{"id":3701,"date":"2025-06-22T15:51:29","date_gmt":"2025-06-22T06:21:29","guid":{"rendered":"https:\/\/murraybramwell.com\/?page_id=3701"},"modified":"2025-08-06T16:32:27","modified_gmt":"2025-08-06T07:02:27","slug":"bibliography-2","status":"publish","type":"page","link":"https:\/\/murraybramwell.com\/?page_id=3701","title":{"rendered":"Bibliography Links"},"content":{"rendered":"<h4>Publications 2025<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3687\">South Australia\u2019s History Festival<\/a>\u201d, murraybramwell.com, 12 May 2025<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3678\">Cat Power<\/a>\u201d, (Adelaide Festival: Music Review), InDaily InReview, 15 March 2025<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3682\">Table Top Shakespeare<\/a>\u201d, (Adelaide Festival Theatre Review), InDaily InReview, 10 March 2025<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3670\">Camille O\u2019Sullivan\u2019s Loveletter<\/a>\u201d, (Adelaide Festival: Music Review), InDaily InReview, 5 March 2025<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3656\">Theatre Krapp&#8217;s Last Tape<\/a>\u201d, (Review of a Samuel Beckett classic), InDaily InReview, 1 March 2025<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3667\">Hedwig and the Angry Inch<\/a>\u201d, (Cabaret, Festival, Music Review), murraybramwell.com, 26 February 2025<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3663\">WOMADelaide 2025<\/a>\u201d, (Adelaide Festival: Music Preview), InDaily InReview, 28 February 2025<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3638\">Dear Diary<\/a>\u201d, (Adelaide Fringe Theatre Review), InDaily InReview, 20 February 2025<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3642\">Shellshocked<\/a>\u201d, (Adelaide Fringe Theatre Review), InDaily InReview, 20 February 2025<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3648\">Why I Stuck a Flare Up My Ar** For England<\/a>\u201d, (Adelaide Fringe Theatre Review), InDaily InReview, 20 February 2025<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3633\">Housework<\/a>\u201d, (Political Satire Review), InDaily InReview, 12 February 2025<\/li>\n<\/ul>\n<h4>Publications 2024<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3626\">The Best of 2024<\/a>\u201d, (Review of 2024 Festivals and State Theatre Company South Australia), murraybramwell.com, 12 December 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3612\">Scored in Silence<\/a>\u201d, (Theatre Review), Unknown, 25 October 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3615\">Chameleon Man<\/a>\u201d, murraybramwell.com, 20 October 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3609\">The Almighty Sometimes<\/a>\u201d, (Review of Theatre Republic Production), InReview, 26 September 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3606\">Rolling Stones Revue<\/a>\u201d, (Celebration of a classic album and Greatest Hits), InDaily InReview, 15 September 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3604\">Shore Break<\/a>\u201d, (Review of Chris Pitman&#8217;s solo work), InReview, 5 September 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3601\">Musical Theatre Chicago<\/a>\u201d, (Review of Musical &#8216;Chicago&#8217;), InReview, 9 August 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3596\">A Life in Notes<\/a>\u201d, (Adelaide Cabaret Festival Review), Unknown, 19 June 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3594\">Hopelessly Devoted &#8211; A Celebration of Olivia Newton John<\/a>\u201d, (Adelaide Cabaret Festival Review), InReview, 16 June 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3591\">Adelaide Cabaret Festival &#8211; The 2024 Variety Gala<\/a>\u201d, (Variety Gala featuring amazing women and blokes), CentreStage, October 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3588\">James Taylor<\/a>\u201d, (James Taylor Concert Review), Unknown, 19 April 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3584\">Qui a tue mon pere (Who killed my father)<\/a>\u201d, (Adelaide Festival Theatre), Performing Arts, No.4, February\/March 1986, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3580\">Adelaide Festival &#8211; The Threepenny Opera<\/a>\u201d, (Music Theatre Review), Performing Arts, No.4, February\/March 1986, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3575\">Adelaide Festival &#8211; I Hide in Bathrooms<\/a>\u201d, Performing Arts, No.4, February\/March 1986, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3573\">Goodbye Lindita<\/a>\u201d, (Visual Meditation on Mourning), InReview, 1 March 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3568\">Another Stroll in the Park<\/a>\u201d, (WOMADelaide 2024 Interview), The Barefoot Review, 23 February 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3560\">Grav<\/a>\u201d, (Fringe Review), InReview, 15 February 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3563\">England &#038; Son<\/a>\u201d, (Fringe Review), InReview, 15 February 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3565\">The Portable Dorothy Parker<\/a>\u201d, (Fringe Review), InReview, 15 February 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3546\">The Best of 2023<\/a>\u201d, (Review of 2023 Festivals and Theatre Performances), murraybramwell.com, 21 December 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3555\">The Children<\/a>\u201d, (Review of Theatre Performance), InDaily InReview, 7 February 2024<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3552\">Miss Saigon<\/a>\u201d, (Miss Saigon Review), InDaily, 6 January 2024<\/li>\n<\/ul>\n<h4>Publications 2023<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3543\">2024 Adelaide Festival program launched<\/a>\u201d, (Adelaide Festival Program Unveiling), InDaily, 20 October 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3540\">The Garden<\/a>\u201d, (Theatre Review), InDaily, 13 October 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3537\">Lady Day at Emerson\u2019s Bar and Grill<\/a>\u201d, (Review of State Theatre Company&#8217;s co-production), InDaily, 30 August 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3534\">Adelaide Guitar Festival &#8211; The Milk Carton Kids (with special guest Vera Sola)<\/a>\u201d, (Music Review), InDaily InReview, 14 July 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3530\">Robyn Archer &#8211; An Australian Songbook.<\/a>\u201d, (Cabaret Festival Review), InReview, 19 June 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3528\">Edge of Reality: Elvis Presley Songbook<\/a>\u201d, (Elvis Presley Musical Legacy Celebration), InReview, 15 June 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3526\">Every Brilliant Thing<\/a>\u201d, (Review of Mental Illness Play), InDaily InReview, 5 May 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3517\">Herd Mentality<\/a>\u201d, (Adelaide Festival Theatre Review), murraybramwell.com, 16 March 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3511\">Uplifting<\/a>\u201d, (Adelaide Festival: Theatre Review), murraybramwell.com, 10 March 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3507\">Tragic Lifelines<\/a>\u201d, (Adelaide Festival Theatre Review), murraybramwell.com, 6 March 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3495\">Dystopian reality and the wars within<\/a>\u201d, (Adelaide Festival: Theatre Review), The Australian, 6 March 2023, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3499\">Hans &#038; Gret<\/a>\u201d, (Adelaide Festival Theatre Review), InDaily InReview, 6 March 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3492\">Strange Case of Dr Jekyll and Mr Hyde<\/a>\u201d, (Adelaide Festival Theatre Review), InDaily InReview, 4 March 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3489\">The World Returns to Botanic Park<\/a>\u201d, (WOMADelaide 2023 Preview), The Barefoot Review, 24 February 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3482\">The King of Taking<\/a>\u201d, (Comedy Theatre Review), InDaily InReview, 20 February 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3479\">Guffaws and vengeance in a tale of family woe<\/a>\u201d, (The Goat or, Who is Sylvia? Review), The Australian, 17 February 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3475\">Jesus, Jane, Mother &#038; Me<\/a>\u201d, (Adelaide Fringe Theatre Review), InDaily InReview, 16 February 2023<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3469\">Mono<\/a>\u201d, (Review of Comedy Theatre), InDaily, 2 February 2023<\/li>\n<\/ul>\n<h4>Publications 2022<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3460\">The Best of 2022<\/a>\u201d, (Performing Arts and COVID-19 Impact), Murray Bramwell, 19 December 2022<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3450\">The Demon<\/a>\u201d, (Australian Texts Theatre Review), InDaily, 21 October 2022<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3445\">The Normal Heart<\/a>\u201d, (Adelaide Theatre Review), InDaily InReview, 6 October 2022<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3436\">Chalkface<\/a>\u201d, (Adelaide Festival Theatre Review), InDaily InReview, 10 August 2022<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3456\">Moments in the Woods &#8211; Songs and Stories of Sondheim<\/a>\u201d, (Stephen Sondheim Tribute Review), InDaily InReview, 24 June 2022<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3423\">Cathedral<\/a>\u201d, (Review of Caleb Lewis&#8217; play), InDaily InReview, 12 May 2022<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3428\">Girl From the North Country<\/a>\u201d, (Review of stage musical), InDaily, 28 March 2022<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3409\">The Picture of Dorian Gray<\/a>\u201d, (Adelaide Festival Theatre Review), InDaily InReview, 15 March 2022<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3404\">Adelaide Festival &#8211; Photographic Memory<\/a>\u201d, Performing Arts, No.4, February\/March 1986, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3402\">Twists in tales of surprise, suspense<\/a>\u201d, The Australian, March 4, 2022, p.11<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3397\">WOMADelaide 2022 Returns to Full Strength<\/a>\u201d, (Interview on Womadelaide 2022), The Barefoot Review, 21 February 2022<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3389\">One Hour Photo<\/a>\u201d, (Adelaide Fringe Theatre Review), InDaily, 18 February 2022<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3391\">Afghanistan is Not Funny<\/a>\u201d, (Adelaide Fringe Theatre Review), InDaily, 17 February 2022<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3395\">Meet Me at Dawn<\/a>\u201d, (Adelaide Fringe Theatre Review), InDaily, 17 February 2022<\/li>\n<\/ul>\n<h4>Publications 2021<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3369\">The Best of 2021<\/a>\u201d, (Review of the year 2021), murraybramwell.com, 20 December 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3365\">UnSeen<\/a>\u201d, (Adelaide Festival Theatre Review), Murray Bramwell, 10 December 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3360\">How Not to Make it in America<\/a>\u201d, (Adelaide Festival Theatre Review), murraybramwell.com, 19 November 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3356\">Dry<\/a>\u201d, (Climate Crisis Comedy Review), InDaily, 18 November 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3358\">Comedy of manners for quarrelsome age<\/a>\u201d, (Theatre Review), The Australian, November 19, 2021, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3351\">White Pearl<\/a>\u201d, (OzAsia 2021 Theatre Review), InDaily InReview, 21 October 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3328\">Fiscal Abuse<\/a>\u201d, (Adelaide Theatre Review), The Bakehouse, 14 September 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3324\">Hibernation<\/a>\u201d, (Adelaide Theatre Review), InDaily, 18 August 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3313\">Thank you, Alan, it was a good time<\/a>\u201d, (Alan Cumming Review), The Australian, 29 June 2021, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3317\">Mostly Marlene \u2013 Kim David Smith<\/a>\u201d, (Cabaret Review), InDaily, 26 June 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3307\">The Variety Gala<\/a>\u201d, (Cabaret Festival Program Review), InDaily InReview, 12 June 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3300\">The Appleton Ladies\u2019 Potato Race<\/a>\u201d, (Review of State Theatre&#8217;s new production), InDaily InReview, 9 June 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3297\">Watchlist<\/a>\u201d, (Comedy with a sharp message), InDaily, 4 June 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3290\">Private Lives<\/a>\u201d, (Closer), Adelaide Review, No.192, September 1999, p.30-32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3283\">The Gospel According to Paul<\/a>\u201d, (Australian Political History Review), InDaily InReview, 21 April 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3286\">My Three Angels<\/a>\u201d, (Comic farce with a heart of kindness), InDaily, 11 April 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3277\">Agonising trajectory of live-streamed drama<\/a>\u201d, (Adelaide Festival Review), The Australian, 8 March 2021, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3270\">The Boy Who Talked to Dogs<\/a>\u201d, (Adelaide Festival 2021 Review), InDaily, 26 February 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3268\">Adelaide Festival 2021 &#8211; Robyn Nevin is outstanding<\/a>\u201d, The Australian, 24 February 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3274\">The Barefoot Review<\/a>\u201d, (WOMADelaide 2021: Re-inventing for the Pandemic), The Barefoot Review, 23 February 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3258\">DIRT<\/a>\u201d, (Adelaide Fringe Theatre Review), InReview, 18 February 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3260\">That Boy<\/a>\u201d, (Adelaide Fringe Theatre Review), InReview, 18 February 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3262\">The Twins<\/a>\u201d, (Adelaide Fringe Theatre Review), InReview, 18 February 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3264\">Sea Wall<\/a>\u201d, (Adelaide Fringe Theatre Review), InDaily, 16 February 2021<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3250\">The Best of 2020<\/a>\u201d, (Best of the Year Lists), Unknown, 2 January 2021<\/li>\n<\/ul>\n<h4>Publications 2020<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3246\">The Bleeding Tree (Theatre Republic)<\/a>\u201d, (Vengeance and resolution), Limelight, 12 December 2020<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3243\">Joyous return of an illuminating stage hit<\/a>\u201d, (Review of Gaslight by Patrick Hamilton), The Australian, 10 September 2020, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3147\">Truckload of Sky &#8211; The Lost Songs of David McComb<\/a>\u201d, (The Friends of David McComb), The Australian, Arts on Friday, 10 March, 2000, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3145\">Recollections in Grateful Tranquility<\/a>\u201d, (Adelaide Festival Review), Wakefield Press, 11 March 2020, p.226-230<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3142\">Adelaide Festival &#8211; Morbid pleasures within theatrical invention<\/a>\u201d, (Morbid pleasures within theatrical invention), The Australian, 10 March 2020, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3138\">Adelaide Festival &#8211; Eight<\/a>\u201d, (Review of Michael van der Aa&#8217;s &#8216;Eight&#8217;), Performing Arts, No.4, February\/March 2020<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3136\">Adelaide Festival &#8211; 150 Psalms<\/a>\u201d, (Leadership (Concert 9) Review), Performing Arts, February\/March 2020<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3127\">Daily Review &#8211; Adelaide Fringe<\/a>\u201d, (Erth\u2019s Dinosaur Zoo Review), Daily Review, 4 March 2020<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3131\">Daily Review &#8211; WOMADelaide 2020 Returns to Botanic Park<\/a>\u201d, (Adelaide\u2019s International Music Event Interview), Daily Review, 3 March 2020<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3129\">Exactly what this Doctor ordered<\/a>\u201d, (The Australian Review), The Australian, 3 March 2020, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3124\">Adelaide Festival &#8211; The energetic tango of youth, one step at a time<\/a>\u201d, (The energetic tango of youth, one step at a time), The Australian, 27 February 2020, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3122\">Daily Review &#8211; The Necks<\/a>\u201d, (The Necks Music Review), Daily Review, 25 February 2020<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3117\">From torture to maximum torque &#8211; Adelaide Fringe 2020<\/a>\u201d, (Adelaide Fringe Review), The Australian, 20 February 2020, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3112\">Murray Bramwell\u2019s Cultural Moment of 2019<\/a>\u201d, (Theatre Review), The Australian, 2 January 2020, p.12<\/li>\n<\/ul>\n<h4>Publications 2019<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3107\">The Best of 2019<\/a>\u201d, (Adelaide Fringe Highlights), murraybramwell.com, 15 December 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3104\">The Dark Master serves up a surreal, dreamy feast for the senses &#8211; OzAsia Festival<\/a>\u201d, (OzAsia Festival Review), The Australian, 31 October 2019, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3096\">The Split<\/a>\u201d, (Adelaide Companies Theatre Review), Daily Review, 29 October 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3094\">Cuckoo &#8211; OzAsia 2109<\/a>\u201d, (Theatre Review), Daily Review, 29 October 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3098\">The Village &#8211; OzAsia, Adelaide 2019<\/a>\u201d, (Daily Review), Daily Review, 29 October 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3080\">EYES\/LIES &#8211; OzAsia Festival, Adelaide<\/a>\u201d, (Theatre Review), Daily Review, 22 October 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3078\">Techno Circus &#8211; OzAsia Festival, Adelaide<\/a>\u201d, (Techno Circus Review), Daily Review, 22 October 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3085\">Light &#8211; OzAsia Festival, Adelaide<\/a>\u201d, (OzAsia Festival Theatre Review), Daily Review, 22 October 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3088\">Beyond Skin &#8211; Revisited, OzAsia Festival 2019<\/a>\u201d, (Nitin Sawhney Review), The Barefoot Review, 20 October 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3074\">OzAsia Festival 2019 Program<\/a>\u201d, (OzAsia line-up review), Daily Review, 12 September 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3068\">Reviewing theatrical performances with Murray Bramwell<\/a>\u201d, (Adelaide Theatre Review), Unknown, 10 September 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3373\">Reviewing theatrical performances with Murray Bramwell<\/a>\u201d, (Interview on live performance reviews), Unknown, 1 September 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3071\">The Hutt Valley takes Manhattan&#8230;<\/a>\u201d, (Book of Cohen), New Zealand Review of Books Pukapuka Aotearoa, Spring 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3065\">Excellent cast does justice to a great Aussie gothic yarn<\/a>\u201d, (Theatre Review), The Australian, 22 August 2019, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3062\">Excellent acting as Miller tells his tale<\/a>\u201d, (Theatre Review), The Australian, July 18, 2019, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3059\">Adelaide Cabaret Festival 2019<\/a>\u201d, (Ruthie Henshall&#8217;s Musical Memoir), CentreStage, October 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3055\">Adelaide Cabaret Festival 2019 &#8211; Philip Quast Uncut<\/a>\u201d, (Philip Quast Performance Review), Daily Review, 13 June 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3049\">Lisa Fischer with Grand Baton<\/a>\u201d, (Adelaide Cabaret Festival Review), The Barefoot Review, 10 June 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3053\">Opening night sets brisk and bold tone for cabaret festival<\/a>\u201d, (Cabaret Festival Review), The Australian, 10 June 2019, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3051\">End of the Rainbow<\/a>\u201d, (Vivid and brave portrayal of tragic diva\u2019s fall), The Australian, 6 June 2019, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3016\">Three women storm a male bastion to revel in ocker posturing and gender satire<\/a>\u201d, (The Club by David Williamson Review), The Australian, 11 April 2019, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3013\">More equal than others<\/a>\u201d, (Theatre Review), The Australian, 25 March 2019, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3010\">Adelaide Festival &#8211; Satire a hilarious way of tackling minor troubles<\/a>\u201d, (Satire a hilarious way of tackling minor troubles), The Australian, 15 March 2019, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3007\">Adelaide Festival &#8211; Harrowing account of lives in limbo<\/a>\u201d, (Harrowing account of lives in limbo), The Australian, 11 March 2019, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3004\">Hope survives bitter reality of refugee\u2019s life<\/a>\u201d, (A Man of Good Hope Review), The Australian, 7 March 2019, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3002\">Adelaide Festival &#8211; \u2018Experiencing\u2019 cruelty and its consequences through transparent acting<\/a>\u201d, (Performing Arts Review), The Australian, 5 March 2019, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3000\">Planet Music<\/a>\u201d, (WOMADelaide 2019), Daily Review, 28 February 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2995\">Daily Review &#8211; Adelaide Fringe 2019<\/a>\u201d, (Adelaide Fringe 2019 Review), Daily Review, 20 February 2019<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2992\">Outstanding crop of creativity<\/a>\u201d, (Adelaide Fringe Review), The Australian, 20 February 2019, p.16<\/li>\n<\/ul>\n<h4>Publications 2018<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2983\">The Best of 2018<\/a>\u201d, (Music Review), murraybramwell.com, 16 December 2018<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2979\">Revisiting the foreign country of the past<\/a>\u201d, (The Gods of Strangers Review), The Australian, 19 November 2018, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2973\">Daily Review &#8211; OzAsia is a Festival to Remember<\/a>\u201d, (OzAsia Festival Review), Daily Review, 14 November 2018<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2969\">OzAsia Festival 2018<\/a>\u201d, (Lines of Communication), The Australian, 6 November 2018, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2964\">While I Was Waiting<\/a>\u201d, (OzAsia Festival Adelaide.), Daily Review, 31 October 2018<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2966\">Young recruits search for meaning<\/a>\u201d, (Theatre Review), The Australian, 30 October 2018, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2962\">More new frontiers for OzAsia in 2018<\/a>\u201d, (Daily Review), Daily Review, 25 October 2018<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2959\">Struggle for truth in a police state<\/a>\u201d, (Theatre Review), The Australian, 25 September 2018, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2956\">Punchy monologues are spot on<\/a>\u201d, (Theatre Review), The Australian, 10 September 2018, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2954\">Hallelujah to a compelling revival<\/a>\u201d, (Review of That Eye, The Sky), The Australian, 30 August 2018, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2951\">Who\u2019s afraid of August Strindberg?