{"id":3737,"date":"2026-02-19T19:39:00","date_gmt":"2026-02-19T09:09:00","guid":{"rendered":"https:\/\/murraybramwell.com\/?p=3737"},"modified":"2026-02-20T19:40:46","modified_gmt":"2026-02-20T09:10:46","slug":"adelaide-fringe-the-debate-holden-street-theatres","status":"publish","type":"post","link":"https:\/\/murraybramwell.com\/?p=3737","title":{"rendered":"Adelaide Fringe &#8211; The Debate Holden Street Theatres"},"content":{"rendered":"\n<p>Fearing her daughter won\u2019t make captain of the school debating team an overzealous mother turns to drastic tactics to win the argument.<\/p>\n\n\n\n<p>Murray Bramwell<\/p>\n\n\n\n<p>Is there anything Martha Lott doesn\u2019t do ? As well as hosting an outstanding range of Fringe shows at her Holden Street Theatres (check out the excellent <em>Bob Marley, How Reggae Changed the World<\/em> and <em>Eat the Rich )<\/em> she has written, and features in, her own new play, <em>The<\/em> <em>Debate.<\/em><\/p>\n\n\n\n<p>It is a sharp and timely little black comedy with some serious edge to it.<\/p>\n\n\n\n<p>Sitting in the Principal\u2019s waiting room of prestigious high school are the ambitious tiger mother Mara and her mortified daughter Chloe.<\/p>\n\n\n\n<p>It is about who should be captain of the school debating team \u2013 Chloe or another girl whose mother is also manoeuvring, with assistance (in the interests of diversity) from the school principal. Everything then escalates when Mara takes to Reddit for some serious cyber slander.<\/p>\n\n\n\n<p>Unafraid of playing unsympathetic characters (who can forget the portrait of Martha in Albee\u2019s <em>Who\u2019s Afraid of Virginia Woolf<\/em> ?) in <em>The<\/em> <em>Debate<\/em>, Lott\u2019s Mara has a backstory as a rowdy student who now has a career in the factional world of dirty tricks politicking. Mara is raucous, smart, confident and used to winning by any means. The extent to which she will go, is the nub and message of the play.<\/p>\n\n\n\n<p>Crisply directed by Nick Fagan with lighting by Martin Smith, this production is well suited to The Arch. Martha Lott has written and captured a character who leads us down an ethical sinkhole.<\/p>\n\n\n\n<p>Her unreliable narrative overwhelms the situation to strong theatrical effect. We find ourselves hostage to a runaway Karen. We see it all &#8211; from her grating broad accent, to her vengeful attitude to old rival Barry (now high profile in school governance), to her misplaced advocacy for an already capable daughter.<\/p>\n\n\n\n<p>As Chloe, Amelia Lott-Watson convincingly captures the excruciation that Mara causes and provides a youthful moral compass in the absence of any in her hell-bent devious parent.<\/p>\n\n\n\n<p><em>The Debate<\/em> is a theatrically engaging petri dish of pettiness and spite, a mix of satire and uncomfortable reality where social media has become a weapon of mass disruption.<\/p>\n\n\n\n<p>FOUR Stars<\/p>\n\n\n\n<p><em>The Debate<\/em> plays at The Arch at Holden Street Theatres until March 22.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.indailysa.com.au\/inreview\/theatre\/2026\/02\/20\/fringe-review-the-debate\">https:\/\/www.indailysa.com.au\/inreview\/theatre\/2026\/02\/20\/fringe-review-the-debate<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fearing her daughter won\u2019t make captain of the school debating team an overzealous mother turns to drastic tactics to win the argument. Murray Bramwell Is there anything Martha Lott doesn\u2019t do ? As well as hosting an outstanding range of Fringe shows at her Holden Street Theatres (check out the excellent Bob Marley, How Reggae Changed the World and Eat the Rich ) she has written, and features in, her own new play, The Debate. It is a sharp and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,48,10,13],"tags":[],"class_list":["post-3737","post","type-post","status-publish","format-standard","hentry","category-archive","category-48","category-fringe","category-theatre"],"_links":{"self":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts\/3737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3737"}],"version-history":[{"count":1,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts\/3737\/revisions"}],"predecessor-version":[{"id":3738,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts\/3737\/revisions\/3738"}],"wp:attachment":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}