{"id":2480,"date":"2015-03-26T19:47:29","date_gmt":"2015-03-26T09:17:29","guid":{"rendered":"http:\/\/murraybramwell.com\/?p=2480"},"modified":"2015-04-08T20:02:21","modified_gmt":"2015-04-08T10:32:21","slug":"writer-captured-nations-rift","status":"publish","type":"post","link":"https:\/\/murraybramwell.com\/?p=2480","title":{"rendered":"Writer Captured Nation\u2019s Rift"},"content":{"rendered":"<p>Obituary<br \/>\nAlan Seymour:<br \/>\nPlaywright.<br \/>\nBorn Perth, June 6, 1927<br \/>\nDied Sydney, March 23, 2105.<\/p>\n<p>Australian playwright Alan Seymour has died in Sydney aged 88. It is inevitable that tributes to him will circle around <em>The One Day of the Year<\/em>, the play written in 1959, which was at first notorious and then became a national classic. It made his name but, perhaps to his regret, overshadowed his other dramatic and literary achievements.<\/p>\n<p>The \u201cone day of the year\u201d in Seymour\u2019s play is Anzac Day, the one chance in 365 when Alf Cook, a returned soldier working in a dreary labouring job, has a sense of personal value and significance. His son, Hughie represents a different time, level of education and life experience and in, an article in a university newspaper, he lambasts the swaggering, often drunken, out-dated nationalism that Anzac Day had come to represent for younger Australians.<\/p>\n<p>With his long suffering Mum attempting to mediate the feud between father and son, and a wiser perspective from Wacka, a veteran of both wars, the play vividly and poignantly captured the \u201cgeneration gap\u201d which was to characterise much of the 1960s and, with the escalation of the Vietnam War, the decade which followed as well.<\/p>\n<p>The play caused consternation from the beginning. In 1960 the Arts Board of the Adelaide Festival rejected its inclusion in their program, out of concern it may give offence to the RSL and other service groups. Instead, it was staged by the Adelaide Theatre Group in that year and, in 1961, the play received its first professional production in Sydney with support from the Elizabethan Theatre Trust. Performed in London also in 1961, the play was widely staged throughout Australia and became a familiar school and university text.<\/p>\n<p>Seymour was alerted to his subject by an actual article written in Honi Soit , the Sydney University newspaper, but <em>The One Day of the Year<\/em> is larger in its scope and implication than Anzac Day itself. It is an enduring feature of Alan Seymour\u2019s distinctively vernacular family portrait that it captures, in recognisably human terms, the tensions between Australia\u2019s links to past history and aspirations to new horizons. It is a word much bandied about, but <em>The One Day of the Year<\/em>, like <em>The<\/em> <em>Summer of the Seventeenth Doll<\/em>, is an iconic Australian drama.<\/p>\n<p>Born in Perth in 1927, the son of parents he described as \u201cworking class Cockneys\u201d, Alan Seymour was a working writer all his life. After leaving school he worked in journalism and radio in Perth and then in Sydney. With the success of <em>The One Day of the Year<\/em> he set his sights on opportunities abroad. In 1961 he went to London with his lifelong partner Ron Baddeley whom he met in 1949. They remained together and devoted for 54 years until Baddeley\u2019s death in 2003.<\/p>\n<p>In London, Seymour forged a successful career as a television writer, producer and editor with the BBC. He was also theatre critic for the highly influential London Magazine from 1963-65. Then in 1966 until 1971, he moved to Turkey, where Ron Baddeley was teaching, and continued to write novels, plays and journalism.<\/p>\n<p>None of his other plays made the same impact as <em>The One Day of the Year.<\/em> <em>Swamp Creatures<\/em> from 1957 is described as a Gothic thriller, later plays include<em> A Break in the Music, The Pope and the Pill, The Shattering <\/em>and<em> The Float. Donny Johnson<\/em>, won the Sydney Journalists Award and was an Australian rock version of the Don Juan legend. <em>The Gaiety of Nations<\/em> (1965) dealt with the Vietnam War. He also published a novel about race relations, <em>The Coming Self-Destruction of the United States of America<\/em> (1969) and a novel adaptation of <em>The One Day of the Year<\/em>.<\/p>\n<p>Alan Seymour returned to live in Australia in 1995. His funeral will take place today in Bondi Junction.<\/p>\n<p>Murray Bramwell<\/p>\n<p>Published in abridged form as \u201cWriter captured nation\u2019s rift\u201d The Australian, March 26, 2015, p.14.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Obituary Alan Seymour: Playwright. Born Perth, June 6, 1927 Died Sydney, March 23, 2105. Australian playwright Alan Seymour has died in Sydney aged 88. It is inevitable that tributes to him will circle around The One Day of the Year, the play written in 1959, which was at first notorious and then became a national classic. It made his name but, perhaps to his regret, overshadowed his other dramatic and literary achievements. The \u201cone day of the year\u201d in Seymour\u2019s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,5,16,13],"tags":[],"class_list":["post-2480","post","type-post","status-publish","format-standard","hentry","category-32","category-archive","category-australian-texts","category-theatre"],"_links":{"self":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts\/2480","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2480"}],"version-history":[{"count":1,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts\/2480\/revisions"}],"predecessor-version":[{"id":2481,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts\/2480\/revisions\/2481"}],"wp:attachment":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2480"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2480"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}