Friends and Brilliant Lies. They were serious too, of course, as the playwright never loses sight of issues and situations which give a new or different glimpse of zeitgeist. But conspicuously propelling his dissection of nouveau riches or questions …

Continue Reading Back to top

December 01, 1994

The Red Shed Company- Still in the Pink

Murray Bramwell

There is much to admire about the Red Shed Company. You might start with its excellent production values. Or its increasingly confident and innovative writing. Or the distinctive clarity and precision of its acting styles. Or the range and intelligence of its themes. Wherever you want to begin the list, it is clear that in eight years of operation the company, which burst into being, waggishly announcing itself as the RSC, has earned the affection and respect of …

Continue Reading Back to top

Cafe Laughter

Filed under: Archive,Interstate,Theatre

Picasso at the Lapin Agile
by Steve Martin
Playbox Theatre
Playhouse

Reviewed by Murray Bramwell

It is the beginning of the twentieth century, the Noughts, as Steve Martin waggishly calls them. Freddy’s place, the Lapin Agile in Montmartre, is hopping with activity. Here is Cafe Society- the chic, the famous, the brainy, the belle, and tous les hangers on. Robert Hughes compared European cafes to magazines- bright vortices of plumage and pleasure. The idea has persisted. We bourgeois have disinvented …

Continue Reading Back to top

Vile Bodies

Filed under: Archive,Interstate,Theatre

1994

Bodyslam
Rock’n’Roll Circus
Space, November, 1994.

Reviewed by Murray Bramwell

The Rock’n’Roll Circus follows a distinguished succession of new circus acts in Australia. Circus Oz has remained one of our most enduring and innovative stage companies and the taste for acrobatics, illusion, comedy and satire has been fuelled by acts as diverse as the Compagnie Philippe Genty, Archaos, Desoxy, the Jim Rose Circus Sideshow and Ra Ra Zoo. The Rock’n’Roll show, Bodyslam, owes more than a little to all …

Continue Reading Back to top

November 01, 1994

Wings of Desire

Filed under: Archive,Interstate,Theatre

1994

Angels in America
Part I: Millennium Approaches
by Tony Kushner

State Theatre in Association with
the Melbourne Theatre Company
Playhouse, October, 1994.

Reviewed by Murray Bramwell

There are no spirits, no ghosts, no angels in America. So says one of the characters in Tony Kushner’s extraordinary play about sexual identity, politics, puritanism, AIDS and the millenium. In what he calls A Gay Fantasia on National Themes, Kushner ambitiously intersects the wheels of American history and religion with the twin …

Continue Reading Back to top
« Newer PostsOlder Posts »