<\/a>\u201d, (Creditors by August Strindberg), The Australian, 27 July 2018, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2946\">Adelaide Cabaret Festival &#8211; Winter Soulstice<\/a>\u201d, (Closing Gala Review), Daily Review, 25 June 2018<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2940\">Adelaide Cabaret Festival &#8211; Patti LuPone<\/a>\u201d, CentreStage, October 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2942\">Songs for Those Who\u2019ve Come Across the Seas<\/a>\u201d, (Adelaide Cabaret Festival Review), Daily Review, 22 June 2018<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2935\">Old chums come help Ali party<\/a>\u201d, (Adelaide Cabaret Festival Review), The Australian, 11 June 2018, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2938\">Looking to the heavens for escape<\/a>\u201d, (Terrestrial by Fleur Kilpatrick Review), The Australian, 28 May 2018, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2844\">Nostalgia trips the light fantastic<\/a>\u201d, (Theatre Review), The Australian, April 13, 2018, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2841\">Adelaide Festival &#8211; Daily Review<\/a>\u201d, (Palestinian Voices), Daily Review, 16 March 2018<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2839\">Shakespeare\u2019s war room in theatrical overdrive<\/a>\u201d, (Adelaide Festival Review), The Australian, 12 March 2018, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2836\">Daily Review &#8211; Adelaide Fringe 2018<\/a>\u201d, (Adelaide Fringe Theatre Review), Daily Review, 8 March 2018<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2833\">The Far Side of the Moon Theatre Review<\/a>\u201d, (Adelaide Festival: Theatre Review), Daily Review, 5 March 2018<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2831\">Ambitious staging brings out the dead in bright unbearable reality<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 5 March 2018, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2825\">Grace Notes<\/a>\u201d, (Grace Jones at Adelaide Festival), The Barefoot Review, 2 March 2018<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2827\">Compelling footy drama sinks the slipper into unexamined misogyny<\/a>\u201d, (Adelaide Festival 2018 Review), The Australian, 1 March 2018, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2829\">Daily Review &#8211; Welcoming the World<\/a>\u201d, (WOMADelaide Artist Selection), Daily Review, 26 February 2018<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2822\">Next Stop Romance as Edinburgh imports cut straight to the heart<\/a>\u201d, (Theatre Review), The Australian, 20 February 2018, p.11<\/li>\n<\/ul>\n<h4>Publications 2017<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2811\">The Best of 2017<\/a>\u201d, (Music and Events Review), murraybramwell.com, 14 December 2017<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2813\">Jewels and Binoculars<\/a>\u201d, (New Zealand Books\/Aotearoa Review), New Zealand Books\/Pukapapa Aotearoa, No.120, Summer 2017, p.23-4<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2808\">A grim fairytale for grown-ups<\/a>\u201d, (Theatre Review), The Australian, 23 November 2017, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2805\">Witty two-hander is a duel<\/a>\u201d, (Switzerland review), The Australian, 27 October 2017, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2802\">Ambitious drama of a family in crisis offers a moving experience<\/a>\u201d, (Theatre Review), The Australian, 17 October 2017, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2799\">OzAsia<\/a>\u201d, (Scary Beauty Review), Daily Review, 8 October 2017<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2797\">OzAsia &#8211; The Dark Inn<\/a>\u201d, (Theatre Review), Daily Review, 6 October 2017<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2794\">OzAsia &#8211; Accommodating force of history<\/a>\u201d, (OzAsia Theatre Review), Unknown, 3 October 2017<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2792\">Unsettling monologue reflects siege mentality<\/a>\u201d, (Theatre Review), The Australian, September 27, 2017, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2790\">OzAsia opens up new territory<\/a>\u201d, (Highlights of this year&#8217;s program), Daily Review, 18 September 2017<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2786\">Daggers of the mind laid bare<\/a>\u201d, (Macbeth Review), The Australian, 31 August 2017, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2783\">Watching the detectives a sheer delight in low-fi staging<\/a>\u201d, (Theatre Review), The Australian, 25 July 2017, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2780\">A Doll\u2019s House<\/a>\u201d, (Theatre Review), The Australian, 6 July 2017, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2777\">Songs of Love and Revolution<\/a>\u201d, (Adelaide Cabaret Festival Closing Variety Gala Review), Daily Review, 26 June 2017<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2772\">The Sound of Falling Stars<\/a>\u201d, (Adelaide Cabaret Festival Review), Daily Review, 24 June 2017<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2774\">Jacques Brel is alive and well and visiting Adelaide<\/a>\u201d, (Adelaide Cabaret Festival 2017 Review), Daily Review, 22 June 2017<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2770\">Smorgasbord of tasty bites from a perky and intriguing festival menu<\/a>\u201d, (Adelaide Cabaret Festival Review), The Australian, 16 June 2017, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2767\">Poignant search for identity and place<\/a>\u201d, (Sista Girl Review), The Australian, 1 June 2017, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2763\">The Simpsons as splendid post-apocalyptic force for re-civilisation<\/a>\u201d, (Review of Mr Burns \u2013 a post-electric play), The Australian, 28 April 2017, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2760\">Dramatic reflections on the pity of war<\/a>\u201d, (Long Tan by Verity Laughton Review), The Australian, April 7, 2017, p.18<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2757\">Delving into fantasy of childhood solitude<\/a>\u201d, (Adelaide Festival: Theatre Review), The Australian, 13 March 2017, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2754\">Daily Review &#8211; WOMADelaide Celebrates<\/a>\u201d, (WOMADelaide Celebration), Daily Review, 7 March 2017<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2752\">Rap by Richard, punk iconoclast<\/a>\u201d, (Adelaide Festival Review), The Australian, 6 March 2017, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2750\">Echoes of history in the quarry<\/a>\u201d, (Adelaide Festival Brief), The Australian, March 6, 2017, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2748\">The Best of the Adelaide Fringe(So Far) # 2<\/a>\u201d, (Adelaide Fringe Review), murraybramwell.com, 2 March 2017<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2745\">Adelaide Fringe 2017 Report<\/a>\u201d, Daily Review, 24 February 2017<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2743\">Light and heat in the Adelaide Fringe<\/a>\u201d, (Adelaide Fringe Theatre Review), The Australian, 22 February 2017, p.15<\/li>\n<\/ul>\n<h4>Publications 2016<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2733\">The Best of 2016<\/a>\u201d, (Adelaide Productions Highlights), murraybramwell.com, 13 December 2016<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2730\">Extra garnish taints pure flavours of this truffle<\/a>\u201d, (Review of Tartuffe by Moliere), The Australian, 11 November 2016, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2726\">A fable for our times<\/a>\u201d, (Theatre Review), The Australian, 17 October 2016, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2722\">Captivating stories from ordinary folk at the edge<\/a>\u201d, (Review of Our Country\u2019s Good), The Australian, 14 October 2016, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2719\">Stepping out with volunteers and Hindi Bard<\/a>\u201d, (Adelaide OzAsia Festival Review), The Australian, 26 September 2016, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2716\">From breakdown comes through and a restoration of communication<\/a>\u201d, (Red Sky Morning Review), The Australian, 12 September 2016, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2714\">All the right steps in a hilarious, hypermanic tour de farce<\/a>\u201d, (The 39 Steps Review), The Australian, 25 August 2016, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2711\">Straight to some uncomfortable truths<\/a>\u201d, (Review of Straight White Men by Young Jean Lee), The Australian, 11 July 2016, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2708\">Breath of Heaven<\/a>\u201d, (Lisa Fischer and Grand Baton Review), The Barefoot Review, 20 June 2016<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2702\">Far from a Weimar museum, cabaret undergoes a youthful makeover<\/a>\u201d, (Adelaide Cabaret Festival Review), The Australian, 13 June 2016, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2705\">Love and War<\/a>\u201d, (New Zealand Books Review), New Zealand Books, No.114, Winter 2016, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2699\">Gender duality in world of adolescent alienation<\/a>\u201d, The Australian, 5 May 2016, p.18<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2695\">Marriage viewed uncomfortably and kaleidoscopic cautionary tale<\/a>\u201d, (Adelaide Festival Review), The Australian, 10 March 2016, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2687\">All Delighted Audience<\/a>\u201d, (Sufjan Stevens at Adelaide Festival), The Barefoot Review, 3 March 2016<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2689\">Navigating the New World<\/a>\u201d, (Preview of WOMADelaide 2016), Daily Review, 2 March 2016<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2685\">King James Versions<\/a>\u201d, (Adelaide Festival Review), The Australian, 28 February 2016, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2676\">Four of the Best of the Adelaide Fringe \u2026So Far<\/a>\u201d, (Adelaide Fringe Overview), Daily Review, 18 February 2016<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2678\">Penny Arcade \u2013 Older, Wiser, Longer \u2013 and as thoughtful as ever<\/a>\u201d, (Theatre Review), Daily Review, 18 February 2016<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2680\">Excellent new theatre works worth seeking out in carnival of culture<\/a>\u201d, (Adelaide Fringe Review), Murray Bramwell, 17 February 2016<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2673\">Sublime the Revelator<\/a>\u201d, (An Evening with Gillian Welch), The Barefoot Review, February 8, 2016<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2670\">Haunting melodies<\/a>\u201d, (Ghost : The Musical Review), The Australian, 11 January 2016, p.12<\/li>\n<\/ul>\n<h4>Publications 2015<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2661\">Introduction to the Currency edition of Maggie Stone by Caleb Lewis<\/a>\u201d, (Actions and Transactions in Maggie Stone), Currency Press, 19 December 2015, p.vii-xii<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2663\">The Best of 2015<\/a>\u201d, (Music Highlights), murraybramwell.com, 19 December 2015<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2658\">Submission to the Senate Inquiry into the Impact of the 2014 and 2015 Commonwealth Budget decisions on the Arts<\/a>\u201d, Unknown, 17 July 2015<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2653\">Giggles and japes in a Dream of a show<\/a>\u201d, (Theatre Review), The Australian, 12 November 2015, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2650\">Confronting examination of death and drugs<\/a>\u201d, (Mortido Review), The Australian, October 22, 2015, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2647\">A Lighter White<\/a>\u201d, (The Aspirations of Daise Morrow), The Australian, 15 October 2015, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2644\">Reversal of Misfortune<\/a>\u201d, (Theatre Review), The Australian, July 30, 2015, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2642\">Nights of laughter leave festival on a firm footing<\/a>\u201d, (Adelaide Cabaret Festival Review), Unknown, 23 June 2015<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2639\">Boisterous gala ushers in festival without rules<\/a>\u201d, (Adelaide Cabaret Festival 2015 Review), The Australian, 9 June 2015, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2637\">Puppeteers delight youngsters with the whole world in their hands<\/a>\u201d, (Adelaide Children&#8217;s Festival Review), The Australian, 3 June 2015, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2502\">60th year of Seventeenth Doll<\/a>\u201d, (Theatre Review), The Australian, 30 April 2015, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2499\">Burlesque centrestage in the moving tale of Joseph and Josephine<\/a>\u201d, (Theatre Review), The Australian, 24 April 2015, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2496\">Suburban hope cruelled by fate<\/a>\u201d, (Theatre Review), The Australian, 16 April 2015, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2484\">Unsuccessful tries and eventual conversion<\/a>\u201d, (Recollections of rugby in New Zealand), Murray Bramwell, 8 April 2015<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2490\">Unsuccessful tries and eventual conversion<\/a>\u201d, Unknown, 8 April 2015<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2482\">The Odes of March<\/a>\u201d, (Adelaide Music Event), The Barefoot Review, 31 March 2015<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2480\">Writer Captured Nation\u2019s Rift<\/a>\u201d, (Obituary of Alan Seymour), The Australian, 26 March 2015, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2475\">eSensual Readings<\/a>\u201d, (Essential New Zealand Poems Review), New Zealand Books, 16 March 2015, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2477\">Adelaide Festival 2015<\/a>\u201d, (Daily Review), Performing Arts, No.4, February\/March 1986, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2468\">Marriages made in burlesque<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 13 March 2015, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2470\">Adelaide Festival 2015<\/a>\u201d, (Roses and Bryars), Daily Review, 9 March 2015<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2472\">War and Cyber-love<\/a>\u201d, (Nufonia Must Fall Review), The Australian, 6 March 2015, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2462\">Around the Fringe in Adelaide<\/a>\u201d, (Fringe Review), Daily Review, 27 February 2015<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2464\">Previewing WOMADelaide 2015<\/a>\u201d, (Preview of WOMADelaide 2015), Daily Review, 27 February 2015<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2459\">Memories are hit and miss<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 27 February 2015, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2456\">Companies willing to take risks put vibrant creativity centrestage<\/a>\u201d, The Australian, 19 February 2015, p.16<\/li>\n<\/ul>\n<h4>Publications 2014<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2448\">The Best of 2014<\/a>\u201d, (Adelaide Productions and Performances Review), murraybramwell.com, 14 December 2014<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2445\">Master touch of evil<\/a>\u201d, (Othello Review), The Australian, 20 November 2014, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2441\">Match-fit Stones reach us in blistering form<\/a>\u201d, (The Rolling Stones concert review), The Australian, 27 October 2014, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2436\">Love in a Changing Climate<\/a>\u201d, (Adelaide Theatre Review), The Australian, 14 October 2014, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2438\">Brook captivates with tale of betrayal and revenge<\/a>\u201d, (Adelaide Theatre Review), The Australian, 6 October 2014, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2429\">Time Changes and Tempo Too<\/a>\u201d, (Bob Dylan Adelaide Entertainment Centre Review), The Barefoot Review, 3 September 2014<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2433\">Programming the Asian Century<\/a>\u201d, (OzAsia Festival, Adelaide, 2014.), Daily Review, 1 September 2014<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2427\">From Kate With Love<\/a>\u201d, (Adelaide Cabaret Festival Review), Daily Review, 23 June 2014<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2431\">Adelaide Cabaret Festival 2014<\/a>\u201d, (Freedman Does Nilsson, Waiting For My Real Life), The Barefoot Review online, 16 June 2014<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2424\">Outstanding Capsis makes Little Bird fly<\/a>\u201d, (Adelaide Cabaret Festival Review), The Australian, 12 June 2014, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2422\">Variety adds spice to Ceberano&#8217;s cabaret life<\/a>\u201d, (Festival Theatre Review), The Australian, 9 June 2014, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2419\">Ambitions of a teenage drama queen<\/a>\u201d, (Adelaide Theatre Review), The Australian, 29 May 2014, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2415\">Roman Tragedies to Faunacation<\/a>\u201d, (Adelaide Festival Review), Daily Review, 18 March 2014<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2411\">Mind-altering voyagers<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 17 March 2014, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2413\">Film star\u2019s guide to creaturely sex<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, March 17, 2014, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2409\">O dream of joy this departure is indeed a spellbinding voyage through sight and sound<\/a>\u201d, (Adelaide Festival Music Theatre Review), The Australian, 14 March 2014, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2402\">Adelaide Festival 2014<\/a>\u201d, (Theatre, Local and Large), The Daily Review, 7 March 2014<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2400\">Fringe Wrap 2014<\/a>\u201d, (Overview of Festival Fringe), Adelaide Review, April 1990<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2393\">Thoroughly modern classic Rome<\/a>\u201d, (Adelaide Festival: Theatre Review), The Australian, 3 March 2014, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2398\">A familiar blend of comedy and fantasy<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 4 March 2014, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2387\">Over a century later Chekhov still delights<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 27 February 2014, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2389\">Music World<\/a>\u201d, (Preview of Womadelaide 2014), The Daily Review, 25 February 2014<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2396\">Carnival transforms the city and there are plenty of Fringe benefits<\/a>\u201d, (Adelaide Fringe 2014 Review), The Australian, 21 February 2014, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2391\">Festival Trifecta<\/a>\u201d, (Overview of Adelaide Festival), The Daily Review, 19 February 2014<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2377\">The Best of 2013<\/a>\u201d, (Review of Live Performances), murraybramwell.com, 1 January 2014<\/li>\n<\/ul>\n<h4>Publications 2013<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2371\">Stories from Nearby<\/a>\u201d, (New Zealand Books Review), New Zealand Books, No.104, Summer 2013, p.22-23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2367\">Bitterly funny refuge in financial dependency<\/a>\u201d, (Adelaide Theatre Review), The Australian, 14 November 2013, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2364\">When truth and faith collide, twice<\/a>\u201d, (Adelaide Theatre Review), The Australian, 18 October 2013, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2357\">Coward\u2019s ironies lost in the action<\/a>\u201d, (Brief Encounter Review), The Australian, 16 September 2013, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2354\">Emotionally illuminating portrait of a family\u2019s grief<\/a>\u201d, (Adelaide Theatre Review), The Australian, 21 August 2013<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2350\">Wolf lights up the house with poetry<\/a>\u201d, (Adelaide Theatre Review), The Australian, 7 July 2013, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2348\">Double the fun with the Bard<\/a>\u201d, (Adelaide Theatre Review), The Australian, 4 July 2013, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2302\">Modern Family<\/a>\u201d, (Adelaide Cabaret Festival 2013 Review), The Barefoot Review, 22 June 2013<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2294\">Original and diverse artists find new levels<\/a>\u201d, (Cabaret Festival 2013 Review), The Australian, 18 June 2013, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2300\">Cabaret Central<\/a>\u201d, (Adelaide Cabaret Festival 2013 Review), The Barefoot Review, 17 June 2013<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2298\">Stockport to Memphis<\/a>\u201d, (Adelaide Cabaret Festival 2013 Review), The Barefoot Review, 11 June 2013<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2296\">Matters of life, death \u2026and slapstick<\/a>\u201d, (Adelaide Come Out Festival Review), The Australian, 5 June 2013, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2177\">Hedda Gabler<\/a>\u201d, (Henrik Ibsen&#8217;s play adaptation by Joanna Murray-Smith), The Australian, 2 May 2013, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2171\">A Night in Bohemia<\/a>\u201d, (Comedy Theatre Review), The Barefoot Review, 24 April 2013<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1931\">Fringe serves up a mixed bag of delights<\/a>\u201d, (Overview of Festival Fringe), The Australian, March 19, 2013, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1933\">Robert Plant<\/a>\u201d, (Adelaide Entertainment Centre Review), murraybramwell.com, 2 April 2013<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2261\">Memory and Oxo Cubes<\/a>\u201d, (New Zealand Books Review), New Zealand Books, 1 April 2013, p.5-6<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1926\">Holocaust horrors amplified<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 16 March 