Solo :
\nBitch Boxer by Charlotte Josephine.
\nSea Wall by Simon Stephens.
\nFlying Penguin Productions.
\nGoodwood Institute Theatre, 166 Goodwood Road, Adelaide.
\nSeptember 6. Tickets: $22- $32. Bookings 131 246 or online.
\nDuration 1 hour 50 minutes (including interval)
\nUntil September 16.<\/p>\n
Chloe Jackson is an Olympic hopeful. It is 2012 and, for the first time, women\u2019s boxing is an official event for the London Games. Bitch Boxer<\/em>, Charlotte Josephine\u2019s monologue for UK company Snuff Box Theatre, is a portrait of a young woman who has taken more punches than she knows how to handle.<\/p>\n Bruised and embittered at eleven, when her mother left the family, Chloe\u2019s long-suffering father takes her to his gym for some punching bag anger management : \u201cFocus it in to power and strength and speed. Just me and my dad fighting the world together.\u201d The plan then becomes the Olympics. The crisis comes when he dies suddenly, just prior to her qualifying bout, and Chloe has to muster more than seems possible.<\/p>\n In Simon Stephens\u2019 Sea Wall<\/em>, Alex a successful London photographer is telling us about his life. He describes family holidays with his wife Helen, and cherished daughter Lucy, visiting his father-in-law Arthur, in the South of France. The two men go diving, deep down to the sea wall; for the narrator it is thrilling and invigorating. But from there, Alex\u2019s story becomes an unforeseen journey into an abyss of grief.<\/p>\n In this splendid double bill, Solo<\/em>, Flying Penguins director David Mealor has put together two outstanding theatre works which remind us once again how potent carefully-fashioned monologues can be. The Goodwood Institute studio is a simple space but also a transformative one. Kathryn Sproul\u2019s set is stylishly minimalist; Chris Petridis\u2019 lighting washes the action both unobtrusively and with startling effect.<\/p>\n The ably-directed performances are simply terrific. Jordan Cowan, as Chloe, captures the rolling cadence of the East London Leytonstone accent as she moves with the emotional feints and weaves of the boxing analogy. The anger is present but there other shadings also.<\/p>\n When Chloe recalls her father holding her hand, she caresses the scarlet boxing glove with paradoxical tenderness. Recalling her impulsive rejection of her devoted suitor Jamie, we feel the keenness of regret at the repetition of old damaging patterns. As Alex, Renato Musolino vividly presents Stephens\u2019 suave, well- pleased character, enjoying life\u2019s good fortune – all the more to contrast the sickening shift in destiny. He begins with affability and descends into desolation. Composer Quentin Grant\u2019s subtly surging seascapes and piano meditations prefigure the drama and our consternation only deepens as Alex\u2019s story drifts further from familiar shores and comfortable explanations.<\/p>\n \u201cPunchy monologues are spot on\u201d, The Australian<\/em>, September 10, 2018, p.14.<\/p>\n","protected":false},"excerpt":{"rendered":" Solo : Bitch Boxer by Charlotte Josephine. Sea Wall by Simon Stephens. Flying Penguin Productions. Goodwood Institute Theatre, 166 Goodwood Road, Adelaide. September 6. Tickets: $22- $32. Bookings 131 246 or online. Duration 1 hour 50 minutes (including interval) Until September 16. Chloe Jackson is an Olympic hopeful. It is 2012 and, for the first time, women\u2019s boxing is an official event for the London Games. Bitch Boxer, Charlotte Josephine\u2019s monologue for UK company Snuff Box Theatre, is a portrait […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38,17,5,13],"tags":[],"class_list":["post-2956","post","type-post","status-publish","format-standard","hentry","category-38","category-adelaide-companies","category-archive","category-theatre"],"_links":{"self":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts\/2956","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2956"}],"version-history":[{"count":1,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts\/2956\/revisions"}],"predecessor-version":[{"id":2957,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts\/2956\/revisions\/2957"}],"wp:attachment":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2956"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nWill Spartalis\u2019s sound design seamlessly threads stadium hum, boxing gym drills, bells, whistles and a softly thrumming bass rhythm.<\/p>\n