Cold Blood
by Thomas Gunzig.
Michele Anne De Mey, Jaco Van Dormael,
Kiss & Cry Collective.
Ridley Centre, Adelaide Showgrounds.
March 5. Duration: 1 hour 15 mins (no interval)

Mouthpiece
by Kieran Hurley
Traverse Theatre Company
Odeon Theatre.
March 6. Bookings: adelaidefestival.com.au
Tickets: $30 – $69. Duration 1 hour 35 minutes (no interval)
Until March 15.

The Belgian Kiss & Cry Collective, led by choreographer Michele Anne de Mey and filmmaker Jaco Van Dormael have turned Cold Blood into a …

The Doctor
by Robert Icke
Very freely adapted from Arthur Schnitzler’s Professor Bernhardi.
Almeida Theatre, London.
in association with Adelaide Festival.
Dunstan Playhouse. Adelaide Festival Centre.
February 28. Tickets $ 45 – $129.
Bookings: adelaidefestival.com.au.
Duration: 2 Hours 40 minutes including interval.
Until March 8.

Robert Icke has energised current UK theatre with his versions of Aeschylus’s Oresteia, Chekhov’s Uncle Vanya and George Orwell’s 1984. He describes adaptation as “like using a foreign plug. You are in a …

Daily Review

OzAsia, Adelaide 2019
The Village
by Stan Lai and Wang Wei-Chung
Stan Lai and Performance Workshop
Festival Theatre.
October 25.

The 2019 OzAsia program has been notable for its significant returns. Artistic director Joseph Mitchell has said that while he is very energised by the new artists he has brought in, he is also committed, in his fifth year at the wheel, to bring back artists who have already made their mark with the OzAsia audience.

So we …

Daily Review

Cuckoo
By Jaha Koo
CAMPO
Space Theatre, Adelaide Festival Centre.
October 27.
FIVE stars

Cuckoo is a meditation on South Korean society over the 22 years since the Asian Financial Crisis, told, in part, by three rice cookers. It is hard to imagine a theatre piece narrated by rice cookers. But in sixty well-chosen minutes writer, performer, composer, Jaha Koo raises life issues and explores political and economic questions that are far from light and fluffy.

Named for …

EYES/LIES
Ontroerend Goed
Space Theatre
October 20.

The name of the impressively original Belgian theatre company, Ontroerend Goed, the program notes tell us, roughly translates as “Feel Estate”. This sounds almost as cryptic as the original Belgian but there is no doubt that they provide audiences with unexpected and memorable experiences when they come to their performances.

From their first visit to Australia in 2008 they have offered a unique form of immersive experience. With The Smile Off Your Face…