2013, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1917\">Parks and Re-creation<\/a>\u201d, (Adelaide Festival Music Event), The Barefoot Review, 10 March 2013<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1906\">Delightful farce delivers a dose of Britain in \u201863<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 4 March 2013, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1908\">When London was hit by bombs<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 5 March 2013, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1910\">Star\u2019s stand-in acquits himself well in murderer\u2019s tale<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 5 March 2013, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1903\">New Sounds in the Park<\/a>\u201d, (WOMADelaide 2013 Preview), murraybramwell.com, 27 February 2013<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1839\">The Best of 2012<\/a>\u201d, (Live performance review and awards), murraybramwell.com, 21 January 2013<\/li>\n<\/ul>\n<h4>Publications 2012<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1826\">Stimulating without the wink-wink factor<\/a>\u201d, (Adelaide Theatre Review), The Australian, 9 November 2012, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1828\">Pornography<\/a>\u201d, (Theatre Review), murraybramwell.com, 1 November 2012<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1831\">Endgame<\/a>\u201d, (Miss Julie), Adelaide Review, No.138, May 1995, p.32-3<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2656\">Chaff Years<\/a>\u201d, (Reminiscences on Massey University&#8217;s student paper Chaff), The Massey University Foundation, 1 November 2012<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1821\">Blasted (extended)<\/a>\u201d, (Adelaide Theatre Review), muuraybramwell.com, 14 October 2012<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1823\">Blasted (Brief)<\/a>\u201d, (Theatre Review), The Australian, 10 October 2012, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1818\">Ibsen\u2019s Peer Gynt<\/a>\u201d, (Korean elements reframe the meanings of a Norwegian classic), The Australian, 21 September 2012, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1815\">Women of note sound warnings on division<\/a>\u201d, (Theatre Review), The Australian, 23 August 2012, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1812\">Pinocchio<\/a>\u201d, (Theatre Review), The Australian, 13 July 2012, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1805\">War Mother<\/a>\u201d, (Adelaide Theatre Review), The Australian, 1 June 2012<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1809\">Cabaret Festival 2012<\/a>\u201d, (Live-wire acts when cabaret comes to town), The Australian, 19 June 2012, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1802\">Lost in sea of troubles<\/a>\u201d, (Adelaide Theatre Review), The Australian, 15 May 2012, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1800\">The Glass Menagerie<\/a>\u201d, (Adelaide Theatre Review), The Australian, May 10, 2012, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1797\">The City<\/a>\u201d, (Mazy tour through interconnected lives), The Australian, 16 April 2012, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1788\">WOMADelaide \u2013 20 Years in the World<\/a>\u201d, (Adelaide Festival Review), WOMADelaide 2012, Official Souvenir Guide Celebrating 20 years., 16 March 2012, p.30-1<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1790\">Capacity crowd gathers to celebrate a world of diversity<\/a>\u201d, (WOMADelaide 2012 Review), The Australian, 14 March 2012, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1792\">A Streetcar<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 16 March 2012, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1782\">School Dance<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, March 16, 2012<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1784\">Hard to be a God<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 13 March 2012, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1786\">The Caretaker<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 13 March 2012, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1775\">Malmo<\/a>\u201d, (Adelaide Festival Review), The Australian, 1 March 2012, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1778\">The Ham Funeral<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 6 March 2012, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1780\">Multiple perspectives on feeling and falling<\/a>\u201d, (Adelaide Fringe Review), The Australian, March 5, 2012, p.15<\/li>\n<\/ul>\n<h4>Publications 2011<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1770\">The Dead Ones<\/a>\u201d, (Feast Festival Theatre Review), The Australian, 22 November 2011, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1766\">Holding the Man<\/a>\u201d, (Theatre Review), The Australian, 27 October 2011, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1768\">Womad Earth Station<\/a>\u201d, (Hills come alive with cosmic vibrations), The Australian, 25 October 2011, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1761\">Jack\u2019s back with a whisper and cheers<\/a>\u201d, (John Farnham Whispering Jack Review), The Australian, 6 October 2011, p.18<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1763\">That Face<\/a>\u201d, (Adelaide Theatre Brief), The Australian, 25 September 2011<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2886\">Ghosts<\/a>\u201d, (Ghosts), The Adelaide Review, No.345, November 2008, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1755\">Buried Child<\/a>\u201d, (Adelaide Theatre Review), The Australian, 15 September 2011, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1757\">Rhinoceros in Love<\/a>\u201d, (Modern China as seen by a lovesick Rhino), The Australian, 19 September 2011, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1751\">Timelessness of Chekhov\u2019s exiles<\/a>\u201d, (Adelaide Theatre Review), The Australian, 11 August 2011, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1749\">Speaking in Tongues<\/a>\u201d, (Adelaide Theatre Review), The Australian, 8 July 2010, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1744\">laid-back legends put festival on a high<\/a>\u201d, (Cabaret Festival 2011 Review), The Australian, 27 June 2011, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1746\">Something Nobody Counted On<\/a>\u201d, New Zealand Books, No.2, Winter 2011, p.6<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1739\">The Zoo Story<\/a>\u201d, (Brief Review), The Australian, 29 June 2011<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1742\">Molly\u2019s Shoes<\/a>\u201d, (Adelaide Theatre Brief), The Australian, 21 June 2011<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1734\">The president as part turkey, part lame duck<\/a>\u201d, (Adelaide Theatre Review), The Australian, 9 May 2011, p.19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1736\">Out and About<\/a>\u201d, (Adelaide Theatre Brief), The Australian, 5 May 2011, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1725\">Youth festival fuelled by fertile imaginations<\/a>\u201d, (Adelaide Come Out Festival 2011 Review), The Australian, 31 March 2011, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1727\">Quick gallop through the Bard is full of laughs<\/a>\u201d, (Theatre Review), The Australian, April 2011, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1729\">City with the Fringe comes out on top<\/a>\u201d, (Adelaide 2011 Fringe Review), The Australian, 14 March 2011, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1714\">Fringe-worthy fun that\u2019s passing strange<\/a>\u201d, (Overview of Festival Fringe), The Australian, 25 February 2011, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1716\">Satire driven by comic gusto<\/a>\u201d, (Adelaide Theatre Review), The Australian, 24 February 2011, p.16<\/li>\n<\/ul>\n<h4>Publications 2010<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1667\">They\u2019ve got the world on six strings<\/a>\u201d, (Adelaide International Guitar Festival Review), The Australian, 29 November 2010, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1662\">The Give and Take<\/a>\u201d, The Australian, 5 November 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1664\">Vitalstatistix &#038; The Misery Children<\/a>\u201d, (Theatre Review), The Australian, 23 October 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1657\">Blackbird<\/a>\u201d, The Australian, 25 October 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1654\">God of Carnage<\/a>\u201d, (Adelaide Theatre Review), The Australian, 22 September 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1647\">OzAsia Festival<\/a>\u201d, (Adelaide Festival Centre Review), The Australian, 18 September 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1649\">Harbinger<\/a>\u201d, (Adelaide Theatre Review), Murray Bramwell, 19 September 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1651\">Through the unknown, remembered gate<\/a>\u201d, (South-West of Eden Memoir Review), University of Auckland Press, 19 September 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1639\">An Actor Prepares<\/a>\u201d, (Adelaide Theatre Interview), The Adelaide Review, No.363, May 2010, p.22<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1587\">Romeo &#038; Juliet<\/a>\u201d, (Theatre Review), Murray Bramwell, 15 August 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1590\">Fugitive<\/a>\u201d, (Adelaide Theatre Review), Murray Bramwell, 15 August 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1592\">Superheroes<\/a>\u201d, (Adelaide Theatre Review), Murray Bramwell, 15 August 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1532\">Entertaining Mr Sloane<\/a>\u201d, (Adelaide Theatre Review), The Australian, 8 July 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1530\">Campbell\u2019s Cabaret ends with a bang<\/a>\u201d, (Adelaide Cabaret Festival Review), The Australian, 6 March 2010, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1485\">Godot Calling<\/a>\u201d, The Adelaide Review, No.364, June 2010, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1527\">Almost Coolsville<\/a>\u201d, (Rickie Lee Jones Performance Review), Unknown, 1 June 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1380\">Life Cycles<\/a>\u201d, (New Zealand Books Review), New Zealand Books, Autumn 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1266\">Adelaide Theatre<\/a>\u201d, CentreStage, October 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1124\">An Actor Prepares<\/a>\u201d, (Adelaide Theatre), The Adelaide Review, No.363, May 2010, p.22<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1125\">The Price<\/a>\u201d, (Adelaide Theatre Review), The Australian, 30 April 2010, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=664\">Stratospheric<\/a>\u201d, (Jeff Beck at Her Majesty\u2019s Adelaide), Unknown, 29 March 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=229\">The Sound and the Fury<\/a>\u201d, (Tangled narratives of tragedy and hope), The Australian, 15 March 2010, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=221\">A World of Difference<\/a>\u201d, (Womadelaide 2010 Highlights), The Adelaide Review, March 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=223\">Adelaide Festival Theatre<\/a>\u201d, (Performing Arts Review), Performing Arts, No.4, February\/March 1986, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1722\">A World of Difference<\/a>\u201d, (Highlights from Womadelaide 2010), The Adelaide Review, March 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=65\">The Fringe program has been living up to expectations<\/a>\u201d, (Fringe events), The Adelaide Review, No.288, 24 March 2006, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=56\">Adelaide Festival and Fringe 2010<\/a>\u201d, Performing Arts, No.4, February\/March 1986, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=58\">The Fringe in all Directions<\/a>\u201d, (Fringe events), The Adelaide Review, March 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=63\">Adelaide Fringe 2010<\/a>\u201d, The Australian, 25 February 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=20\">Prizes and Short Shrifts<\/a>\u201d, (Book reviews of Janet Frame, Witi Ihimaera, NZ short stories), New Zealand Books, Spring 2009, p.6-7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=21\">Adelaide Theatre<\/a>\u201d, (The Hypochondriac by Moliere.), CentreStage, October 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=23\">Adelaide Theatre<\/a>\u201d, (Maestro by Anna Goldsworthy and Peter Goldsworthy), CentreStage, October 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=26\">Adelaide Come Out 2009 Theatre<\/a>\u201d, CentreStage, October 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=29\">The Fringe Returns<\/a>\u201d, (Fringe events), The Adelaide Review, No.288, 24 March 2006, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=31\">Parallel Worlds<\/a>\u201d, (Wizard of Oz\/Mnemonic), The Adelaide Review, No.354, August 2009, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=33\">The Mystery Writer<\/a>\u201d, (Ngaio Marsh: Her Life in Crime), New Zealand Books, No.84, Summer 2008, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=36\">Adelaide Theatre<\/a>\u201d, (The Pyjama Girl), CentreStage, October 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=38\">Phases and Stages<\/a>\u201d, (25 Years of Theatre in Adelaide), The Adelaide Review, No.352, June 2009, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=40\">Adelaide Theatre<\/a>\u201d, CentreStage, October 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=42\">Adelaide Theatre<\/a>\u201d, (True West by Sam Shepard), CentreStage, October 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=6\">Royal Ruin<\/a>\u201d, (King Lear Review), State Theatre Company, 20 February 2010<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3\">Death and Delusions<\/a>\u201d, (Theatre Review), Unknown, 20 February 2010<\/li>\n<\/ul>\n<h4>Publications 2009<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2328\">Characters rise above a costume drama of no fixed dress<\/a>\u201d, (King Lear), The Australian, November 2009, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1464\">BRIEF<\/a>\u201d, (Adelaide Theatre Review), The Australian, 31 October 2009<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=660\">Adelaide Theatre<\/a>\u201d, (Things We Do For Love by Alan Ayckbourn), The Australian, 8 October 2009<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1637\">Coffee with the King<\/a>\u201d, (Interview with John Gaden), The Adelaide Review, No.357, November 2009, p.24<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1642\">Andrew Bovell\u2019s When the Rain Stops Falling<\/a>\u201d, (Introduction to Currency Press edition), Currency Press, 9 September 2009, p.xiii-xvii<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2324\">Well enough to work magic<\/a>\u201d, (The Hypochondriac), The Australian, August 10, 2009, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2326\">Death and Delusions<\/a>\u201d, (Adelaide Theatre Reviews), The Adelaide Review, 4 August 2009<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2336\">Parallel Worlds<\/a>\u201d, (Wizard of Oz\/Mnemonic), The Adelaide Review, No.354, August 2009, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2334\">The iceman cometh memorably into focus<\/a>\u201d, (Mnemonic), The Australian, 6 July 2009, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=391\">Cabaret Nights<\/a>\u201d, (Adelaide Cabaret Festival), The Adelaide Review, No.353, July 2009, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2342\">Modern take on a timeless tale sure to bring the house down<\/a>\u201d, (Wizard of Oz), The Australian, July 2, 2009, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=393\">Adelaide Cabaret Festival<\/a>\u201d, (Cabaret Festival Review), CentreStage, October 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=389\">Adelaide Cabaret Festival 2009<\/a>\u201d, The Australian, 8 June 2009<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2310\">Phases and Stages<\/a>\u201d, (25 Years of Theatre in Adelaide), The Adelaide Review, No.352, June 2009, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2338\">Phases and Stages<\/a>\u201d, (25 Years of Theatre in Adelaide), The Adelaide Review, No.352, June 2009, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2312\">Adelaide Come Out 2009<\/a>\u201d, CentreStage, October 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2340\">Brothers and other strangers<\/a>\u201d, (True West), The Australian, 5 May 2009, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1487\">Dark Nights and Clear Dawns<\/a>\u201d, (Three Dog Night and Metro Street), The Adelaide Review, No.351, May 2009, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2332\">Impeccable cast, staging and music hit all the right notes<\/a>\u201d, (Metro Street), The Australian, April 9, 2009, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2322\">Box office feed off familiarity<\/a>\u201d, (Adelaide Fringe 2009 Review), The Australian, 20 March 2009, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2330\">In thrall to the master<\/a>\u201d, (Maestro by Peter Goldsworthy), The Australian, 5 March 2009, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1719\">Planet Soundings<\/a>\u201d, (Preview of Womadelaide 2009), The Adelaide Review, No.348, February 2009, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2314\">Prizes and Short Shrifts<\/a>\u201d, (Book reviews of Janet Frame, Witi Ihimaera, NZ short stories), New Zealand Books, Spring 2009, p.6-7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2316\">Uncurated and Unexpurgated<\/a>\u201d, (2009 Fringe preview), The Adelaide Review, No.349, March 2009, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2320\">Another mad and balmy March<\/a>\u201d, (Fringe review), The Adelaide Review, No.350, March 2009, p.26<\/li>\n<\/ul>\n<h4>Publications 2008<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=133\">Siren Songs<\/a>\u201d, (Martha Wainwright Music Review), The Adelaide Review, 1 December 2008<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2912\">Savouring the Location<\/a>\u201d, (Peter Goldsworthy\u2019s Everything I Knew), The Adelaide Review, No.346, December 2008, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=654\">The Cripple of Inishmaan<\/a>\u201d, (State Theatre Company Review), The Australian, 6 November 2008<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=650\">Scripting the Season<\/a>\u201d, (State Theatre preview), The Adelaide Review, No.345, November 2008, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1635\">Scripting the Season<\/a>\u201d, (State Theatre preview), The Adelaide Review, No.345, November 2008, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=656\">Things that go bump in the mind<\/a>\u201d, (Ghosts), The Australian, 17 October 2008, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=652\">Attempts on Her Life<\/a>\u201d, (Architektin), The Adelaide Review, No.344, October 2008, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=488\">PM backs festive Pacific solution<\/a>\u201d, (OzAsia Festival), The Australian, 26 September 2008, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1644\">Introduction to Beautiful Words by Sean Riley<\/a>\u201d, (Commentary on Beautiful Words, Harsh Realities and Somewhere Over the Rainbow), Currency Press, 9 September 2008<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=93\">Tall Stories and Go-Betweens<\/a>\u201d, (Robert Forster), The Adelaide Review, No.343, September 2008, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=484\">Unchained Heart<\/a>\u201d, (Chika), The Adelaide Review, No.343, September 2008, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1795\">Attempts on Her Life<\/a>\u201d, (Architektin), The Adelaide Review, No.344, October 2008, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=658\">Blues, Beetles and Women Under the Influence<\/a>\u201d, (Theatre Reviews), The Adelaide Review, No.342, August 2008, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=486\">Where You From?