{"id":2350,"date":"2013-07-06T19:46:23","date_gmt":"2013-07-06T10:16:23","guid":{"rendered":"http:\/\/murraybramwell.com\/?p=2350"},"modified":"2013-07-09T19:48:35","modified_gmt":"2013-07-09T10:18:35","slug":"wolf-lights-up-the-house-with-poetry","status":"publish","type":"post","link":"https:\/\/murraybramwell.com\/?p=2350","title":{"rendered":"Wolf lights up the house with poetry"},"content":{"rendered":"<p>Adelaide<br \/>\nTheatre<\/p>\n<p>Big Bad Wolf<br \/>\nby Matthew Whittet<br \/>\nWindmill Theatre<br \/>\nSpace Theatre, Adelaide Festival Centre.<br \/>\nJuly 6.   Duration 50 minutes, no interval<br \/>\nTickets:  $15 &#8211; $20. Family rate $ 75 (2 adults, 2 children)<br \/>\nBookings BASS 131 246 or bass.net.au<br \/>\nUntil July 13.<\/p>\n<p>The Big Bad Wolf has quite a case to answer. Just ask the Three Little Pigs or, if you can find her, the grandmother of Little Red Riding Hood. However, according to Windmill Theatre\u2019s latest production (written by Matthew Whittet, based on a concept by Kaye Weeks) Big Bad is the most misunderstood character in fairytale history. It is time to re-open the dossier and look again.<\/p>\n<p>\u201cWolfy\u201d is now a shy, toothy young fellow with a strong German accent and not a friend in the forest. His mother, Grand Wolfmaster, is perplexed at his dreamy ways and penchant for writing poetry &#8211; \u201cturning\u201d, as he likes to say, \u201clovely thinking into lovely words.\u201d Then, everything changes in his lonely life when he meets Heidi Hood, distant relative of Red Riding, a fearless competitor with a black belt in wolfjitsu who doesn\u2019t know the meaning of giving up.<\/p>\n<p>Following on from the well-deserved success of last year\u2019s hit play, <i>School Dance,<b><\/b><\/i>Windmill director, the excellent  Rosemary Myers, is working again with Whittet and designer Jonathan Oxlade to create, this time for very young audiences (five years and upwards), a whimsical, gently persuasive tale of friendship and acceptance. Ever inventive, Oxlade\u2019s set (warmly lit by Chris Petridis) is a carefully detailed doll-house chalet (home for Heidi, her trophies and her talking couch) located in a 3-D forest made of light brown plywood.<\/p>\n<p>But what makes <i>Big Bad Wolf<\/i> such a delight are the performances. Kate Cheel is vivacious as the narrator and, as Wolfy and Heidi, the leads, Patrick Graham and Emma J Hawkins, are pitch perfect. With lacquered wolf ears, fangy teeth, nerdy horn-rimmed glasses, Pee Wee Herman bow tie and hoisted-up trousers, Graham is endearingly diffident and unfailingly good-natured. He snores and farts to the gurgling delight of the young audience while bringing an emotional precision and wit to his characterisation that carries the play\u2019s gathering ambitions.<\/p>\n<p>As Heidi, the talented Emma J Hawkins is more than a match. A short-statured actor and acrobat, she moves and capers brilliantly in tandem with her co-star, shrewdly capturing the satire of Heidi\u2019s type-A competitiveness. And while there is visual comedy in her diminutive relation to the lumbering (and forbidden) bad wolf, Hawkins makes the story of their developing friendship  genuinely affecting.<\/p>\n<p>Windmill\u2019s collaboration with Matthew Whittet continues to thrive, producing works which are zany &#8211; sometimes giddily so &#8211; but they are also open-hearted and unfailingly positive. This <i>Big Bad Wolf<\/i> doesn\u2019t huff and puff and blow the house down; instead, he lights it up with lovely words.<\/p>\n<p>Murray Bramwell<\/p>\n<p>\u201cWolf lights up the house with poetry\u201d The Australian, July 7, 2013, p.13.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Adelaide Theatre Big Bad Wolf by Matthew Whittet Windmill Theatre Space Theatre, Adelaide Festival Centre. July 6. Duration 50 minutes, no interval Tickets: $15 &#8211; $20. Family rate $ 75 (2 adults, 2 children) Bookings BASS 131 246 or bass.net.au Until July 13. The Big Bad Wolf has quite a case to answer. Just ask the Three Little Pigs or, if you can find her, the grandmother of Little Red Riding Hood. However, according to Windmill Theatre\u2019s latest production (written [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,17,5,16,13],"tags":[],"class_list":["post-2350","post","type-post","status-publish","format-standard","hentry","category-24","category-adelaide-companies","category-archive","category-australian-texts","category-theatre"],"_links":{"self":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts\/2350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2350"}],"version-history":[{"count":1,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts\/2350\/revisions"}],"predecessor-version":[{"id":2351,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/posts\/2350\/revisions\/2351"}],"wp:attachment":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}