murraybramwell.com

May 12, 2022

Theatre Review: Cathedral

Filed under: 2022,Archive,Australian Texts,State Theatre Company,Theatre

Set on the Limestone Coast, Caleb Lewis’ fine new play (featuring the outstanding Nathan O’Keefe) is not only a deep dive into the depths of grief and loss, it is also about returning to the replenishing light of day.

Murray Bramwell

“Picanninie Ponds is a system of sinkholes on South Australia’s limestone coast, just south of Mt Gambier,“ explains Caleb Lewis, in the program notes of State Theatre’s latest production. It is where his father, a dive instructor, took him …

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March 27, 2022

Music Theatre: Girl From the North Country

Filed under: 2022,Archive,Music,State Theatre Company,Theatre

This extraordinary mix of Conor McPherson’s masterly storytelling and his astute use of Bob Dylan songs has given the stage musical new heft and new meaning.

Written by Murray Bramwell

On that day in 2013, when plans were set in motion to create a theatre work using the songs of Bob Dylan, the planets were definitely in auspicious alignment. Because Girl From the North Country, which first opened in London in 2017, exceeds all expectations and seems to have created …

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March 15, 2022

Adelaide Festival – Theatre : The Picture of Dorian Gray

Filed under: 2022,Archive,Festival,State Theatre Company,Theatre

With dazzling stagecraft and an extraordinary solo performance by Eryn Jean Norvill, this screenshot of Dorian is a Wilde ride.

“The first duty of life is to assume a pose,” Oscar Wilde declared, “what the second duty is no one yet has found out.” As his biographer Richard Ellmann noted – “Wilde had been much concerned with images . He had painted self-portrait after self portrait.” He was referring to Oscar’s variety of beards, his curled hair and foppish costumes …

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March 08, 2022

Adelaide Festival – Photographic Memory

Filed under: 2022,Adelaide Companies,Archive,Festival,Theatre

The Photo Box
Created and performed by Emma Beech
Vitalstatistix and Brink Productions
Space Theatre, Adelaide Festival Centre
March 3. Until March 7.

When left with nothing after bushfires and (as right now) extreme flooding, the first thing Australian families report is their relief that they saved their pets. And the very next thing is that they rescued their photo albums. Family photos are the Dead Sea Scrolls of our domestic history. They reinforce legend, prompt (and sometimes falsify) memory, …

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March 04, 2022

Adelaide Festival – Twists in tales of surprise, suspense

Filed under: 2022,Archive,Festival,State Theatre Company,Theatre

Blindness
Adapted by Simon Stephens
Based on the novel by Jose Saramago
Donmar Warehouse.
Queen’s Theatre, Adelaide.
Tickets: $20-$79. Bookings: adelaidefestival.com
February 24. Duration : 70 mins.
Until March 20.
Also: Merrigong Theatre Company, Illawarra Town Hall, Wollongong.
May 11- 15.

Girls & Boys
By Dennis Kelly
State Theatre Company South Australia
Odeon Theatre, Norwood.
Tickets : $44- $80. Bookings: statetheatrecompany.com.au
March 1. Duration: 105 minutes.
Until March 12.

A motorist, in traffic as the lights change, comes to a …

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February 18, 2022

Fringe review: One Hour Photo

Filed under: 2022,Archive,Fringe,International,Theatre

Four and a Half Stars
Murray Bramwell

One Hour Photo is a snapshot of one man’s life – captured from thirty hours of interview and a lifetime of turbulent after-images.

Adding to the usual array of theatre spaces at the popular Holden Street Theatre hub is Ruby’s at No.32. In past Fringes we have seen micro theatre performances in this charming but compact venue but this time it is decked out as a little cinema. Ten comfortable chairs with side …

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February 17, 2022

Fringe review: Meet Me at Dawn

Filed under: 2022,Archive,Fringe,International,Theatre

Fringe Festival
Murray Bramwell

Two women are cast on to a desolate beach. As they begin to get their bearings the world will never be the same. Nor, perhaps, will yours either.

Five Stars.

The play opens with a thunderous ocean swell, courtesy of sound designer Sascha Budimski, and a darkened stage, courtesy of Mark Oakley’s lighting. Gradually the visibility lifts and we see a young woman drenched to the skin, hair bedraggled, trying to gather herself after being hurled …

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Fringe review: Afghanistan is Not Funny

Filed under: 2022,Archive,Fringe,Interstate,Theatre

Adelaide Fringe
Murray Bramwell
Fringe review: Afghanistan is Not Funny
Five Stars

A high-profile comedian visits a war zone in Kabul and it not only transforms him, but the things he wants to write about. This often comic memoir looks for answers to serious questions.

Henry Naylor is the master of the dramatic miniature. His plays, rarely more than sixty minutes in duration, are a crowded hour of fact, polemic, suspense, and compressed emotion that take us where other playwrights …

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December 10, 2021

UnSeen

Filed under: 2021,Adelaide Companies,Archive,Theatre

UnSeen
by Kelly Vincent & Alirio Zavarce
and the True Ability Ensemble.
Space Theatre, Adelaide Festival Centre
December 1.

Seeing and Believing

“There are a lot of things that are really hard about being disabled,” writer and advocate Kelly Vincent said in a recent interview in CityMag. “But most of them are not because [of the disability]. It’s because of the barriers that society puts up for disabled people – from barriers to socialising and attending events and parties, to …

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November 19, 2021

How Not to Make it in America

Filed under: 2021,Adelaide Companies,Archive,Australia Plays,Theatre

How Not to Make it in America
by Emily Steel
Theatre Republic.
Space Theatre, Adelaide Festival Centre.
November 18. Until November 20.
Murray Bramwell

“Hi I’m Matt. I’m here to audition for the role of Juliet”. These are the opening lines of Emily Steel’s excellent new play How Not to Make it in America . Those who followed the Act Now/ State Theatre’s Decameron 2.0 Project online last year would have already met Matt, and his performer James Smith, but …

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