<\/a>\u201d, (International Theatre Review), The Australian, 4 July 2008, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=387\">Cabhooray<\/a>\u201d, (Cabaret Festival), The Adelaide Review, No.341, July 2008, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=480\">Developmental Stages<\/a>\u201d, (Performing Arts Festival for Young People), The Adelaide Review, No.340, June 2008, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2910\">Rite of Reply<\/a>\u201d, (Female of the Species), The Adelaide Review, No.339, May 2008, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=453\">New Light from the festival<\/a>\u201d, (Overview of Adelaide Festival), The Adelaide Review, No.338, April 2008, p.22-23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1388\">Shouldn\u2019t give up his night job<\/a>\u201d, (Rove McManus), The Australian, 17 March 2008, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=520\">Hot Stuff<\/a>\u201d, (Womadelaide 2008 Review), The Adelaide Review, No.337, March 14, 2008, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=451\">Woolly deconstruction of a cotton-picking classic<\/a>\u201d, (Review of Cat on a Hot Tin Roof), The Australian, 13 March 2008, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=482\">Woolly deconstruction of a cotton-picking classic<\/a>\u201d, (Review of Cat on a Hot Tin Roof), The Australian, 13 March 2008, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=457\">Narrative fail to nail their man<\/a>\u201d, (Adelaide Festival Review), The Australian, 10 March 2008, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=455\">Adelaide Festival Theatre<\/a>\u201d, The Australian, 3 March 2008<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3279\">Friends and Other Strangers<\/a>\u201d, (Playing Friends\/Trendy But Casual), New Zealand Books, Autumn 2008, p.19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=364\">Fringe Notes<\/a>\u201d, (Adelaide Fringe Festival), The Adelaide Review, 29 February 2008, p.18<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=360\">Captivating celebration of the unexpected<\/a>\u201d, (Fringe), The Australian, 28 February 2008, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=362\">Looking Through the Fringe<\/a>\u201d, (Preview of 2008 Program), The Adelaide Review, 10 February 2008<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1465\">Boy Story<\/a>\u201d, (Cheeseboy), The Adelaide Review, No.334, 1 February 2008, p.18<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1466\">On Target and On Song<\/a>\u201d, (Assassins), The Sondheim Review, Summer 2008, p.41<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=522\">Planet Soundings<\/a>\u201d, (Preview of Womadelaide 2008), The Adelaide Review, 1 January 2008<\/li>\n<\/ul>\n<h4>Publications 2007<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=543\">Heart of Glass<\/a>\u201d, (The Real Thing), The Adelaide Review, No.331, December 7, 2007, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=636\">Heart of Glass<\/a>\u201d, (The Real Thing), The Adelaide Review, No.331, December 7, 2007, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=478\">Re-inventing Sizwe<\/a>\u201d, (Sizwe Banzi is Dead), The Adelaide Review, No.330, 23 November 2007, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=638\">Brittle narcissism delivers little<\/a>\u201d, (The Real Thing by Tom Stoppard Review), The Australian, 22 November 2007, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=476\">Siswe Banzi finds a New Identity<\/a>\u201d, (preview), The Adelaide Review, No.329, November 9, 2007, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1470\">Sky Writing<\/a>\u201d, (Dogfall), The Adelaide Review, No.329, November 9, 2007, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=449\">A Festival of Light and Enlightenment<\/a>\u201d, (Interview with Brett Sheehy), The Adelaide Review, No.328, 26 October 2007, p.22-23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1489\">Theatre Adelaide<\/a>\u201d, (Tales of Helpmann Review), The Australian, 19 October 2007, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1469\">Family First<\/a>\u201d, (The Homecoming), The Adelaide Review, No.327, October 12, 2007, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=474\">Adelaide OzAsia Festival 2007<\/a>\u201d, (Meditations on identity), The Australian, 1 October 2007, p.8<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=640\">Cooking up Season Four<\/a>\u201d, (Interview with Adam Cook), The Adelaide Review, No.326, 28 September 2007, p.24<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1257\">CD Review<\/a>\u201d, (Space Travel Stephen Cummings Liberation Music), The Adelaide Review, 28 September 2007<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1633\">Cooking up Season Four<\/a>\u201d, (Interview with Adam Cook), The Adelaide Review, No.326, 28 September 2007, p.24<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=630\">Uncertainty, Suspicion and True Belief<\/a>\u201d, (Doubt), The Adelaide Review, No.325, 14 September 2007, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=75\">Alias Bob<\/a>\u201d, (Bob Dylan), The Adelaide Review, No.324, August 31, 2007, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1468\">Love is an addiction<\/a>\u201d, (Love), The Australian, August 24, 2007, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=135\">Single-minded<\/a>\u201d, (The Cure), The Adelaide Review, No.323, August 17, 2007, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=642\">Three-Way Stretch<\/a>\u201d, (STC: 35 years on still marking time), The Adelaide Review, No.321, 20 July 2007, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=646\">A Triple Bill<\/a>\u201d, (Theatre Review), The Australian, 13 July 2007, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=403\">Fifty Years Young<\/a>\u201d, (Back with a Vengeance \u2013 Barry Humphries), The Adelaide Review, No.320, July 6, 2007, p.19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=385\">Outside the Square<\/a>\u201d, (Adelaide Cabaret Festival 2007 Review), The Australian, 19 June 2007, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1471\">Something to Celebrate<\/a>\u201d, (The Birthday Party), The Adelaide Review, No.317, May 25, 2007, p.19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1427\">Boy Wonder<\/a>\u201d, (Hamlet), The Adelaide Review, No.314, April 13, 2007, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=634\">Dazzling sketches don\u2019t measure up to tragedy<\/a>\u201d, (Hamlet), The Australian, 5 April 2007, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=355\">Fringe Notes<\/a>\u201d, (Adelaide Fringe Festival), The Adelaide Review, No.313, March 30, 2007, p.18<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=359\">Thriving outside Festival\u2019s shadow<\/a>\u201d, (Adelaide Fringe 2007), The Australian, 30 March 2007, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=518\">Global Songlines<\/a>\u201d, (Womadelaide : Sounds of the Planet 2007), The Adelaide Review, No.311, 2 March 2007, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=354\">Numbers down but stellar performances<\/a>\u201d, (Adelaide Fringe 2007), The Australian, 16 March 2007, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=357\">Fringe Theatre<\/a>\u201d, (Overview of Festival Fringe), Adelaide Review, No.75, April 1990, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=516\">Harmonising the World<\/a>\u201d, (Sounds of the Planet Review), The Australian, 13 March 2007, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=648\">Time Travel<\/a>\u201d, (Difficult Memories), The Adelaide Review, No.311, 2 March 2007, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=87\">Rock Art<\/a>\u201d, (Roger Waters \/ Eric Clapton review), The Adelaide Review, No.310, 16 February 2007, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=472\">Trick or Treat<\/a>\u201d, (International Theatre Review), The Adelaide Review, No.310, 16 February 2007, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=644\">Family secrets unfold as dream<\/a>\u201d, (This Uncharted hour), The Australian, 15 February 2007, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=115\">Pretenders Rule in the Rain<\/a>\u201d, (A Day on the Green Review), The Adelaide Review, No.309, 2 February 2007, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1467\">Playing to Strengths<\/a>\u201d, (Adelaide Festival: Theatre Review), The Adelaide Review, No.308, 19 January 2007, p.11<\/li>\n<\/ul>\n<h4>Publications 2006<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=139\">Son of a Gun<\/a>\u201d, (Music Review), The Adelaide Review, No.307, 15 December 2006, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=624\">Lost for Words<\/a>\u201d, (Private Lives By Noel Coward), The Adelaide Review, No.306, 3 December 2006, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=626\">Back to the Future<\/a>\u201d, (Uncle Vanya Review), The Adelaide Review, No.304, November 3, 2006, p.14-5<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=309\">Lost in Translation<\/a>\u201d, (Theatre Review), The Adelaide Review, No.303, 20 October 2006, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=628\">Drama of sadness and merry whistling<\/a>\u201d, (Uncle Vanya), The Australian, 19 October 2006, p.42<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=303\">Home Truths<\/a>\u201d, (Melbourne Festival preview), The Adelaide Review, No.301, September 22, 2006, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=611\">Home Truths<\/a>\u201d, (Melbourne Festival preview), The Adelaide Review, No.228, September 2006, p.?<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=617\">Coming Home to Away<\/a>\u201d, (Away Play Review), The Adelaide Review, No.300, 8 September 2006, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1450\">Lethal Secrets<\/a>\u201d, (Adelaide Companies Theatre Review), The Adelaide Review, No.300, 8 September 2006, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1631\">Coming Home to Away<\/a>\u201d, (Interviews on Away Season), First Draft, 1 September 2006<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=620\">Triple Chaos<\/a>\u201d, (State Theatre Company of South Australia Review), The Adelaide Review, 30 August 2006<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=622\">Adelaide Theatre<\/a>\u201d, (Life X 3 by Yasmina Reza), The Australian, 17 August 2006<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=307\">Adelaide Theatre<\/a>\u201d, (Tough Girls Review), The Australian, 10 August 2006<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=613\">Embracing Beckett<\/a>\u201d, (Waiting for Godot Review), The Adelaide Review, No.297, 28 July 2006, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=313\">Adelaide Theatre<\/a>\u201d, (Unspoken), The Australian, 7 July 2006<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=311\">Adelaide Theatre<\/a>\u201d, (CentreStage Review), The Australian, 3 July 2006<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=381\">Cabaret Funnies with a Cutting Edge<\/a>\u201d, (Adelaide Cabaret Festival 2006 Review), The Adelaide Review, 30 June 2006, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=615\">Hats off to Samuel Beckett<\/a>\u201d, (State Theatre Company&#8217;s Balancing Act), The Adelaide Review, No.295, 30 June 2006, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1629\">Hats off to Samuel Beckett<\/a>\u201d, (Interviews), The Adelaide Review, No.295, 30 June 2006, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=383\">Cabaret Festival 2006<\/a>\u201d, (Adelaide Cabaret Festival Review), The Australian, 19 June 2006<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1447\">Mr Bailey\u2019s Minder<\/a>\u201d, (Directors\u2019 Choice Season Review), The Adelaide Review, No.293, 2 June 2006, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1472\">Rising to robust demands<\/a>\u201d, (Mr Bailey\u2019s Minder), The Adelaide Review, No.293, 2 June 2006, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1414\">Bashings and Bumps in the Night<\/a>\u201d, (Theatre Reviews), Commissioned by The Adelaide Review, 30 May 2006<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1383\">Entitlements and Subject Positions<\/a>\u201d, (Books Review), New Zealand Books, May 2006<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=305\">Adelaide Theatre<\/a>\u201d, (Eclectic group breaks down the barriers), The Australian, 12 May 2006, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1448\">Beautiful Words<\/a>\u201d, (Review of Sean Riley&#8217;s play by Oddbodies Theatre Company), The Australian, 12 May 2006, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1473\">Beautiful Words<\/a>\u201d, (Review of Sean Riley&#8217;s play by Oddbodies Theatre Company), The Australian, 12 May 2006, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=348\">In the Fringe<\/a>\u201d, The Adelaide Review, No.288, 24 March 2006, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=352\">Fringe Notes<\/a>\u201d, (Adelaide Fringe Festival), The Adelaide Review, March 24, 2006<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=439\">Scottish Play Burns Intelligence<\/a>\u201d, The Adelaide Review, No.288, 24 March 2006, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=512\">Days and Nights in the Forest<\/a>\u201d, (Womadelaide), The Adelaide Review, No.288, 24 March 2006, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=443\">Festive City in Full Flight<\/a>\u201d, (Adelaide Festival overview), The Australian, 20 March 2006, p.19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=437\">Here Lies Love \u2013 A Song Cycle<\/a>\u201d, (Music by David Byrne and Fat Boy Slim), The Australian, 13 March 2006, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=447\">Desperate housewife transcends the ages<\/a>\u201d, (Nora \u2013 A Doll\u2019s House), The Australian, 13 March 2006, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1262\">A steel butterfly still emerging<\/a>\u201d, (Here Lies Love), The Australian, 13 March 2006, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=441\">Double Dealing<\/a>\u201d, (Honk if you are Jesus), The Adelaide Review, No.287, 10 March 2006, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=346\">Adelaide Fringe 06<\/a>\u201d, The Australian, March 2, 2006, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=445\">Science, ethics and religion prove a winning mix<\/a>\u201d, (Honk if you are Jesus), The Australian, 2 March 2006, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=350\">Combing the Fringe<\/a>\u201d, Adelaide Review, No.50, April 1988, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=514\">Sampling the World<\/a>\u201d, (Womadelaide CD Preview), The Adelaide Review, No.284, 27 January 2006, p.20<\/li>\n<\/ul>\n<h4>Publications 2005<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=435\">Formulating the Festival<\/a>\u201d, (Adelaide Bank Festival of Arts Preparations), The Adelaide Review, No.282, 9 December 2005, p.18-19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1627\">Formulating the Festival<\/a>\u201d, (Interviews), The Adelaide Review, No.282, 9 December 2005, p.18-19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=605\">Doubling the Doors<\/a>\u201d, (Noises Off Theatre Review), The Adelaide Review, No.281, 11 November 2005, p.19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=608\">Romping through a fine farce<\/a>\u201d, (Noises Off), The Australian, 3 November 2005, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=609\">A New Director and a New Direction<\/a>\u201d, (State Theatre Company&#8217;s Artistic Director for 2005 review), The Adelaide Review, No.282, November 2005<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=289\">Incendiary Devices<\/a>\u201d, (Bombshells by Joanna Murray-Smith), The Adelaide Review, No.280, 28 October 2005, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=291\">Narratives Entwined<\/a>\u201d, (Checklist for an Armed Robber), The Australian, 21 October 2005, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=293\">Father of Night<\/a>\u201d, (The Daylight Atheist), The Adelaide Review, No.278, 30 September 2005, p.18<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=131\">Songs from the Heart<\/a>\u201d, The Adelaide Review, No.277, 16 September 2005, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=599\">Dark heart of goatness<\/a>\u201d, (The Goat), The Australian, 12 August 2005, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1240\">Paul Kelly &#8211; For the Record<\/a>\u201d, (Music), The Adelaide Review, No.274, 5 August 2005, p.18<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1241\">Paul Kelly &#8211; Q and A<\/a>\u201d, (Adelaide Festival: Music Review), The Adelaide Review, 1 August 2005<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=595\">Crime and Penitence<\/a>\u201d, (State Theatre Company: Theatre Review), The Adelaide Review, No.273, 22 July 2005, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=377\">Cabaret Funnies &#8211; Fond and Furious<\/a>\u201d, (Bob Downe, Max Gillies etc), The Adelaide Review, No.272, 8 July 2005, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=597\">Cold comfort after difficult journey<\/a>\u201d, (Frozen), The Australian, 8 July 2005, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=295\">Horse Opera<\/a>\u201d, (Midnite Opera Review), The Adelaide Review, 1 July 2005<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=380\">Top drawer program<\/a>\u201d, (Cabaret Festival), The Australian, 13 June 2005, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=85\">Hammerklaviers of the Gods<\/a>\u201d, (Nick Cave and The Bad Seeds Review), The Adelaide Review, 2 June 2005<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=109\">Getting the Band Back Together<\/a>\u201d, (Cream Royal Albert Hall London 5 May), The Adelaide Review, No.269, 27 May 2005, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=287\">Stepping Up at the Bakehouse<\/a>\u201d, (One Small Step), The Adelaide Review, No.268, 13 May 2005, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=301\">Untiring Courage<\/a>\u201d, (Weary by Alan Hopgood), The Adelaide Review, No.267, 29 April 2005, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=113\">REM with Bright Eyes and Little Birdy<\/a>\u201d, (Music Event), The Adelaide Review, No.266, 15 April 2005, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1390\">The Power of Two<\/a>\u201d, (Two Funny Men), The Adelaide Review, No.265, 1 April 2005, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1452\">Running, Jumping, Standing Still<\/a>\u201d, (Adelaide Companies Theatre Review), The Adelaide Review, No.265, 1 April 2005, p.19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=508\">Fine-Tuning the Festivities<\/a>\u201d, (Womadelaide 2005), The Adelaide Review, No.264, 18 March 2005, p.23-4<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=601\">A Case of Mistaken Identity<\/a>\u201d, (Government Inspector), The Adelaide Review, No.264, 18 March 2005, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=297\">Power in a Sheep Pen<\/a>\u201d, (Patch, Windmill), The Australian, 11 March 2005, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=107\">Remaining in Light<\/a>\u201d, (David Byrne Norwood Concert Hall Murray Bramwell), The Adelaide Review, No.262, 4 March 2005, p.24<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=470\">Shakespeare\u2019s Villains<\/a>\u201d, (Too Much Benny Hill for the Bard), The Adelaide Review, No.263, 4 March 2005, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=603\">Lively production overlooks dark satire<\/a>\u201d, (Government Inspector), The Australian, 3 March 2005, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=111\">Keeping it in the Family<\/a>\u201d, (Music Review), The Adelaide Review, No.262, 18 February 2005, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=510\">Another New World of Music and Dance<\/a>\u201d, (Preview of Womadelaide 2005), The Adelaide Review, No.262, 18 February 2005, p.23-25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=299\">Identity Games<\/a>\u201d, (Theatre Review), Commissioned by The Adelaide Review, 2 February 2005<\/li>\n<\/ul>\n<h4>Publications 2004<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=95\">History Repeats After All<\/a>\u201d, (Music Review), The Adelaide Review, No.258, 10 December 2004, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=591\">Collateral Damage<\/a>\u201d, (Review of Euripides\u2019 Trojan Women), The Adelaide Review, No.257, 26 November 2004, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=593\">Stark beauty lost in chorus line<\/a>\u201d, (Euripides\u2019 Trojan Women), The Australian, 18 November 2004, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1417\">Shift of wind needed before Pinafore sails<\/a>\u201d, (HMS Pinafore), The Australian, 8 November 2004, p.7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=468\">Adelaide Theatre<\/a>\u201d, (Monarch unmasked through diaries), The Australian, 5 November 2004, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1946\">Watch Me, Watch Me \u2026Vanish<\/a>\u201d, (4:48 Psychosis), The Adelaide Review, No.256, 12 November 2004, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=282\">Journey to the End of the Earth<\/a>\u201d, (Last Cab to Darwin), The Adelaide Review, No.255, 29 October 2004, p.22<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=576\">Ladies in Waiting<\/a>\u201d, (Boston Marriage by David Mamet), The Adelaide Review, No.255, 29 October 2004, p.22<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=577\">Pleasure in the company of women<\/a>\u201d, (Boston Marriage by David Mamet Review), The Australian, 21 October 2004, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=72\">I See a Lightness<\/a>\u201d, (Adelaide Festival: Music Review), The Adelaide Review, No.254, 15 October 2004, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=581\">Looking for Laughs<\/a>\u201d, (State Theatre Company Review), The Adelaide Review, No.254, 15 October 2004, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1429\">Doubling the Fun<\/a>\u201d, (The Comedy of Errors Review), The Adelaide Review, No.254, 15 October 2004, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=117\">Goat Leg Soup<\/a>\u201d, The Adelaide Review, No.253, 28 September 2004, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1456\">Singular Perspectives<\/a>\u201d, (Adelaide Theatre Reviews), The Adelaide Review, No.253, 28 September 2004, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=583\">From bard to worse<\/a>\u201d, (Goodnight Desdemona), The Australian, 23 September 2004, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=466\">Brains on the Outside<\/a>\u201d, (Philippe Genty), The Adelaide Review, No.252, September 2004, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=587\">The Cost of Living<\/a>\u201d, (Death of a Salesman), The Adelaide Review, No.252, September 2004, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=579\">Salesman demands we pay attention<\/a>\u201d, (Death of a Salesman), The Australian, 2 August 2004, p.7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=278\">Sons of the Father<\/a>\u201d, (The Duck Shooter), The Adelaide Review, No.251, August 2004, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1454\">Big Theatre for the Little Ones<\/a>\u201d, The Adelaide Review, No.251, August 2004, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=280\">Adelaide Theatre<\/a>\u201d, (Death of a father exposes illusions of his sons), The Australian, 15 July 2004, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1491\">Theatre Roundup \u2013 Sibling Rivalry, Sibling Revelry<\/a>\u201d, (Plenty to tell us), The Adelaide Review, No.296, 14 July 2006, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=83\">You Can (Still) Get Anything You Want \u2026<\/a>\u201d, (Arlo Guthrie), The Adelaide Review, No.250, July 2004, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=105\">Young Man, Old Man<\/a>\u201d, (The Dissociatives Music Review), The Adelaide Review, No.250, July 2004, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=374\">Purveyors of delectable derision<\/a>\u201d, (Cabaret Funnies- Fond and Furious), The Adelaide Review, No.272, 8 July 2005, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=376\">Long cool drink from Brels\u2019 well<\/a>\u201d, (Cabaret Festival), The Australian, 15 June 2004, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=123\">Kelly\u2019s Newest Gang<\/a>\u201d, The Adelaide Review, No.249, June 2004, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=585\">Counting the Ways<\/a>\u201d, (A Number by Caryl Churchill), The Adelaide Review, No.249, June 2004, p.24<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=574\">Clones expose a moral dilemma<\/a>\u201d, (A Number), The Australian, 14 May 2004, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=127\">Running on Plenty<\/a>\u201d, (Jackson Browne), The Adelaide Review, No.248, May 2004, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1412\">Tests of Character<\/a>\u201d, (Talking Heads), The Adelaide Review, No.248, May 2004, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=425\">Festival\u2019s Defining Moment<\/a>\u201d, (Adelaide Festival), The Adelaide Review, No.247, April 2004, p.18-19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=504\">Keeping Up the Traditions<\/a>\u201d, (Affirmation for Tradition), The Adelaide Review, No.247, April 2004, p.20-21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=419\">Adelaide Festival<\/a>\u201d, (Heart and box office won, minds yet to follow), The Australian, 16 March 2004, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=335\">Adelaide Fringe<\/a>\u201d, (Gems at risk of being swamped), The Australian, March 15, 2004, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=429\">Adelaide