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October 08, 2017

OzAsia

Meeting Points : Scary Beauty
Keiichiro Shibuya, Australian Art Orchestra
and Skeleton
Space Theatre, Adelaide Festival Centre
October 1.

The End : Vocaloid Opera
Keiichiro Shibuya and Hatsune Miku
Dunstan Playhouse, Adelaide Festival Centre
October 3.

The program for OzAsia 2017, compiled by intrepid Artistic Director, Joseph Mitchell, will be remembered for a number of events : Singapore theatre company, Wild Rice’s assured and engaging play, Hotel, stylishly directed by Ivan Heng and Glen Goei; the captivating, absurdist realism …

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October 06, 2017

OzAsia – The Dark Inn

The Dark Inn
Written and directed by Kuro Tanino
Niwa Gekidan Penino
Her Majesty’s, Adelaide
October

The Hokuriko region in North Western Honshu in Japan is commonly known as Hell Valley. This refers to the extensive volcanic activity roiling below the earth’s surface and creating the numerous hot springs for which the region is famous. It is here, as in many parts of the country, that Japanese onsens, or health spas can be found, the restorative springs enclosed in bath …

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October 03, 2017

OzAsia – Accommodating force of history

OzAsia

Accommodating force of history

Hotel (Parts I and II)
by Alfian Sa’at & Marcia Vanderstraaten
Wild Rice
Dunstan Playhouse, Adelaide Festival Centre
September 28-29. Duration: Part I – Two hours 40 minutes,
Part II – One hour 40 minutes.

It is not every day you get a chance to spend two nights in a grand hotel, and this centrepiece theatre listing in the 2017 OzAsia program lives up to its five star ratings. From Singapore’s inventive Wild Rice company, …

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September 18, 2017

OzAsia opens up new territory

Murray Bramwell talks with OzAsia Artistic Director, Joseph Mitchell, about some highlights of this year’s program.

The OzAsia festival which opens this Thursday is now in its eleventh year. Initiated in 2006 by Adelaide Festival Centre CEO, Douglas Gautier, it has progressively consolidated its reputation as an adventurous and diverse event. It draws from all parts of the Asian and South East Asian sector – from China and Japan to Hong Kong and Singapore, Malaysia and South Korea to The …

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March 12, 2017

Delving into fantasy of childhood solitude

Adelaide Festival
Theatre

The Magic City
Adapted from the novel by Edith Nesbit
Devised by Manual Cinema
Her Majesty’s Theatre
March 11. Tickets $25- $49
Bookings: adelaidefestival.com.au
Until March 13.

This is an especially creative time for multi-media theatre. The exuberant mix of live feed video, animation, puppetry, back-projection and magnified miniatures has produced an intriguing variety of works which have tackled complex subjects once thought of as the domain only of conventional drama.

In recent Adelaide Festivals we have …

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March 04, 2017

Rap by Richard, punk iconoclast

Adelaide Festival

Richard III
by William Shakespeare
Translation by Marius von Mayenburg
Schaubuhne Berlin
Her Majesty’s Theatre.
March 3. Until March 9
Bookings: adelaidefestival.com
Tickets: $30- $99.
Duration: 2 hrs 30 mins (no interval)

“I am determined to be a villain” proclaims Richard III, “And hate the idle pleasures of these days.” In Thomas Ostermeier’s latest, tantalising project with the Schaubune Berlin theatre, Richard is in the summer of his discontent. In Lars Eidinger’s charismatic incarnation of the man who …

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September 24, 2016

Stepping out with volunteers and Hindi Bard

Adelaide
OzAsia Festival
Until October 2.
Bookings : BASS 131246 or www.bass.net.au

Stepping out with volunteers and Hindi Bard

The Record
600 Highwaymen
Space Theatre, September 21.

Twelfth Night
by William Shakespeare
Translated by Amitosh Nagpal
The Company Theatre Mumbai
Ukiyo Tent, Elder Park
September 23.

Opening the 2016 OzAsia performance program, The Record is an intriguing production. Listed as theatre, it has no text, very little context and an only gradually emerging subtext. Calling themselves 600 Highwaymen, creative team …

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March 09, 2016

Marriage viewed uncomfortably and kaleidoscopic cautionary tale

Adelaide Festival

The Country
by Martin Crimp
Stone/Castro in association with Insite Arts International,
State Opera of SA and Adelaide Festival.
State Opera Studio, 216 Marion Rd, Netley
March 7. Tickets: $ 25 – $ 36
Bookings : adelaidefestival.com.au
BASS 131246. Until March 13. Duration 90 minutes, no interval.

Golem
1927, co-production with Salzburg Festival,
Theatre de la Ville Paris and Young Vic.
Dunstan Theatre, Adelaide Festival Centre.
March 8. Tickets: $30 – $59
Bookings : adelaidefestival.com.au
BASS 131246. Until …

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February 28, 2016

King James Versions

Adelaide Festival

The James Plays
by Rona Munro
National Theatre of Scotland,
National Theatre of Great Britain,
Edinburgh International Festival.
February 27. Duration 7 hours 40 minutes including intervals.

“We cannot know the character and thoughts of these dead kings and queens and long-gone Scots,” Rona Munro remarks of the succession of royals and underlings who populate her dazzling epic trilogy, The James Plays, “(But) we can speculate a whole series of possibilities from the few hard facts we …

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February 18, 2016

Penny Arcade – Older, Wiser, Longer – and as thoughtful as ever

Penny Arcade
(Ukiyo, The Royal Croquet Club, 9.30 until March 14. Four and a Half Stars)

Penny Arcade, aka Susana Ventura, has an impeccable New York CV. She performed in Warhol/Morrisey films, she hung out as a teenager at Max’s Kansas City. She was there at Stonewall and in the terrible AIDS epidemic in the 80s and 90s. Last time she visited Adelaide as part of the 1994 Adelaide Festival, she performed wearing only an American flag. She also brought …

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