Festival 2004<\/a>\u201d, (First Night Review), The Australian, 14 March 2004<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=433\">Simple strength betters virtuosity<\/a>\u201d, (Festival theatre), The Australian, 9 March 2004, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=276\">Adelaide Festival<\/a>\u201d, (Moving but no forward address), The Australian, 4 March 2004, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=431\">Moving but no forward address<\/a>\u201d, (Night Letters), The Australian, 4 March 2004, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=81\">Fairground Attraction<\/a>\u201d, (Big Day Out Music Review), The Adelaide Review, No.246, March 2004, p.39<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=332\">Plenty of Dramas at the Fringe<\/a>\u201d, (Fringe Review), The Adelaide Review, No.246, March 2004, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=401\">Comedy Notes<\/a>\u201d, (Adelaide Fringe 2004), The Adelaide Review, 1 March 2004<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=427\">Adelaide Festival 2004<\/a>\u201d, (Gulpilil by David Gulpilil and Reg Cribb), Performing Arts, No.4, February\/March 1986, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=326\">Gotta get out of Displace<\/a>\u201d, (Fringe theatre), The Australian, 24 February 2004, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=285\">Looking for Life&#8217;s Treasure<\/a>\u201d, (Moonfleet), The Adelaide Review, No.245, February 2004, p.24<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=341\">Looking for the Laughs<\/a>\u201d, (Fringe Comedy), The Adelaide Review, No.245, February 2004, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=344\">Combing the Fringe Theatre<\/a>\u201d, The Adelaide Review, No.245, February 2004, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1246\">Music from the Clear Blue Air<\/a>\u201d, (Murray Bramwell review of Turin Brakes and Fowlers Live), The Adelaide Review, No.245, February 2004, p.24<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=506\">Sights and Soundings<\/a>\u201d, (Womadelaide 2004 Previewed), The Adelaide Review, No.244, January 2004, p.19-21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=589\">State Occasions<\/a>\u201d, (STC season), The Adelaide Review, No.230, November 2002, p.21-2<\/li>\n<\/ul>\n<h4>Publications 2003<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=272\">Clowning Around<\/a>\u201d, (Scapin), The Adelaide Review, No.243, December 2003, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=568\">Clowning Around<\/a>\u201d, (Scapin), The Adelaide Review, No.243, December 2003, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1458\">Home Invasion<\/a>\u201d, (Theatre Review), The Adelaide Review, No.243, December 2003, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=570\">Adelaide Theatre<\/a>\u201d, (Moliere\u2019s Scapin Adapted by Scott Witt), The Australian, 4 November 2003, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1418\">Marceau still on top as mime goes by<\/a>\u201d, (Marcel Marceau), The Australian, 3 November 2003, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=558\">Into Something Rich and Strange<\/a>\u201d, (State Theatre Company Review), The Adelaide Review, No.242, November 2003, p.22<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=260\">Into Something Rich and Strange<\/a>\u201d, (Dark study of fraught family leavened with light touches), The Australian, 3 October 2003, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=560\">Dark study of fraught family<\/a>\u201d, (Drowning in My Ocean of You), The Australian, 3 October 2003, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=125\">Jumping Joe<\/a>\u201d, (Joe Jackson), The Adelaide Review, No.241, October 2003, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=266\">Distantly Indistinct<\/a>\u201d, (In the Time of Distance Theatre Review), The Adelaide Review, No.241, October 2003, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=421\">Over the Border<\/a>\u201d, (Melbourne Festival preview), The Adelaide Review, No.241, October 2003, p.6<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=564\">War Games<\/a>\u201d, (Who&#8217;s Afraid of Virginia Woolf), The Adelaide Review, No.241, October 2003, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=274\">A world without warmth<\/a>\u201d, (The Snow Queen), The Australian, 29 September 2003, p.9<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=566\">Counting the Ways<\/a>\u201d, (State Theatre Company Review), The Adelaide Review, No.240, September 2003, p.19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=572\">Who\u2019s afraid of Albee\u2019s foresight<\/a>\u201d, (Review of Who&#8217;s Afraid of Virginia Woolf), The Australian, 4 September 2003, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=77\">Parallel Worlds<\/a>\u201d, (Wizard of Oz\/Mnemonic), The Adelaide Review, No.354, August 2009, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3238\">a Pair of Cats on the High Seas<\/a>\u201d, (Adelaide Theatre Review), The Australian, 25 August 2003, p.18<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=264\">Mind Games<\/a>\u201d, (Myth, Propaganda and Disaster), The Adelaide Review, No.239, August 2003, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=270\">Survivor &#8211; or Big Brother ?<\/a>\u201d, (Robinson Crusoe), The Adelaide Review, No.239, August 2003, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=399\">Repressed Memory<\/a>\u201d, (Barry Humphries), The Adelaide Review, No.238, July 2003, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1212\">The Old Firm<\/a>\u201d, (Review of The Go-Betweens at Governor Hindmarsh), The Adelaide Review, No.238, July 2003, p.22<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=372\">Adelaide Cabaret<\/a>\u201d, (The funny business of sex in the city), The Australian, 16 June 2003, p.7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=101\">Heart in the Highlands<\/a>\u201d, (Bob Dylan), The Adelaide Review, No.211, April 2001, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1214\">Audio with Pictures<\/a>\u201d, (DVD review), The Adelaide Review, No.237, June 2003, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=562\">Stylistic stew serves up hilarious camp<\/a>\u201d, (Irma Vep), The Australian, 16 May 2003, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1211\">Blind Faith<\/a>\u201d, (Blind Boys of Alabama), The Adelaide Review, No.236, May 2003, p.22<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=500\">World Peace<\/a>\u201d, (Womadelaide 2003), The Adelaide Review, No.235, April 2003, p.19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=554\">More Weight<\/a>\u201d, (The Crucible), The Adelaide Review, No.235, April 2003, p.19-20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1460\">New Works for New Audiences<\/a>\u201d, (Come Out), The Adelaide Review, No.235, April 2003, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=556\">Modern message in Miller classic<\/a>\u201d, The Australian, 18 March 2003, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=141\">Fire and Hard Rain<\/a>\u201d, (James Taylor and Bob Dylan), The Adelaide Review, No.234, March 2003, p.23-4<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=262\">Last Rights<\/a>\u201d, (The Last Acre), The Adelaide Review, No.234, March 2003, p.22-3<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=464\">A Last Hurrah<\/a>\u201d, (Nixon\u2019s Nixon), The Adelaide Review, No.234, March 2003, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=502\">The World to Come<\/a>\u201d, (Womad preview), The Adelaide Review, No.233, February 2003, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=268\">Masked Mayhem on the Menu<\/a>\u201d, (Ristorante Immortale), The Australian, 24 February 2003, p.6<\/li>\n<\/ul>\n<h4>Publications 2002<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=253\">End of Seasoning<\/a>\u201d, (Salt), The Adelaide Review, No.231, December 2002, p.26-7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=547\">End of Seasoning<\/a>\u201d, (Salt), The Adelaide Review, No.231, December 2002, p.26-7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=552\">State Occasions<\/a>\u201d, (STC season), The Adelaide Review, No.230, November 2002, p.21-2<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=549\">Star of the big picture show<\/a>\u201d, (Scenes From an Execution), The Australian, 7 October 2002, p.7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=255\">Adelaide<\/a>\u201d, (Charming Picture Books Spring to Life), The Australian, 4 October 2002, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=251\">Enquiring Minds<\/a>\u201d, (Vitalstatistix and Sydney Theatre Company), The Adelaide Review, No.229, October 2002, p.22-3<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=417\">Home Truths<\/a>\u201d, (Melbourne Festival preview), The Adelaide Review, No.228, September 2002, p.?<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=258\">High Jinx<\/a>\u201d, The Adelaide Review, No.227, August 2002, p.23-4<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=545\">Theatre Adelaide<\/a>\u201d, The Australian, 19 July 2002<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=257\">Theatre Adelaide<\/a>\u201d, (Australian Texts Theatre Review), The Australian, 8 July 2002, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=370\">Cabaret Season<\/a>\u201d, (Adelaide Cabaret Festival 2002 Review), The Adelaide Review, No.226, July 2002<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1461\">Another Country<\/a>\u201d, (Despoiled Shore), The Adelaide Review, No.226, July 2002, p.22<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=369\">Rocky Horror and a Pack of Droll Models<\/a>\u201d, (Adelaide Cabaret Festival), The Australian, 10 June 2002, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=249\">Great and Small<\/a>\u201d, (The Great Man), The Adelaide Review, No.225, June 2002, p.19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2044\">Cold Comfort Farm<\/a>\u201d, (The Beauty Queen of Leenane), Adelaide Review, June 2002<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=97\">A Little Night Music<\/a>\u201d, (Faithless and Dirty Three), The Adelaide Review, No.224, May 2002, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=318\">Fringe Wrap<\/a>\u201d, (Overview of Festival Fringe), The Adelaide Review, No.223, April 2002, p.13-14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=409\">The Festival That Was<\/a>\u201d, (Adelaide Festival), The Adelaide Review, No.223, April 2002, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=316\">Adelaide Fringe Theatre<\/a>\u201d, (No Taboo Unturned), The Australian, March 18, 2002, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=407\">Adelaide Festival &#8211; Film<\/a>\u201d, (Cinematic focus richly rewarded), The Australian, 8 March 2002, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=423\">Adelaide Festival 2002 Theatre<\/a>\u201d, (Subverted melodrama), The Australian, 8 March 2002, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=415\">Adelaide Festival 2002 Theatre<\/a>\u201d, (Devilish toll of nuclear testing), The Australian, 4 March 2002, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=322\">Fringe Events<\/a>\u201d, The Adelaide Review, No.222, March 2002, p.22-23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=462\">Three arts projects<\/a>\u201d, (Fringe), The Adelaide Review, No.222, March 2002, p.22<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=397\">Adelaide Theatre<\/a>\u201d, (Comedy Review), The Australian, 16 February 2002<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=320\">Fringe Notes<\/a>\u201d, (Adelaide Fringe Festival), The Adelaide Review, February 2002<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=324\">APA<\/a>\u201d, Unknown, February 2002<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=411\">Festival Update<\/a>\u201d, (Preview), The Adelaide Review, No.221, February 2002, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=413\">Summer Seven<\/a>\u201d, (Preview), The Adelaide Review, No.220, January 2002, p.23-4<\/li>\n<\/ul>\n<h4>Publications 2001<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=405\">Adelaide Festival Crisis<\/a>\u201d, (Article), The Adelaide Review, No.219, December 2001, p.3-5<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1463\">Buried Lives<\/a>\u201d, (A Lie of the Mind), The Adelaide Review, No.219, December 2001, p.32-3<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=238\">Adelaide Theatre<\/a>\u201d, The Australian, 30 November 2001, p.18<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=89\">Single Bill<\/a>\u201d, (Billy Bragg and Dave Graney), The Adelaide Review, No.218, November 2001, p.31-2<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=533\">The Dying Gaul<\/a>\u201d, (Review of Craig Lucas&#8217;s play by State Theatre Company), The Australian, 25 October 2001<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2002\">The Dying Gaul<\/a>\u201d, The Australian, 25 October 2001<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=240\">Causes and Karma<\/a>\u201d, (Life After George), The Adelaide Review, No.217, October 2001, p.29<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=242\">Contested Ground<\/a>\u201d, (Holy Day), The Adelaide Review, No.216, September 2001, p.29-30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=247\">Jennifer in Security<\/a>\u201d, (The Australian), The Australian, 27 August 2001, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=244\">Adelaide Theatre<\/a>\u201d, (Holy Day by Andrew Bovell), The Australian, 24 August 2001, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=531\">Triptych<\/a>\u201d, (Art), The Adelaide Review, No.215, August 2001, p.27-8<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1462\">Adelaide Theatre<\/a>\u201d, (Review of Wit by Margaret Edson), The Australian, 23 July 2001, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=119\">Back to Beguinnings<\/a>\u201d, (Roger McGuinn), The Adelaide Review, No.214, July 2001, p.29-30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=541\">Liquidating Assets<\/a>\u201d, (Killer Joe), The Adelaide Review, No.214, July 2001, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1431\">Tivoli Nights<\/a>\u201d, (Australian Ballet), The Adelaide Review, No.214, July 2001, p.26-7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=367\">Cabaret in May<\/a>\u201d, (Cabaret Festival), The Adelaide Review, No.213, June 2001, p.40<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=99\">Return Journey<\/a>\u201d, (Emmylou Harris), The Adelaide Review, No.212, May 2001, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=535\">A house among the stars<\/a>\u201d, The Australian, 4 May 2001, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1419\">Come Out Theatre<\/a>\u201d, (Come Out Festival), The Adelaide Review, No.317, May 25, 2007, p.19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=497\">Big World<\/a>\u201d, (Womadelaide), The Adelaide Review, No.210, March 2001, p.34-5<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=236\">Combat Zone<\/a>\u201d, (Third World Blues), The Adelaide Review, No.210, March 2001, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=495\">Womadelaide Returns<\/a>\u201d, (Womadelaide previewed), The Adelaide review, No.209, February 2001, p.33-34<\/li>\n<\/ul>\n<h4>Publications 2000<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=232\">Revelation<\/a>\u201d, (Bare), Adelaide Review, No.207, December 2000, p.39<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=527\">Power Play<\/a>\u201d, (Julius Caesar), Adelaide Review, No.86, March 1991, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1432\">Factitious Fictions<\/a>\u201d, (Collected Stories), Adelaide Review, No.206, November 2000, p.41<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=529\">Running on Empty<\/a>\u201d, (Sweet Road), Adelaide Review, No.205, October 2000, p.35<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=234\">Picture Book Quality<\/a>\u201d, (Pom Pom), Adelaide Review, No.204, September 2000, p.35<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1581\">Equus<\/a>\u201d, (Theatre Review), The Adelaide Review, No.204, September 2000, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1197\">Recent and Revisited<\/a>\u201d, (CD reviews), Adelaide Review, No.203, August 2000, p.26-27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1222\">Recent and Revisited<\/a>\u201d, (CD reviews), Adelaide Review, No.203, August 2000, p.26-27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1566\">Secrets and Truths<\/a>\u201d, (How I Learned to Drive and Secret Bridesmaids\u2019 Business), Adelaide Review, No.203, August 2000, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1584\">Secrets and Truths<\/a>\u201d, (How I Learned to Drive and Secret Bridesmaids\u2019 Business), Adelaide Review, No.203, August 2000, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2089\">Away from Home<\/a>\u201d, (Stolen), Adelaide Review, No.200, May 2000, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2123\">ZZ Does It<\/a>\u201d, (Adelaide Entertainment Centre Review), The Adelaide Review, 1 May 2000<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2133\">Ghost Strain<\/a>\u201d, (Blithe Spirit by Noel Coward), The Adelaide Review, May 2000<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2131\">Big hArt Works<\/a>\u201d, (Theft of Sita Review), The Australian, 17 March 2000, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2210\">Theatre &#8211; Adelaide Festival<\/a>\u201d, The Australian Arts Review, 5 March 2000<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1195\">Gothic Revival<\/a>\u201d, (The Cure Review), The Adelaide Review, 1 January 2000<\/li>\n<\/ul>\n<h4>Publications 1999<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1198\">Double Bill<\/a>\u201d, (Paul Kelly and Uncle Bill), Adelaide Review, No.195, December 1999, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1937\">Cakes and Ale, Wind and Rain<\/a>\u201d, (Twelfth Night), Adelaide Review, No.194, November 1999, p.37<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1579\">Private Lives<\/a>\u201d, (Closer), Adelaide Review, No.192, September 1999, p.30-1<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2148\">Grande, or de Trop ?<\/a>\u201d, (Saltimbanco Cirque du Soleil Ellis Park Review), The Adelaide Review, August 1999<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2169\">Grounded<\/a>\u201d, (Music Review), The Adelaide Review, 1 August 1999<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1986\">Pulp Theatre<\/a>\u201d, (Criminal Genius\/Mojo), Adelaide Review, No.190, July 1999, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2033\">Heartbreak Hotels<\/a>\u201d, (The Judas Kiss), Adelaide Review, No.190, July 1999, p.32-3<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1973\">Dark Truths<\/a>\u201d, (Carrying Light), Adelaide Review, No.189, June 1999, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1976\">New Sounds and Old<\/a>\u201d, (CD Review), Adelaide Review, No.189, June 1999, p.39-40<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2055\">New Sounds and Old<\/a>\u201d, (CD Review), Adelaide Review, No.189, June 1999, p.39-40<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=395\">The Eyes of Patrick White<\/a>\u201d, (Barry Humphries), Adelaide Review, No.188, May 1999, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2121\">City of Dreadful Night<\/a>\u201d, (Roberto Zucco), Adelaide Review, No.188, May 1999<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1205\">Heads bang on heavy night out<\/a>\u201d, (Adelaide Deep Purple Review), The Australian, 21 April 1999, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1180\">English &#8230; and Irish<\/a>\u201d, (Waterson:Carthy\/Altan), Adelaide Review, No.187, April 1999, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1981\">Comedy and Come Out<\/a>\u201d, (Preview), Adelaide Review, No.186, March 1999, p.39<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2110\">World View<\/a>\u201d, (Womadelaide), Adelaide Review, No.186, March 1999, p.37-8<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1199\">Summer Reign<\/a>\u201d, (Paul Kelly with Bic Runga), Adelaide Review, No.185, February 1999, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1200\">Showtime<\/a>\u201d, (The Dave Graney Show), Adelaide Review, No.184, January 1999, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1202\">Faithless Heaven<\/a>\u201d, (Music Review), The Adelaide Review, 1 January 1999<\/li>\n<\/ul>\n<h4>Publications 1998<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1443\">Coming to Grips with Heavyweight Barker<\/a>\u201d, (The Europeans), The Australian, 13 November 1998, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=710\">Wild Thymes in Warwickshire<\/a>\u201d, (The Herbal Bed), Adelaide Review, No.182, November 1998, p.37<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1160\">Smoking Guns<\/a>\u201d, (The Sex Pistols), Adelaide Review, No.158, November 1998, p.38<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1434\">Crimes and Misdemeanours<\/a>\u201d, (Love and Human Remains \/ Speaking in Tongues), Adelaide Review, No.181, October 1998, p.30-31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1438\">ADELAIDE Theatre<\/a>\u201d, (Making it New), Real Time, October 1998<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2052\">Crimes and Misdemeanours<\/a>\u201d, (Love and Human Remains \/ Speaking in Tongues), Adelaide Review, No.181, October 1998, p.30-31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2065\">Mental Notes<\/a>\u201d, (Mental as Anything), Adelaide Review, No.181, October 1998, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1574\">ADELAIDE Theatre<\/a>\u201d, The Australian, September 1998<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1178\">Time Lord<\/a>\u201d, (Bob Dylan), Adelaide Review, No.180, September 1998, p. 40-1<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2215\">Positives and Negatives<\/a>\u201d, (Morde), Adelaide Review, No.180, September 1998, p.42<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1209\">Funtime<\/a>\u201d, (Neil Finn), Adelaide Review, No.179, August 1998, p.29-30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1436\">Vox Angelica, Vox Humana<\/a>\u201d, Adelaide Review, No.179, August 1998, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1576\">Scotched<\/a>\u201d, (Macbeth), Adelaide Review, No.179, August 1998, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3175\">On top of the world<\/a>\u201d, (Review of Europe), Adelaide Review, No.54, August 1988, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1433\">Journeys<\/a>\u201d, (Up the Road), Adelaide Review, No.178, July 1998, p.30-31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1442\">Family Ties<\/a>\u201d, (East of Eden), Adelaide Review, No.178, July 1998, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2061\">Soap Opera<\/a>\u201d, (Master Class), Adelaide Review, No.177, June 1998, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1179\">Arlo Carte<\/a>\u201d, (Arlo Guthrie), Adelaide Review, No.176, May 1998, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2057\">Death Duties<\/a>\u201d, (The Undertaking), Adelaide Review, No.177, June 1998, p.39<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2879\">The Dragon&#8217;s Trilogy<\/a>\u201d, (Adelaide Festival Review), Lowdown, April\/May 1988, p.78<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1176\">Kenny Rogers and Reba McEntire<\/a>\u201d, The Australian, 17 April 1998, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1959\">Design Fault<\/a>\u201d, (The Architect\u2019s Walk), Adelaide Review, No.174, March 1998, p.37<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1994\">Social Engineering<\/a>\u201d, (The Department), Adelaide Review, No.175, April 1998, p.29<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2006\">Festival Notes<\/a>\u201d, (Adelaide Festival), The Adelaide Review, No.175, April 1998, p.27-28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2012\">Fringe Reflections<\/a>\u201d, (Adelaide Fringe), Adelaide Review, No.175, April 1998, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=460\">Reverberations<\/a>\u201d, (The Seven Streams of the River Ota (98 Version) Review), The Adelaide Review, No.174, March 1998, p.38<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1206\">Lost Blues<\/a>\u201d, (Will Oldham), Adelaide Review, No.173, February 1998, p.38-9<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1440\">Real Time<\/a>\u201d, (Adelaide Theatre Review), Real Time, February 1998<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2572\">Nein<\/a>\u201d, (Review of Nine), Adelaide Review, No.47, February 1988, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1207\">Mutual Admiration<\/a>\u201d, (Teenage Fanclub), Adelaide Review, No.172, January 1998, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2004\">House Moves<\/a>\u201d, (Features of Blown Youth), Adelaide Review, No.172, January 1998, p.30-31<\/li>\n<\/ul>\n<h4>Publications 1997<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1193\">String of Pearls<\/a>\u201d, (Deborah Conway), Adelaide Review, No.171, December 1997, p.32-3<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1420\">Fiscal Violence<\/a>\u201d, (Shopping and Fucking), Adelaide Review, No.171, December 1997, p.34-5<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1572\">State Theatre 1998 Season<\/a>\u201d, The Adelaide Review, No.171, December 1997, p.33-4<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2099\">State\u2019s 1998 Season<\/a>\u201d, The Adelaide Review, December 1997<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1182\">Music<\/a>\u201d, (Long John Baldry at Governor Hindmarsh Hotel, Adelaide), The Australian, 7 November 1997, p.19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1184\">Mo&#8217; Better Blues<\/a>\u201d, (Keb Mo\/Johnnie Johnson), Adelaide Review, No.170, November 1997, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2257\">Forced Landings<\/a>\u201d, (The Tempest), Adelaide Review, No.170, November 1997, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2036\">The Blues Fall Like Rain<\/a>\u201d, (Keb&#8217; Mo&#8217; (Blues soloist) Review), Weekend FIN Review, 11 October 1997<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2093\">Barossa Seulle<\/a>\u201d, (Adelaide Theatre\/Dance), Weekend FIN Review, 4 October 1997<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1978\">Dead Reckonings<\/a>\u201d, (After the Ball), Adelaide Review, No.169, October 1997, p.35<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2069\">Sea Change<\/a>\u201d, (The Mourning After), Adelaide Review, No.168, September 1997, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2026\">Birdy<\/a>\u201d, (Gulls), Adelaide Review, No.168, September 1997, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2050\">Simple Gifts<\/a>\u201d, (CD Reviews), Adelaide Review, No.183, December 1998, p.34-35<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1191\">Words and Music<\/a>\u201d, (Paul Kelly), Adelaide Review, No.167, August 1997, p.32-3<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1444\">The Usual Suspects<\/a>\u201d, (Rules of Thumb), Adelaide Review, No.167, August 1997, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2105\">Transparency<\/a>\u201d, (The North), Adelaide Review, No.167, August 1997, p.33-4<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1998\">Double Disillusion<\/a>\u201d, (Don\u2019s Party), Adelaide Review, No.166, July 1997, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2046\">Rapture and Rhythm<\/a>\u201d, (Adelaide Companies Theatre Review), Real Time, July 1997<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2071\">Angels and Devil Drivers<\/a>\u201d, (Mutton Birds and Dave Graney), Adelaide Review, No.166, July 1997, p.32-33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2107\">Blood Simple<\/a>\u201d, (Wolf Lullaby), Adelaide Review, No.166, July 1997, p.30-31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1990\">The Secret Death of Salvador Dali<\/a>\u201d, The Australian, 13 June 1997, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2018\">Future Tense<\/a>\u201d, (review), The Australian, 30 May 1997, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2024\">Newfangled<\/a>\u201d, (Guinness Celebration of Irish Music), Adelaide Review, No.165, June 1997, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2083\">Dance<\/a>\u201d, (Fast Editing), RealTime, No.19, June-July 1997, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2016\">Adelaide &#8211; Future Tense<\/a>\u201d, (CentreStage), The Australian, 28 May 1997<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2091\">Looking About<\/a>\u201d, (Take Over \u201997), Adelaide Review, No.164, May 1997, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1154\">Hot Days and Nights<\/a>\u201d, (Big Day Out Review), The Adelaide Review, No.163, April 1997, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2000\">Sleepy<\/a>\u201d, (RSC A Midsummer Night&#8217;s Dream), Adelaide Review, No.163, April 1997, p.32-3<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2075\">Tivoli Recitals<\/a>\u201d, (Music Review), The Adelaide Review, April 1997<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2114\">Parklife<\/a>\u201d, (Womadelaide), Adelaide Review, No.163, April 1997, p.31-2<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1988\">Divided Purpose<\/a>\u201d, (Cyrano), Adelaide Review, No.162, March 1997, p.24<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1157\">Truebadour<\/a>\u201d, (Andy Irvine), Adelaide Review, No.161, February 1997, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1189\">First Person Singular<\/a>\u201d, (Laurie Anderson), Adelaide Review, No.161, February 1997, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2116\">Preview &#8211; The Sounds of Womadelaide<\/a>\u201d, (Womadelaide Preview), The Adelaide Review, February 1997<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1979\">Travelling Light<\/a>\u201d, (Corrugation Road), Adelaide Review, No.161, February 1997<\/li>\n<\/ul>\n<h4>Publications 1996<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2008\">Cold Comfort<\/a>\u201d, (Difficult Journey), The Australian, 8 July 2005, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2039\">Making Gravy<\/a>\u201d, (Music Review), The Adelaide Review, December 1996<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2103\">Chekhov, Too<\/a>\u201d, (Barker\u2019s Vanya), Adelaide Review, No.159, December 1996, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1162\">Broken German<\/a>\u201d, (Marianne Faithfull), Adelaide Review, No.158, November 1996, p.39<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1446\">Entanglements<\/a>\u201d, (Knots and DARKpaths), Adelaide Review, No.158, November 1996, p.38<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1963\">Alexander&#8217;s Ragtime Band<\/a>\u201d, (Balanescu Quartet), Adelaide Review, No.145, November 1995, p.29-30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1173\">Clannad<\/a>\u201d, (Music Review), The Australian, 3 October 1996<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2022\">Past Lives<\/a>\u201d, (Good Works), Adelaide Review, No.157, October 1996, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2079\">Guys and Dolls<\/a>\u201d, (Summer of the Seventeenth Doll), Adelaide Review, No.157, October 1996, p.34-5<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2087\">Highlight<\/a>\u201d, (Skylight), Adelaide Review, No.157, October 1996, p.35<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2097\">Down at the End of Lonely Street<\/a>\u201d, (Terminus), Adelaide Review, No.157, October 1996, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1992\">Writing and Re-righting<\/a>\u201d, (Dead White Males), Adelaide Review, No.156, September 1996, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2095\">Boots and All<\/a>\u201d, (Tap Dogs), Adelaide Review, No.156, September 1996, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2101\">Pressing Issues<\/a>\u201d, (The Torrents), Adelaide Review, No.156, September 1996, p.30-1<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2073\">Abdication<\/a>\u201d, (The Queen and I), Adelaide Review, No.155, August 1996, p.31-2<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2081\">Infarction<\/a>\u201d, (The Shifting Heart), Adelaide Review, No.155, August 1996, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1172\">Unplugged<\/a>\u201d, (Fairport Convention), Adelaide Review, No.152, May 1996, p.22<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1187\">Marshall Arts<\/a>\u201d, (Link Wray), Adelaide Review, No.152, May 1996, p.22-3<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1158\">Adelaide Music<\/a>\u201d, (Simply Red Entertainment Centre Review), The Australian, 16 April 1996, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2010\">Two Persons Singular<\/a>\u201d, The Australian, April 1996<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2085\">Simply Red<\/a>\u201d, (Music Review), The Australian, 1 April 1996<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2014\">Adelaide Fringe Theatre and Other Soloists<\/a>\u201d, The Australian, 3 March 1996<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1166\">Artful Dodges<\/a>\u201d, (Malcolm McLaren), Adelaide Review, No.150, March 1996, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2059\">Break-out<\/a>\u201d, (Maly Theatre of St Petersburg), Adelaide Review, No.150, March 1996, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1131\"><\/a>\u201d, (Joan Armatrading at Festival Theatre), The Australian, 2 February 1996, p.8<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=492\">All the World&#8217;s a Three Day Stage<\/a>\u201d, (Womadelaide Festival Overview), The Australian, February 1996<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2020\">Figuring the Landscape<\/a>\u201d, (International Theatre Interview), The Australian, 24 January 1996<\/li>\n<\/ul>\n<h4>Publications 1995<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1168\">Making Gravy<\/a>\u201d, (Music Review), The Adelaide Review, 1 January 1996<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1134\">Ray Davies<\/a>\u201d, (Arts on Friday), The Australian, 12 December 1995, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1625\">And There&#8217;s More<\/a>\u201d, (Adelaide Festival), Adelaide Review, No.146, December 1995, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1966\">Drang und Storm<\/a>\u201d, (Hamlet and The Tempest), Adelaide Review, No.146, December 1995, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2119\">Tomorrow the World<\/a>\u201d, The Adelaide Review, December 1995<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1968\">Finding the Pulse<\/a>\u201d, (Blackeyed Susans), Adelaide Review, No.145, November 1995, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=708\">Binary Vision<\/a>\u201d, (Interstate Theatre Review), Adelaide Review, October 1995<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1309\">Sightings<\/a>\u201d, (Local theatre), Adelaide Review, No.144, October 1995, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1493\">Suspended Re-animation<\/a>\u201d, (The Floating World), Adelaide Review, No.144, October 1995, p.33-4<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1142\">Joe Cocker<\/a>\u201d, (Adelaide Festival Theatre Review), The Australian, 13 September 1995, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1421\">Regarding Henri<\/a>\u201d, (Matisse Exhibition), Adelaide Review, No.143, September 1995, p.28-9<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2067\">Very Like a Whale<\/a>\u201d, (Moby Dick), Adelaide Review, No.143, September 1995, p.28-9<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=690\">A View of the Writings of James K.Baxter<\/a>\u201d, The Poet\u2019s Voice, No.2, June 1995, p.106-113<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1140\">The Glory of Gershwin<\/a>\u201d, (Adelaide Music Review), The Australian, 18 May 1995, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2028\">Allo, Allo, Allo<\/a>\u201d, (An Inspector Calls), The Adelaide Review, No.138, May 1995, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2030\">Mo&#8217; Better Blues<\/a>\u201d, (Keb Mo\/Johnnie Johnson), Adelaide Review, No.170, November 1997, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1970\">A Life of Bryan<\/a>\u201d, (Bryan Ferry), Adelaide Review, No.137, April 1995, p.32-3<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1996\">Men&#8217;s Business<\/a>\u201d, (Desert), Adelaide Review, No.137, April 1995, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2063\">Murder by Design<\/a>\u201d, (Medea), Adelaide Review, No.136, March 1995, p.29-30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2112\">Womentous<\/a>\u201d, (Womadelaide), Adelaide Review, No.136, March 1995, p.30-32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2204\">Adelaide &#8211; Medea<\/a>\u201d, (Medea by Euripides), Financial Review, 16 February 1995<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2235\">Reckonings<\/a>\u201d, (Sanctuary by David Williamson Review), The Adelaide Review, February 1995<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1137\">Wise Blood<\/a>\u201d, (Nick Cave and the Bad Seeds), Adelaide Review, No.135, January 1995, p.31-2<\/li>\n<\/ul>\n<h4>Publications 1994<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=706\">Vile Bodies<\/a>\u201d, (Rock\u2019n\u2019Circus), Adelaide Review, No.134, December 1994, p.39<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2229\">Cafe Laughter<\/a>\u201d, (Picasso at the Lapin Agile), Adelaide Review, No.134, December 1994, p.38<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2231\">The Red Shed Company- Still in the Pink<\/a>\u201d, (Adelaide Companies Theatre Review), Lowdown, February 1995<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=702\">Wings of Desire<\/a>\u201d, (Angels in America), Adelaide Review, No.133, November 1994, p.35-6<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2249\">Drama and Screen Studies I<\/a>\u201d, (Lecture: Sweetown: Silent Legacy), Australian Texts, Theatre, 27 October 1994<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2251\">Warsaw Tango<\/a>\u201d, (International, State Theatre Company, Theatre), Financial Review, 20 October 1994<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2278\">Warsaw Tango<\/a>\u201d, The Australian, 12 October 1994<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=704\">Frida Kitsch<\/a>\u201d, (Viva La Vida), Adelaide Review, No.132, October 1994, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1310\">The War Within<\/a>\u201d, (Because You Are Mine), Adelaide Review, No.132, October 1994, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2173\">Fine Graney<\/a>\u201d, (Dave Graney and the Coral Snakes), Adelaide Review, No.132, October 1994, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2217\">Familiar Lessons<\/a>\u201d, (Morning Sacrifice), Adelaide Review, No.130, August 1994, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2191\">Digital Sound<\/a>\u201d, (Leo Kottke), Adelaide Review, No.129, July 1994, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2247\">Viewless Wings<\/a>\u201d, (The Swan), Adelaide Review, No.129, July 1994, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2163\">Adelaide &#8211; Fence<\/a>\u201d, CentreStage, October 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1090\">Alive and Brilliant<\/a>\u201d, (Deborah Conway), Adelaide Review, No.128, June 1994, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2152\">Alive and Brilliant<\/a>\u201d, (Deborah Conway), Adelaide Review, No.128, June 1994, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1424\">Multifoliate<\/a>\u201d, (Jim Rose Circus Sideshow Review), The Adelaide Review, 30 May 1994<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=712\">Critical Conditions<\/a>\u201d, (Commentary on Criticism), Meanjin, 13 April 1994, p.447-454<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1151\">Full to the Brim<\/a>\u201d, (Guinness Celebration of Irish Music), Adelaide Review, No.126, April 1994, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1384\">Perfect Crime<\/a>\u201d, (Carl Hiaasen), Adelaide Review, No.126, April 1994, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2077\">Zero to Naught<\/a>\u201d, (My Mathematics), Adelaide Review, No.126, April 1994, p.27-28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2193\">The Braggart Samurai<\/a>\u201d, (Theatre Review), The Australian, 11 March 1994<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2144\">Like Cherries for Peaches<\/a>\u201d, (Tomoe, Shizune and Hakutobo), Adelaide Review, No.125, March 1994, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2146\">White Masque<\/a>\u201d, (A Cheery Soul), Adelaide Review, No.125, March 1994, p.24<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2253\">Tankard Brimming with Invention<\/a>\u201d, (Adelaide Festival Theatre Review), The Financial Review, 4 February 1994<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1145\">Words and Unheard Melodies<\/a>\u201d, (Paul Kelly), Adelaide Review, No.123, February 1994<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1088\">Open G<\/a>\u201d, (Music Review), Commissioned by The Adelaide Review, 1 January 1994<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1148\">Multifoliate<\/a>\u201d, (Jim Rose Circus Sideshow Review), The Adelaide Review, January 1994<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1423\">Visiting Vincent<\/a>\u201d, (Van Gogh Exhibition), Adelaide Review, No.122, January 1994, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2274\">Visiting Vincent<\/a>\u201d, (Van Gogh Exhibition), Adelaide Review, No.122, January 1994, p.27<\/li>\n<\/ul>\n<h4>Publications 1993<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2208\">New Voices for Fiji<\/a>\u201d, (Interview on Ferringhi play), Publication unknown, 29 December 1993<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2140\">Mind Forged Manacles<\/a>\u201d, (Brought to Book; Censorship and School Libraries in Australia), Lowdown, No.6, December 1993, p.42<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2161\">Unredeemed<\/a>\u201d, (Fallen Angels), Adelaide Review, December 1993, p.41<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2268\">Udder Milk Leak<\/a>\u201d, (Under Milkwood), Adelaide Review, December 1993, p.42<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2280\">A Head Full of New Ideas<\/a>\u201d, (Interview with Chris Westwood), The Adelaide Review, December 1993<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2200\">Harmonics<\/a>\u201d, (Songs with Mara Meryl Tankard ADT Balcony Review), The Adelaide Review, November 1993<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2225\">The Meet Market<\/a>\u201d, (Adelaide Companies Theatre Review), The Adelaide Review, November 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2179\">Vox Populi<\/a>\u201d, (Hello Down There), Adelaide Review, No.119, October 1993, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2196\">Local Works<\/a>\u201d, (The Administrator, Sweetown), Adelaide Review, No.119, October 1993, p.45<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2239\">Dirty Diggers<\/a>\u201d, (Sex Diary of an Infidel), Adelaide Review, No.119, October 1993, p.45<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2241\">Sitar Struck<\/a>\u201d, (Music Review), The Adelaide Review, 1 October 1993<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2137\">Touching on the Truth<\/a>\u201d, (Brilliant Lies), Adelaide Review, No.118, September 1993, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2156\">Lost Lives<\/a>\u201d, (And I&#8217;ll Give You All the Diamonds in My Teeth), Adelaide Review, No.118, September 1993, p.43<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2159\">Icon Tactics<\/a>\u201d, (Review of Barry Humphries&#8217; performance at Her Majesty&#8217;s), The Adelaide Review, November 1993<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2265\">Hot Tap<\/a>\u201d, (Hot Shoe Shuffle), Adelaide Review, No.118, September 1993, p.41<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3414\">Paul Kelly and his songs<\/a>\u201d, (Interviews, Music Review), Unknown, 1 September 1993<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2202\">Outside Studies Report<\/a>\u201d, Unknown, 29 August 1993<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2154\">Noises Off<\/a>\u201d, (Cosi), Adelaide Review, No.117, August 1993, p.37<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2165\">More Fiesta<\/a>\u201d, Adelaide Review, No.117, August 1993, p.39<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2185\">Alimentary<\/a>\u201d, (Amazing Holmes), Adelaide Review, No.117, August 1993, p.38<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2167\">Fiesta-ville<\/a>\u201d, Adelaide Review, No.116, July 1993, p.33-4<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2128\">Night Terrors<\/a>\u201d, (All Souls), Adelaide Review, No.116, July 1993, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2198\">Crime and Punishment<\/a>\u201d, (Death and the Maiden), Adelaide Review, No.116, July 1993, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2237\">Class Action<\/a>\u201d, (School for Scandal), Adelaide Review, No.116, July 1993, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2233\">Marvellous<\/a>\u201d, (Jim Rose Circus Sideshow), Adelaide Review, No.115, June 1993, p.40<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2276\">Uncle Tom&#8217;s Cabaret<\/a>\u201d, (Ain\u2019t Misbehavin\u2019), Adelaide Review, No.114, May 1993, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2288\">Uncle Tom&#8217;s Cabaret<\/a>\u201d, (Ain\u2019t Misbehavin\u2019), Adelaide Review, No.114, May 1993, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2135\">Murph and the Magictones<\/a>\u201d, (Blues Bros.), Adelaide Review, No.114, May 1993, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2150\">Come Out is Icumen In<\/a>\u201d, (Come Out Festival), The Adelaide Review, April 1993<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2245\">Summer Pudding<\/a>\u201d, (Summer Festival), Adelaide Review, No.113, April 1993, p.38<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2255\">A New Name and Renewed Purpose<\/a>\u201d, (ADT), Adelaide Review, No.113, April 1993, p.35<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2874\">Criticising Criticism<\/a>\u201d, Lowdown, April 1993, p.17-19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1570\">What the Butler Saw<\/a>\u201d, (Adelaide State Theatre Company Production Review), The Advertiser, 1 January 1993<\/li>\n<\/ul>\n<h4>Publications 1992<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1382\">Leunimous<\/a>\u201d, (Leunig), Adelaide Review, No.109, December 1992, p.50<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2227\">Power and Puppets<\/a>\u201d, (Petrouchka), Adelaide Review, No.103, June 1992, p.35<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2223\">Left-Over Lives<\/a>\u201d, (Diving for Pearls), Adelaide Review, No.108, November 1992, p.40<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2183\">High Society<\/a>\u201d, (Adaptation of Cole Porter&#8217;s Music and Lyrics), The Australian, 2 November 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1379\">Collected Recollections<\/a>\u201d, (Barry Humphries More Please), Adelaide Review, No.108, November 1992, p.33-4<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1560\">Left-Over Lives<\/a>\u201d, (Diving for Pearls), Adelaide Review, No.108, November 1992, p.40<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2181\">Putting on the Ritz<\/a>\u201d, (High Society Review), The Adelaide Review, December 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2284\">Roses and Briars<\/a>\u201d, (Theatre Review), The Adelaide Review, November 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1106\">Receding Temples<\/a>\u201d, (Hair review), The Adelaide Review, September 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2175\">Receding Temples<\/a>\u201d, (Hair Review), The Adelaide Review, September 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2206\">Celestial Solutions<\/a>\u201d, (Miracle Theatre Review), The Adelaide Review, September 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2286\">Vanilla Soda<\/a>\u201d, (Lost in Yonkers Neil Simon), The Adelaide Review, September 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1562\">Heart Two Heart<\/a>\u201d, (Midsummer Night\u2019s Dream), Adelaide Review, No.105, August 1992, p.38-9<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1568\">Heart Two Heart<\/a>\u201d, (Midsummer Night\u2019s Dream), Adelaide Review, No.105, August 1992, p.38-9<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2142\">What the Butler Saw<\/a>\u201d, (Adelaide State Theatre Company Review), The Australian, 9 August 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2221\">Birds of the Moon<\/a>\u201d, (Adelaide Theatre Production), Financial Review, 30 July 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1098\">Soul Survivor<\/a>\u201d, (Wilson Pickett), Adelaide Review, No.104, July 1992, p.40<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1425\">Shivers Regal<\/a>\u201d, (Rustaveli), Adelaide Review, No.104, July 1992, p.39<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2187\">Missing Persons<\/a>\u201d, (Comedy Review), The Adelaide Review, July 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2219\">What the Orton Saw<\/a>\u201d, (State Theatre Company Review), State Theatre Program Notes, 1 July 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1103\">One of a Kind<\/a>\u201d, (Paul Kelly), Adelaide Review, No.103, June 1992, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1564\">Two for Two<\/a>\u201d, The Advertiser, June 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1623\">Two for Two<\/a>\u201d, The Advertiser, June 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2212\">Reversals of Fortune<\/a>\u201d, (Money &#038; Friends), Adelaide Review, No.103, June 1992, p.35-6<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1386\">Exhumations<\/a>\u201d, (Dead Elvis), Adelaide Review, No.99, Festival 1992, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1110\">Song and Danse<\/a>\u201d, (Angelique Kidjo Review), The Adelaide Review, No.102, 5 May 1992, p.40<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2259\">Thespian Wrestling<\/a>\u201d, (Theatre Sports), Adelaide Review, No.102, May 1992, p.41<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2883\">Funerals and Circuses<\/a>\u201d, (Adelaide Companies Music Theatre Review), Lowdown, No.2, April 1992, p.55<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1108\">Was It Rolling, Bob ?<\/a>\u201d, (Bob Dylan with Bonnie Raitt Review), The Adelaide Review, 15 March 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2243\">Festival Smalls<\/a>\u201d, (Overview of Adelaide Festival), The Adelaide Review, March 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2270\">Adelaide Festival &#8211; Sadness and Merry Whistling<\/a>\u201d, (Uncle Vanya by Anton Chekhov Review), The Adelaide Review, March 1992, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2189\">The Germanic Players<\/a>\u201d, (German language version of Kafka&#8217;s Metamorphosis review), Adelaide Advertiser, 16 February 1992<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2272\">Velo Theatre<\/a>\u201d, (Theatre Review), The Advertiser, 28 February 1992<\/li>\n<\/ul>\n<h4>Publications 1991<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1395\">Funny Money<\/a>\u201d, (A Royal Commission into the Australian Economy), Adelaide Review, No.95, December 1991, p.38<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1548\">Lieder of the Pack<\/a>\u201d, (Cabaret), Adelaide Review, No.95, December 1991, p.39<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2908\">Righting History<\/a>\u201d, (Sweetown), Adelaide Review, No.95, December 1991, p.38<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2917\">Snap<\/a>\u201d, Lowdown, No.6, December 1991, p.59<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1542\">Setting the Scene<\/a>\u201d, (Designs are his Scene), The Advertiser, 16 November 1991, p.11<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1615\">Setting the Scene<\/a>\u201d, (Interview with Designer), The Advertiser, 16 November 1991, p.11<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1546\">Farce Forward<\/a>\u201d, (A Flea in her Ear), Adelaide Review, No.94, November 1991, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2881\">Edible theatre<\/a>\u201d, (The Cooked and the Raw), Adelaide Review, No.94, November 1991, p.35<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2914\">Sewing Discontent<\/a>\u201d, (Offshore), Adelaide Review, No.94, November 1991, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1550\">Resuscitated<\/a>\u201d, (Jonah), Adelaide Review, No.93, October 1991, p.40<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1068\">The Rough with the Smooth<\/a>\u201d, (Joe Jackson and Elvis Costello), Adelaide Review, No.93, October 1991, p.39<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2929\">Tu Tu Much<\/a>\u201d, (Tu Tu Wha), Adelaide Review, No.93, October 1991, p.41<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1519\">Journeying to Capricornia<\/a>\u201d, (Interview with Kingston Anderson), The Advertiser, 8 September 1990, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1378\">A Sport&#8217;s Round-up<\/a>\u201d, (Oval Dreams), Adelaide Review, No.92, September 1991, p.33-4<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2901\">Phantom Ibsen<\/a>\u201d, (Ghosts), Adelaide Review, No.92, September 1991, p.37<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1544\">Encrustation<\/a>\u201d, (King Golgrutha), Adelaide Review, No.91, August 1991, p.35-6<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1556\">Welcoming the Bright (and Dark) World<\/a>\u201d, (Interview with Stephen Sewell), The Advertiser, 20 July 1991, p.7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1621\">Welcoming the Bright (and Dark) World<\/a>\u201d, (Interview with Stephen Sewell), The Advertiser, 20 July 1991, p.7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1101\">Kelly Country<\/a>\u201d, (Paul Kelly and Archie Roach), Adelaide Review, No.90, July 1991, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=686\">Comfortable Words<\/a>\u201d, (A Common Prayer), Adelaide Review, No.89, June 1991, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1092\">The Four Hoarse Men of the Apocalypse<\/a>\u201d, (The Highwaymen), Adelaide Review, No.89, June 1991, p.29<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1313\">Two<\/a>\u201d, (Two), The Adelaide Review, No.303, 20 October 2006, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1377\">Comfortable Words<\/a>\u201d, (A Common Prayer), Adelaide Review, No.89, June 1991, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1481\">Interview with John Clarke<\/a>\u201d, (Interviews with Australian Comic Artists), Wanted For Questioning: Interviews with Australian Comic Artists, 1 June 1991<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1483\">Interview with Michael Leunig<\/a>\u201d, (Interviews with Australian Comic Artists), Allen and Unwin, 1 June 1991<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1540\">Radiant<\/a>\u201d, (Happy Days), Adelaide Review, No.89, June 1991, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2877\">Divining a Future<\/a>\u201d, (Come Out Festival), Lowdown, No.3, June 1991, p.7-11<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1538\">Happy Days is Here Again<\/a>\u201d, (Interview with Ruth Cracknell), The Advertiser, 18 May 1991, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1617\">Happy Days is Here Again<\/a>\u201d, (Interview with Ruth Cracknell), The Advertiser, 18 May 1991, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1296\">Rites and Wrongs<\/a>\u201d, (Spring Awakening), Adelaide Review, No.88, May 1991, p.28-9<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1558\">Rites and Wrongs<\/a>\u201d, (Spring Awakening), Adelaide Review, No.88, May 1991, p.28-9<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1028\">Double Bill<\/a>\u201d, (The Adelaide), The Adelaide, No.87, April 1991, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1030\">Travelling Shakespeare<\/a>\u201d, (International Theatre Review), The Advertiser, March 1991<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1393\">Sandy Through the Hour Glass<\/a>\u201d, (The Life and Death of Sandy Stone), Adelaide Review, No.86, March 1991, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1552\">Power Play<\/a>\u201d, (Julius Caesar), Adelaide Review, No.86, March 1991, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1619\">Travelling Shakespeare<\/a>\u201d, (Interviews), The Advertiser, March 1991<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1026\">Sorry Tale<\/a>\u201d, (Boswell for the Defence), Adelaide Review, February 1991, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1299\">Power Play<\/a>\u201d, (Julius Caesar), Adelaide Review, No.86, March 1991, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1477\">Interview with Barry Humphries<\/a>\u201d, (Adelaide Interview), Wanted For Questioning: Interviews with Australian Comic Artists, February 1991<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1554\">Power Play<\/a>\u201d, (Julius Caesar), Adelaide Review, No.86, March 1991, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1070\">Jo Jo Gets Back<\/a>\u201d, (Black Sorrows), Adelaide Review, No.84, January 1991, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1095\">Symphony Australia<\/a>\u201d, (Adelaide Symphony Orchestra Celebrating Mozart), Symphony Australia, 1 January 1991<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1315\">Return to Centre<\/a>\u201d, (Adelaide Festival Centre Interview), Lowdown, January 1991<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1496\">Oz, the Sequel<\/a>\u201d, (Circus Oz), Adelaide Review, January 1991, p.27<\/li>\n<\/ul>\n<h4>Publications 1990<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=696\">Summer at the River Bank<\/a>\u201d, (Interstate Theatre Review), The Advertiser, 29 December 1990, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1601\">Summer at the River Bank<\/a>\u201d, (Interview on The Wind in the Willows), The Advertiser, 29 December 1990, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1402\">The Confidential Clarke<\/a>\u201d, (Review of Great Interviews of the Twentieth Century), Adelaide Review, No.83, December 1990, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1079\">Myth Match<\/a>\u201d, (Review of Eric Clapton), Adelaide Review, No.83, December 1990, p.47<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1272\">Shaggy Stories<\/a>\u201d, (Review of The Decameron), Adelaide Review, No.83, December 1990, p.29<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1500\">Getting the Big Picture on the Small Screen<\/a>\u201d, (Review of The Prophets and Loss), Adelaide Review, No.83, December 1990, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1506\">Magpie Theatre Company<\/a>\u201d, (Review of &#8216;Mango Season&#8217;), Lowdown, December 1990, p.45<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1611\">Getting the Big Picture on the Small Screen<\/a>\u201d, (Review of The Prophets and Loss), Adelaide Review, No.83, December 1990, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1319\">Irish Green for the Red Shed<\/a>\u201d, (Red Shed Put on the Green), The Advertiser, 17 November 1990, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1269\">Telling Tales<\/a>\u201d, (Interview with Simon Phillips), The Advertiser, 3 November 1990, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1503\">Sweet Revenge<\/a>\u201d, (Review of No Sugar), Adelaide Review, No.82, November 1990, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1508\">Taking a Warm Approach to a Hot Issue<\/a>\u201d, (Preparing for The Mango Season), The Advertiser, 13 October 1990, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1607\">Taking a Warm Approach to a Hot Issue<\/a>\u201d, (Interview on Theatre and Society), The Advertiser, 13 October 1990, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1397\">One of a Kind<\/a>\u201d, (An Evening With Peter Ustinov), The Adelaide Review, No.80, September 1990, p.27-8<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1514\">Unhappy Wanderings<\/a>\u201d, (Review of Capricornia), Adelaide Review, No.81, October 1990, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1599\">Journeying to Capricornia<\/a>\u201d, (Interview with Kingston Anderson), The Advertiser, 8 September 1990, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1012\">An Imaginary Life<\/a>\u201d, (International Theatre Review), The Advertiser, 7 September 1990, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1597\">An Imaginary Life<\/a>\u201d, (Interviews), The Advertiser, 7 September 1990, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1512\">Frames<\/a>\u201d, (Preview of Film Festival), Adelaide Review, No.80, September 1990, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2853\">Black Pastoral<\/a>\u201d, (Review of Restoration), Adelaide Review, No.80, September 1990, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1024\">An Evening with Peter Ustinov<\/a>\u201d, (Wit plus Charm \u2013 that\u2019s Ustinov), The Australian, 15 August 1990, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1317\">Death of a Salesman<\/a>\u201d, (Theatre Review), The Advertiser, 11 August 1990, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=698\">Captivating<\/a>\u201d, (Our Country&#8217;s Good by Timberlake Wertenbaker Review), The Adelaide Review, No.79, August 1990, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=674\">Salad Days<\/a>\u201d, (Review of Clive James), Adelaide Review, No.78, July 1990, p.29<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1018\">Eclectic Panto<\/a>\u201d, (A Midsummer Night&#8217;s Dream Review), The Adelaide Review, No.78, July 1990, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1075\">High Fidelity<\/a>\u201d, (Review of Marianne Faithfull), Adelaide Review, No.78, July 1990<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1303\">Quickly Noted<\/a>\u201d, (Review of Quickies), Adelaide Review, No.78, July 1990, p.15-6<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1016\">Footsbarn&#8217;s Dream<\/a>\u201d, (All the World\u2019s Their Stage), The Advertiser, 9 June 1990, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1603\">Footsbarn&#8217;s Dream<\/a>\u201d, (Interviews), The Advertiser, 9 June 1990, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=700\">Getting a Kick Out of Cole Porter<\/a>\u201d, (Theatre Review), The Advertiser, 2 June 1990, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1609\">Getting a Kick Out of Cole Porter<\/a>\u201d, (Interviews), The Advertiser, 2 June 1990, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1403\">Talk About Laugh<\/a>\u201d, (Review of Billy Connolly), Adelaide Review, No.73, Festival edition, 1990, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1077\">Time Bandits<\/a>\u201d, (Review of Harry Dean Stanton), Adelaide Review, No.76, May 1990, p.20-1<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1274\">Glimmer Twins<\/a>\u201d, (Review of Comedy of Errors), Adelaide Review, No.76, May 1990, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1321\">Fangs, But No Fangs<\/a>\u201d, (Review of Adders), Adelaide Review, No.76, May 1990, p.21-2<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2582\">Off the Wall<\/a>\u201d, (Review of Archaos), Adelaide Review, No.74, March 1990, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1302\">Errors in Calculation<\/a>\u201d, (State Theatre Company Review), The Advertiser, 21 April 1990, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1613\">Errors in Calculation<\/a>\u201d, (Interviews), The Advertiser, 21 April 1990, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1021\">Changing Theatre in Changing Times<\/a>\u201d, (International Theatre Review), The Advertiser, 14 April 1990, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1605\">Changing Theatre in Changing Times<\/a>\u201d, (Interviews), The Advertiser, 14 April 1990, p.13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=678\">Notes for Teachers of English Studies<\/a>\u201d, (Reviews of The Great World and Fly Away Peter), Adelaide Review, 8 April 1990<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=680\">David Malouf\u2019s Fly Away Peter<\/a>\u201d, (In G. Tulloch and A. Greet (eds), Making Connections \u2014 Introducing texts for senior English Studies), CRNLE\/SAETA Publication, 8 April 1990, p.66-72<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=682\">A Voyage Around Our Fathers<\/a>\u201d, (Review of The Great World), Adelaide Review, No.73, Festival 1990, p.24<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=684\">Remembering Forgotten Beauty<\/a>\u201d, (Olivia Shakespear and W.B.Yeats Book Review), The Adelaide Review, April 1990<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=694\">Alice and A Misdummer Night\u2019s Dream<\/a>\u201d, (Interstate Theatre Review), Lowdown, April 1990, p.37<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1008\">Festival<\/a>\u201d, (Adelaide Festival), The Adelaide Review, No.75, April 1990, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1081\">New Season for Braithwaite<\/a>\u201d, Symphony Australia, ABC Publications, 1 April 1990, p.35-6<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1398\">Fringe Comedy<\/a>\u201d, (Overview of Festival Fringe), Adelaide Review, No.75, April 1990, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1014\">Kahlo is the Thematic Centrepiece<\/a>\u201d, (Festival Visual Arts Exhibition Review), The Australian Financial Review, 23 March 1990<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1400\">Adelaide Fringe<\/a>\u201d, (Comedy Review), The Advertiser, March 1990<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2579\">Off the Rails<\/a>\u201d, (Review of The Kosh), Adelaide Review, No.74, March 1990, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=676\">Looking Back Retrospectively<\/a>\u201d, (Review of Barry Humphries), Adelaide Review, No.72, February 1990, p.29<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2856\">More than Sure-Fire Hits and Car Launches<\/a>\u201d, (Interview with Andrew Bleby), Lowdown, No.1, February 1990, p.18-20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1005\">Get Your Festival &#8211; Fast<\/a>\u201d, (Preview for 1990 Adelaide Festival), Unknown, 1 January 1990<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1072\">Distant Strummer<\/a>\u201d, (Review of Tracy Chapman), Adelaide Review, No.73, Festival edition, 1990, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1280\">Marriage Lines<\/a>\u201d, (Review of The Rover), The Sydney Review, January 1990, p.22-3<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1287\">All for Nought<\/a>\u201d, (Adaptation of Jean Anouilh&#8217;s Play), The Adelaide Review, No.71, January 1990, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1294\">Mr Gaden has Left the Building<\/a>\u201d, Adelaide Review, No.71, January 1990, p.31<\/li>\n<\/ul>\n<h4>Publications 1989<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=668\">Realms of Gold<\/a>\u201d, (Review of The Complete Book of Australian Verse), Adelaide Review, No.70, December 1989, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1293\">Once More Unto the Rabbit Hole<\/a>\u201d, (Magpie&#8217;s Adventures in Wonderland Review), The Advertiser, 18 November 1989, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1291\">Wodehouse Playhouse<\/a>\u201d, (Review of Hedda Gabler), Adelaide Review, No.69, November 1989, p.28-9<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1306\">New Theatre Australia<\/a>\u201d, (Adelaide Companies Theatre Review), New Theatre Australia, 1 November 1989<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1083\">Puccini Springs to Life<\/a>\u201d, (Bonhomie Helping La Boheme), The Advertiser, 7 October 1989, p.15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=692\">No Class Please, We&#8217;re British<\/a>\u201d, (Review of Shirley Valentine), Adelaide Review, No.68, October 1989, p.26-7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1278\">No Class Please, We&#8217;re British<\/a>\u201d, (Review of Shirley Valentine), Adelaide Review, No.68, October 1989, p.26-7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1328\">New Theatre Australia<\/a>\u201d, (Art of the States Review), New Theatre Australia, 1 September 1989<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1524\">Cold Comfort Farm<\/a>\u201d, (The Beauty Queen of Leenane), Adelaide Review, No.201, June 2000, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1522\">Home Truths on the Range<\/a>\u201d, The Australian Financial Review, 26 August 1989<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1326\">Streetwise<\/a>\u201d, (A Road Worth Following), The Australian Financial Review, 4 August 1989, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2590\">Professional Foul<\/a>\u201d, (Review of Top Silk), Adelaide Review, No.66, August 1989, p.38<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1307\">Heading for Hong Kong<\/a>\u201d, (Adelaide Companies Theatre Review), The Advertiser, 22 July 1989, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1333\">Heading for Hong Kong<\/a>\u201d, (Adelaide Companies Theatre Review), The Advertiser, 22 July 1989, p.14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2903\">Pound Devalued<\/a>\u201d, (Review of A Serious Character \u2013 The Life of Ezra Pound), Adelaide Review, No.65, July 1989, p.32-3<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1322\">State Opera Changes its Tune<\/a>\u201d, (Adelaide Companies Theatre Review), The Advertiser, 17 June 1989, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2539\">Fiscal Violence<\/a>\u201d, (Shopping and Fucking), Adelaide Review, No.171, December 1997, p.34-5<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2600\">Risible<\/a>\u201d, (Review of The Complete Dagg), Adelaide Review, No.64, June 1989, p.28<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2630\">Weather Report<\/a>\u201d, (Review of The Tempest), Adelaide Review, No.64, June 1989, p.22<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2870\">Couple of Kids<\/a>\u201d, (Adelaide Companies Theatre Review), Lowdown, No.3, 1 June 1989, p.83<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2896\">Interpreting the New Dreaming<\/a>\u201d, (Come Out 89 Reviewed by Murray Bramwell), Lowdown, No.3, June 1989, p.10-14<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2931\">Whose Beach is it Anyway?<\/a>\u201d, Lowdown, No.3, June 1989, p.84<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1406\">Friendly Fo<\/a>\u201d, (Comedy Review), The Adelaide Review, 30 May 1989<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1409\">Prince Speaks out on Radio<\/a>\u201d, (Comedy Review), Murray Bramwell, 30 May 1989<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1331\">Winning Hearts and Minds<\/a>\u201d, (Adelaide Companies Theatre Review), The Advertiser, 24 May 1989<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2864\">Catch a Falling Spy<\/a>\u201d, (Review on James Bond), Adelaide Review, No.63, May 1989, p.24-5<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2921\">Staging the Dreams<\/a>\u201d, The Adelaide Review, No.63, May 1989, p.24<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=670\">The Lore of Everage&#8217;s<\/a>\u201d, (Review of My Gorgeous Life), The Adelaide Review, 8 April 1989<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=672\">Poet in a Second Grade Heaven<\/a>\u201d, CRNLE Reviews Journal, No.1, April 8 1989, p.101-5<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=688\">Thoughts on the Place of Criticism in the Theatre<\/a>\u201d, (Some Reflections on the Place of Criticism in the Theatre), Island, Summer 1989<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2594\">Red and Blue<\/a>\u201d, (Review of Billy Bragg and John Hammond), Adelaide Review, No.62, April 1989, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2624\">Underdone<\/a>\u201d, (Review of Sod \u2018Em and Tomorrow), Adelaide Review, No.62, April 1989, p.24<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2862\">Breakthrough?<\/a>\u201d, (Interview with Leigh Warren), Lowdown, No.2, April 1989, p.33-36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2890\">Memorable<\/a>\u201d, (Review of Ricordi), Adelaide Review, No.62, April 1989, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2509\">Age-old Questions<\/a>\u201d, (Review of Month of Sundays), Adelaide Review, No.61, March 1989, p.25<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2544\">Fully Employed<\/a>\u201d, (Review of UB 40), Adelaide Review, No.60, February 1989, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1404\">Curtains<\/a>\u201d, (Review of Wogs out of Work), Adelaide Review, No.77, June 1990, p.22<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2546\">Gay Film Fest<\/a>\u201d, (Adelaide Gay Film Week), The Adelaide Review, No.60, February 1989<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2574\">Not Half Funny<\/a>\u201d, (Review of Doug Anthony Allstars et al), Adelaide Review, No.60, February 1989, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2866\">Community Announcement<\/a>\u201d, (Review of Wogs Out of Work), Adelaide Review, No.60, February 1989, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1085\">Kelly Country<\/a>\u201d, (Paul Kelly and Archie Roach), Adelaide Review, No.90, July 1991, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2511\">Another festive season<\/a>\u201d, (Adelaide Festival Centre Trust performances), The Adelaide Review, No.59, January 1989<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2523\">Cabhooray<\/a>\u201d, (Cabaret Festival), The Adelaide Review, No.341, July 2008, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2596\">Reich and Roll<\/a>\u201d, (Review of Schnell Fenster), Adelaide Review, No.59, January 1989, p.20<\/li>\n<\/ul>\n<h4>Publications 1988<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2515\">Book Reviewers\u2019 Choice<\/a>\u201d, (Books Review), The Adelaide Review, No.58, December 1988, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2550\">Harsh but Reasonable<\/a>\u201d, (Review of Mars by Peter Porter), Adelaide Review, No.58, December 1988, p.23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3022\">Strindberg&#8217;s Flickering Tale<\/a>\u201d, (Preview of A Dream Play), Sydney Review, No.8, January 1989, p.21-2<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2531\">Crowning Achievement<\/a>\u201d, (Review of War of the Roses), Adelaide Review, No.57, November 1988, p.24-5<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3203\">Medium Cool<\/a>\u201d, (Review of Mick Jagger), Adelaide Review, No.57, November 1988, p.pp 26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2898\">The New Dreaming<\/a>\u201d, (Interview with Michael Fitzgerald), Lowdown, No.5, October\/November 1988, p.22-23<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3042\">Fragile Eggshell Mind<\/a>\u201d, (Review of Paul Livingston), Adelaide Review, No.56, October 1988, p.26-7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3230\">Stages<\/a>\u201d, (Review of The Seagull), Adelaide Review, No.56, October 1988, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2505\">A Mid-Winter Night\u2019s Comedy<\/a>\u201d, (Theatre Review), The Advertiser, 13 August 1988, p.7<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3236\">Reviewer Booked<\/a>\u201d, The Adelaide Review, August 1988, p.10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3195\">Unaccommodated<\/a>\u201d, (Review of King Lear), Adelaide Review, No.54, August 1988, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2519\">Bronx Cheer<\/a>\u201d, (Review of Bonfire of the Vanities), Adelaide Review, No.53, July 1988, p.27<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3225\">Choppy<\/a>\u201d, (Review of Rough Crossing), Adelaide Review, No.53, July 1988, p.26<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3232\">Setting out the Stages<\/a>\u201d, (Interview with Mary Moore), Adelaide Review, No.53, July 1988, p.10-11<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2568\">Miles Ahead<\/a>\u201d, (Review of Miles Davis), Adelaide Review, No.52, June 1988, p.24<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2598\">Relative Success<\/a>\u201d, (Review of Clannad), Adelaide Review, No.52, June 1988, p.24-5<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2888\">Hating Alison Ashley<\/a>\u201d, (Review), Lowdown, No.3, June\/July 1988, p.64<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3036\">Kitchen Synch<\/a>\u201d, (Review of Absurd Person Singular), Adelaide Review, No.52, June 1988, p.19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3217\">Orchestral Manoeuvres<\/a>\u201d, (Interview with Nicholas Braithwaite and Michael Elwood), The Adelaide Review, 1 June 1988, p.10-11<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2618\">Tricky<\/a>\u201d, (Review of Dizzy Spells), Adelaide Review, No.51, May 1988, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2525\">Combing the Fringe<\/a>\u201d, Adelaide Review, No.50, April 1988, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2542\">Flighty<\/a>\u201d, (Review of A Flock of Flamin\u2019 Galahs), Adelaide Review, No.49, March 1988, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2851\">Beauty and the Beast<\/a>\u201d, (Review), Lowdown, No.2, April\/May 1988, p.80<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2533\">Day for Night<\/a>\u201d, (Review of The Mahabharata), Adelaide Review, No.48, March 1988, p.30-1<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2566\">Maximus<\/a>\u201d, (Review of Circus Oz), Adelaide Review, No.49, March 1988, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2604\">Shallow<\/a>\u201d, (Review of 1841), Adelaide Review, No.49, March 1988, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3166\">Maximus<\/a>\u201d, (Review of Circus Oz), Adelaide Review, No.49, March 1988, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3182\">Flighty<\/a>\u201d, (Review of A Flock of Flamin\u2019 Galahs), Adelaide Review, No.49, March 1988, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2521\">Brook Review<\/a>\u201d, (Review of works by and on Peter Brook), Adelaide Review, No.47, February 1988, p.25-6<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2529\">This Year&#8217;s Model<\/a>\u201d, (Review of Elvis Costello), Adelaide Review, No.46, January 1988, p.22-3<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2535\">Dreamtime<\/a>\u201d, (Review of Michael Gow\u2019s Away), Adelaide Review, No.46, January 1988, p.21-2<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2562\">Fooling with Lear<\/a>\u201d, (Review of King Lear), Australian Listener, 30 July 1988, p.45<\/li>\n<\/ul>\n<h4>Publications 1987<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3163\">Celt Following<\/a>\u201d, (The Chieftains), Adelaide Review, No.45, December 1987, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3228\">Acting Funny<\/a>\u201d, (Rowan Atkinson Opera Theatre.), The Adelaide Review, No.44, November 1987, p.np<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2616\">The State of Play<\/a>\u201d, CentreStage, October 1987, p.4-5<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2919\">A Sporting Chance<\/a>\u201d, Lowdown, No.5, October 1987, p.75<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2860\">Blood Sports<\/a>\u201d, CentreStage, September 1987, p.18-19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3159\">Pale Intimations<\/a>\u201d, (Blood Relations), Adelaide Review, No.42, September 1987, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3212\">Mixed Relics<\/a>\u201d, (New Review Anthology), Adelaide Review, No.41, August 1987, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2552\">Intriguing<\/a>\u201d, (Les Liaisons Dangereuses Review), The Adelaide Review, 1 August 1987<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2612\">Telling Works<\/a>\u201d, CentreStage, August 1987, p.16-17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3184\">Friendly reminder<\/a>\u201d, (Friendly Street Poetry Reader No.11.), The Adelaide Review, No.41, August 1987, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2570\">Moving but difficult targets<\/a>\u201d, (Adelaide Companies Theatre Review), CentreStage Australia, July 1987, p.16-17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3170\">Semi-preciousness<\/a>\u201d, (Emerald City), Adelaide Review, No.40, July 1987, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3221\">Getting Close to Royalty<\/a>\u201d, (The Pretenders), Adelaide Review, No.39, June 1987, p.12-13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3234\">Ham Funeral<\/a>\u201d, (Shepherd on the Rocks), Adelaide Review, No.39, June 1987, p.12<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2584\">Patrick White and the Whited Sepulchres<\/a>\u201d, (State Theatre Company Review), CentreStage Australia, June 1987, p.18-19<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3168\">Looking Back at Come Out<\/a>\u201d, The Adelaide Review, No.39, June 1987, p.11<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2892\">My Place<\/a>\u201d, (Adelaide Theatre Review), Lowdown, No.3, 5 May 1987, p.38<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2894\">Song For the Navigator<\/a>\u201d, (International Theatre Review), Lowdown, No.3, May 1987, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2906\">I&#8217;m Not a Racist, but &#8230;<\/a>\u201d, (Adelaide Companies Theatre Review), Lowdown, No.3, 5 May 1987, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2923\">The Responsibilities We Have<\/a>\u201d, (Interview with Murray Bramwell), Lowdown, No.3, May 1987, p.67-69<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3188\">First Person Singular<\/a>\u201d, (Laurie Anderson), Adelaide Review, No.161, February 1997, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2602\">Shakespeare, Fo and Fun<\/a>\u201d, (Adelaide Theatre Review), CentreStage Australia, April 1987, p.17-18<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2849\">ASSITEJ Comes Out to Play and Learn<\/a>\u201d, (Assitej Comes Out to Play), CentreStage, April 1987, p.8-9<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3157\">Simply Red<\/a>\u201d, (Music Review), The Adelaide Review, April 1987<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3161\">Ole<\/a>\u201d, (The Castanet Club), Adelaide Review, No.36, March 1987, p.21<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3177\">Swanky<\/a>\u201d, (The Eurythmics), Adelaide Review, No.36, March 1987, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3206\">No Holds Bard<\/a>\u201d, (Much Ado About Nothing), Adelaide Review, No.36, March 1987, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3209\">Much Ado About Much Ado<\/a>\u201d, (Arts), The Advertiser, 28 February 1987, p.1<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2586\">Playing About<\/a>\u201d, CentreStage Australia, January 1987, p.12-13<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3026\">Foote and Mouth<\/a>\u201d, (A Smile, A Song and a Lump of Wood), Adelaide Review, No.34, January 1987, p.17<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3038\">Prize Pumpkins<\/a>\u201d, (An Inflection of Silence), Adelaide Review, No.34, January 1987, p.21<\/li>\n<\/ul>\n<h4>Publications 1986<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2847\">Adelaide Christmas \u2013 One Turkey, One Scrooge<\/a>\u201d, (Review of Gavan Strawhan&#8217;s Bah Humbug! Another Christmas Carol), CentreStage, 10 December 1986, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3190\">Sharp and Shiny<\/a>\u201d, (Joe Jackson), Adelaide Review, No.33, December 1986, p.32-33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2608\">State Secrets and Good Works<\/a>\u201d, CentreStage, November 1987, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3152\">Urbane Renewal<\/a>\u201d, (Benefactors by Michael Frayn), The Adelaide Review, November 1986<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2626\">Reviews &#8211; October 1986<\/a>\u201d, (State Theatre Company Review), CentreStage Australia, October 1986, p.14-15<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2925\">The State of Play<\/a>\u201d, (John Gaden&#8217;s Reflections), CentreStage Australia, October 1986, p.4-5<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3031\">Street from the Heart<\/a>\u201d, (A Streetcar Named Desire), Adelaide Review, No.31, October 1986, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3215\">Irish Eyes Have It<\/a>\u201d, (News from Ireland), Adelaide Review, No.30, September 1986, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3218\">Sorry Truth<\/a>\u201d, (Pravda), Adelaide Review, No.30, September 1986, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3172\">Iron Failings<\/a>\u201d, (Essington Lewis), Adelaide Review, No.29, August 1986, p.20<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3199\">Le Carre&#8217;s Spies Past, Present and Perfect<\/a>\u201d, Adelaide Review, No.28, July 1986, p.8-9<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2628\">Wagner&#8217;s Depths Explored<\/a>\u201d, (The Flying Dutchman), The National Times, 13 June 1986, p.31<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2588\">Potent cheap music<\/a>\u201d, (Adelaide Festival Theatre Review), The National Times, June 1986<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3186\">Fringe Things<\/a>\u201d, (Overview of Festival Fringe), The Adelaide Review, No.25, April 1986, p.9<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2564\">Anderson shows the essence of pop amid hi-tech legerdemain<\/a>\u201d, (Adelaide Festival Theatre Concert Review), The National Times, 28 March 1986, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2537\">First day at school<\/a>\u201d, (Review of Magpie Theatre Company&#8217;s production), The National Times, 21 March 1986, p.35<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2513\">Audacity carries the day<\/a>\u201d, (Adelaide\u2019s State Theatre Company Festival offering review), The National Times, 7 March 1986, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3192\">Sisters<\/a>\u201d, (Kate and Anna McGarrigle Performance), The Adelaide Review, March 1986, p.9<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3223\">Billie Rocks<\/a>\u201d, (Adelaide Festival Theatre Review), The Adelaide Review, 1 March 1986, p.11<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2548\">Guys and Dolls<\/a>\u201d, (Summer of the Seventeenth Doll), Adelaide Review, October 1996, p.34-5<\/li>\n<\/ul>\n<h4>Publications 1985<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3018\">Mirrors of Memory<\/a>\u201d, (Books Review), The Adelaide Review, 21 December 1985<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2606\">Sparing an audience unease<\/a>\u201d, (Adelaide&#8217;s Stage Company production review), The National Times, 6 December 1985, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2927\">The Dramatic Arts on Staminade<\/a>\u201d, (Adelaide Theatre Event), Lowdown, No.5, December 1985, p.8-10<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2558\">Jumble of disparate elements<\/a>\u201d, (On the Razzle), The National Times, 20 September 1985, p.35<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2556\">Journey to the future<\/a>\u201d, (Too Young for Ghosts), The National Times, 23 August 1985, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2507\">A Sense of Amiably Drifting<\/a>\u201d, (Review of The Floating Palais production), The National Times, 18 August 1985, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2576\">Of Fire and Satire<\/a>\u201d, (Muse of Fire), The National Times, 9 August 1985, p.36<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2554\">It wasn&#8217;t only a weak end<\/a>\u201d, (Weekenders), The National Times, 19 July 1985, p.30<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2610\">Tapping top talent<\/a>\u201d, (Stepping Out), The National Times, 5 July 1985, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2592\">Ravelling up the Fringe<\/a>\u201d, (Adelaide Fringe Festival Review), The National Times, 21 June 1985, p.32<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2614\">The lore of the big top<\/a>\u201d, (Affectionate study of family circus tradition in Australia), The National Times, 7 June 1985, p.35<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2560\">Kids Come Out &#8211; firing from the hip<\/a>\u201d, The National Times, 31 May 1985, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2620\">The Young Playwrights<\/a>\u201d, (Adelaide Theatre Review), The National Times, 17 May 1985, p.33<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2632\">Youth Year offering approaches the infantile<\/a>\u201d, (Beautland), The National Times, 10 May 1985, p.38<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2622\">Two<\/a>\u201d, The National Times, 3 May 1985, p.35<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=3179\">Exile and Cunning<\/a>\u201d, (Beyond the Dragon\u2019s Mouth), The Adelaide Review, No.15, May 1985, p.16<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2517\">Big and Little Looks a Winner<\/a>\u201d, (State Theatre Company Review), The National Times, 28 March 1985, p.34<\/li>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2527\">Corse Humours<\/a>\u201d, (Richard III by William Shakespeare Review), Empire Times, 1 February 1985<\/li>\n<\/ul>\n<h4>Publications 1980<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=1276\">Black Pastoral<\/a>\u201d, (Review of Restoration), Adelaide Review, No.80, September 1980, p.27<\/li>\n<\/ul>\n<h4>Publications 1798<\/h4>\n<ul>\n<li>\u201c<a href=\"https:\/\/murraybramwell.com\/?p=2263\">from Tintern Abbey<\/a>\u201d, (Lines composed a few miles above Tintern Abbey), Unknown, 13 July 1798<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Publications 2025 \u201cSouth Australia\u2019s History Festival\u201d, murraybramwell.com, 12 May 2025 \u201cCat Power\u201d, (Adelaide Festival: Music Review), InDaily InReview, 15 March 2025 \u201cTable Top Shakespeare\u201d, (Adelaide Festival Theatre Review), InDaily InReview, 10 March 2025 \u201cCamille O\u2019Sullivan\u2019s Loveletter\u201d, (Adelaide Festival: Music Review), InDaily InReview, 5 March 2025 \u201cTheatre Krapp&#8217;s Last Tape\u201d, (Review of a Samuel Beckett classic), InDaily InReview, 1 March 2025 \u201cHedwig and the Angry Inch\u201d, (Cabaret, Festival, Music Review), murraybramwell.com, 26 February 2025 \u201cWOMADelaide 2025\u201d, (Adelaide Festival: Music Preview), InDaily [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3701","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/pages\/3701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3701"}],"version-history":[{"count":7,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/pages\/3701\/revisions"}],"predecessor-version":[{"id":3709,"href":"https:\/\/murraybramwell.com\/index.php?rest_route=\/wp\/v2\/pages\/3701\/revisions\/3709"}],"wp:attachment":[{"href":"https:\/\/murraybramwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}